A Celebration of Women Writers


The Four Winds of Eirinn: Poems by Ethna Carbery. (Anna MacManus.) by Ethna Carbery [aka Mrs. Seumus MacManus, Anna Johnston] (1866-1902). Complete Edition, Edited by Seumas MacManus. Dublin: M. H. Gill And Son, Ltd. Jas. Duffy And Co., Ltd. 1906.

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OTHER BOOKS BY ETHNA CARBERY.

1. "THE PASSIONATE HEARTS." Love Stories.

2. "IN THE CELTIC PAST." Hero Tales.

"These stories are instinct with all that is of poetry in the life of the Gael."–Cork Constitution.
"They are full of the beautiful pathos of Irish poetry, the magic of Irish music, and the elusive charm of Irish folk-lore, and convey that atmosphere of sincerity which only flows from a pen dipped in the author's own heart."–New York Times.

BOOKS BY SEUMAS MacMANUS.

"A LAD OF THE O'FRIELS." An idyll of Donegal life.

"An admirable piece of work, true to life, true in sentiment, true in touch, with vivid actuality, and the breath of romance, and a very real and appealing winsome charm. It gave me sincere and deep pleasure to read this delightful book."–Fiona MacLeod.

"BALLADS OF A COUNTRYBOY."

"They are the best expressions of Ulster poetic sentiment that have appeared since Ethna Carbery's gem-like verses first delighted the public."–The Irish News.

From M. H. GILL & SON, Publishers, Dublin.


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[Frontispiece]


Very sincerely yours
Anna MacManus


[Title Page]

The Four Winds
of Eirinn:

POEMS
By Ethna Carbery.
(Anna MacManus.)

EDITED BY
SEUMAS MacMANUS.

TENTH THOUSAND.
NEW ENLARGED EDITION.

DUBLIN:
M. H. GILL AND SON, LTD.
JAS. DUFFY AND CO., LTD.
1906.

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ANNA JOHNSTON MACMANUS.
("ETHNA CARBERY.");
In the flower of her youth and the blossoming
of her genius,
Closed her eyes on Ireland of her heart's love,
APRIL 2nd, 1902:

The voice of the singer is silenced, the heart is stilled, the hand grown cold, and the loveful eyes are closed for evermore. A light has been quenched in Eirinn: another hope has gone under the green sod.

It was God's will. He knows what is best.

She that sang these songs, and died–with a song on her lips, and youth's bloom still on her cheeks–sang, as does the lark, because her heart, always filled with happiness and love, delighted to spill in melody upon the earth its overflowing joys. For, a kind God had compressed into her short years more exuberant happiness than is usually bestowed in a long life. [Page vi] 

Within Ireland this grand old chieftainry of Tir-Chonaill had always, strangely, drawn her affection. She dreamt and sang of it for long years before she was fated to see it. Joyously, with me, she came at length to the welcoming arms which our mountains reached out to her–unthinking that she came but to quaff her final cup of bliss, and bequeath her bones to the Hills of her Heart for ever.

From childhood till the closing hour, every fibre of her frame vibrated with love of Ireland. Before the tabernacle of poor Ireland's hopes she burned in her bosom a perpetual flame of faith. Her great warm heart kept the door of its fondest affection wide open to all who loved Ireland, and lived for Ireland, and strove for Ireland–and in her heart of hearts was sacredly cherished the Memory of the holy Dead who died for Ireland.

Our Motherland has had daughters as noble, as brave, as faithful and loving as Anna Johnston, but never was gathered to the Mother's breast one MORE noble-souled, upright, courageous of heart, or one MORE passionately faithful, than she.

Sad it is to think that she who struggled so bravely onward during the Night–when stouter than she grew weary, and despaired, and lagged behind–should have been dismissed to the unending slumber before there burst upon her hungering vision the glorious Dawning of the Day–the first slender spears [Page vii]  of which, with her spirit eyes, she believed she saw striking the sky!

Optimistic, hopeful, strong, she ever kept her face to the East. "Only another hill or two and we'll surely meet the Dawn." During the last few weeks of her journey I came to see that, like the King of Ireland's Son in the old tales we loved, she was toiling up the Hill of the World's End–climbing it alone, though it had been her constant prayer that we should bend to it hand in hand. And God knows, as I who watched know, the climb was a difficult one and a distressing. Yet her lips parted not in murmur: and the smile that had played there all her life did not leave her eyes now. On a beautiful morn of the glorious Eastertide her task was done: she only paused to cast back one last look; and then, still telling through her tightening fingers the brown beads that had cheered her on the way, she stepped over the crest, and went out of our sight for ever.

But I know that, pure of heart, white of soul, as she was, she walked into a Dawning resplendent and never-ending.

SEUMAS MACMANUS.

Donegal, Bealtaine, 1902.


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CONTENTS.

PAGE
The Cold Sleep of Brighidín 1
Shiela Ní Gara 3
In Tír-Na N-Og 5
The Song of Ciabhan 7
Mo Chraoibhín Cno 9
The Well o' the World's End 11
The King of Ireland's Cairn 12
Turlough MacSweeney 14
The Love-Talker 16
Páistín Fionn 18
Handsome Brian O'Gallagher 20
Mary of Carrick 22
Niamh 23
On an Island 24
The Heathery Hill 26
The Spell-Striken 27
Sláinthe na H-Éiraenn 29
Glen Moylena 30
The Sad Song of Finian 33
The Brown Wind of Connaught 35
The Four Places of Sorrow 37
Carroll O'Daly 39
Bereft 42
Mo Bhuachaill Cael-Dubh 44
Nial O'Cahan 46
All Souls' Night 48
Our Road 49
Brian Boy Magee 50
The Princes in the North 53
Donal MacSeaghain Na Mallacht 55
Hills o' my Heart 57
At the Well of the Branchy Trees 59
Invocation 61
I-Breasil 63

[Page x]

The Curse of Mora 65
Thinkin' Long 67
The Conqueror 68
Moorloch Mary 69
Feithfailge 70
The Wayfarer 72
The Other 73
The Quest 74
The Eyes of Fionuala 76
After 77
My Prayer 78
To the Comely Four of Aran 80
Rody M'Corley 82
The Wonder-Music 84
A Glen Song 85
The Kisses of Angus 87
Neece the Rapparee 89
Vein o' my Heart 91
My Yellow Yorlin 92
The Reason Why 93
On Inisheer 94
Máirín-Ní-Cullinán 96
The Green Woods of Truagh 98
Haunted 100
Art the Lonely 102
The Little Head of Curls 104
Unfearing 105
In Donegal 106
Angus the Lover 107
The Passing of the Gael 109
The Shadow House of Lugh 111
The Green Plover 113
Niall Glondubh to Gormlai 115
The Coming of Love 117
Anne Hathaway 118
In Glengormley 120
The Erin's Hope 122
Sir Turlough 124
A Gaelic Song 127
My Prayer for you 129

[Page xi]

Amor Vincit 131
A New Year's Song (1898) 133
Mea Culpa 134
Beannacht Leat 136
The Shamrock 137
A Ballad of Galway 139
Passing By 142
In Ispahan 144
The Betrayal of Clannabuidhe 146
My Dearest 150
Consummation 152
Notes 153

 


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Several of these poems appeared in the Shan Van Vocht (Belfast), from the years 1896 to 1899. The others found a place in United Ireland, and The Atlantic Monthly, Lippincott's, The Criterion, and The Bookman (U.S.A.)

To the courtesy of the Editors of these Magazines and Journals the Editor is indebted for permission to re-publish.

About two-thirds of this book was prepared for publication by the author some time before her death. One-third of the book, therefore, goes forth unpolished and unrevised.

Several of the songs contained herein have been, and are being, set to music by Mrs. C. MILLIGAN FOX, Mrs. EDITH WHEELER, Miss FRANCES ALLITSEN, Miss LEILA A. DE VERE, CARL HARDEBECK, O'BRIEN BUTLER, and others. Also, at time of issue of this fourteenth edition (first enlarged edition), Mrs. C. MILLIGAN FOX is arranging to have the greater number of the poems in book fitted with airs from Petrie's collection.


[Page 1] 

THE

POEMS OF ETHNA CARBERY.

THE COLD SLEEP OF BRIGHIDIN. *

There's a sweet sleep for my love by yon glimmering blue wave,
But alas! it is a cold sleep in a green-happed narrow grave.
         O shadowy Finn, move slowly,
         Break not her peace so holy,
Stir not her slumber in the grass your restless ripples lave.

My Heart's Desire, my Treasure, our wooing time was brief,
From the misty dawns of April till the fading of the leaf,
         From the first clear cuckoo calling
         Till the harvest gold was falling,
And my store of joy was garnered at the binding of the sheaf.

[Page 2] 

There came another lover, more swift than I, more strong,
He bore away my little love in middle of her song;
         Silent, ah me! his wooing,
         And silent his pursuing,
Silent he stretched his arms to her who did not tarry long.

So in his House of Quiet she keeps her troth for aye
With him, the stronger lover, until the Judgment Day:
         And I go lonely, lonely,
         Bereft of my one only
Bright star, Rose-blossom, Singing-bird that held the year at May.

The purple mountains guard her, the valley folds her in,
In dreams I see her walking with angels cleansed of sin.
         Is heaven too high and saintly
         For her to hear, though faintly,
One word of all my grieving on her grave beside Loch Finn?


[Page 1]

* In the light of after-events, this song–even in the very particulars of season and month–proves to have been the singer's own inspired death-lament.

[Page 3] 

SHIELA NÍ GARA.

SHIELA NÍ GARA, it is lonesome where you bide,
With the plover circling over and the sagans spreading wide,
With an empty sea before you, and behind a wailing world,
Where the sword lieth rusty and the Banner Blue is furled.

Is it a sail ye wait, Shiela? "Yea, from the westering sun."
Shall it bring joy or sorrow? "Oh, joy sadly won."
Shall it bring peace or conflict? "The pibroch in the glen,
And the flash and crash of battle where my banner shines again."

Green spears of Hope rise round you like grass-blades after drouth,
And there blows a red wind from the East, a white wind from the South,
A brown wind from the West, a grádh, a brown wind from the West–
But the black, black wind from Northern hills, how can you love it best?

[Page 4] 

Said Shiela ní Gara, "'Tis a kind wind and a true,
For it rustled soft through Aileach's halls and stirred the hair of Hugh;
Then blow, wind! and snow, wind! What matters storm to me,
Now I know the fairy sleep must break and let the sleepers free."

But, Shiela ní Gara, why rouse the stony dead,
Since at your call a living host will circle you instead?
Long is our hunger for your voice, the hour is drawing near–
Oh, Dark Rose of our Passion–call, and our hearts shall hear!

[Page 5] 

IN TÍR-NA'N-OG.

            In Tír-na'n-Og,
            In Tír-na'n-Og,
Summer and spring go hand in hand, and in the radiant weather
Brown autumn leaves and winter snow come floating down together.

            In Tír-na'n-Og,
            In Tír-na'n-Og,
The sagans sway this way and that; the twisted fern uncloses,
The quicken-berry hides its red above the tender roses,

            In Tír-na'n-Og,
            In Tír-na'n-Og,
The blackbird lilts; the robin chirps; the linnet wearies never,
They pipe to dancing feet of Sidhe and thus shall pipe for ever.

            In Tír-na'n-Og,
            In Tír-na'n-Og,
All in a drift of apple-blooms my true love there is roaming,
He will not come although I pray from dawning until gloaming.

[Page 6] 

            In Tír-na'n-Og,
            In Tír-na'n-Og,
The Sidhe desired my Heart's Delight, they lured him from my keeping,
He stepped within a fairy ring while all the world was sleeping.

            In Tír-na'n-Og,
            In Tír-na'n-Og,
He hath forgotten hill and glen where misty shadows gather,
The bleating of the mountain sheep, the cabin of his father.

            In Tír-na'n-Og,
            In Tír-na'n-Og,
He wanders in a happy dream thro' scented golden hours;
He flutes, to woo a fairy love, knee deep in fairy flowers.

            In Tír-na'n-Og,
            In Tír-na'n-Og,
No memory hath he of my face, no sorrow for my sorrow,
My flax is spun, my wheel is hushed, and so I wait the morrow.

[Page 7] 

THE SONG OF CIABHAN.

To the Isle of Peace
  I turn our prow:
No angry seas
  Shall fright you now;
But calm lake waters
  Lie smooth as glass,
  Where we shall pass
From the place of slaughters.

The slow blue stars
  Beneath your brows
At the clash of wars
  Need never rouse;
Through day hours winging,
  My love shall tend,
  And my gold harp send
You to sleep with singing.

Tall blossoms gleam
  Where the spear-sharp sedge
Sways in its dream
  By the wavelet's edge;
There shall come to harm you
  No scourging wind;
  But south-blown, kind,
It shall soothe and charm you.

[Page 8] 

A wattled dun
  Safe-sheltered, strong,
For my treasured one
  Hath waited long;
Of the wild bee's honey
  A queenly fare
  Shall glad you there
In a grianán sunny.

Broad wings of red,
  And green and azure,
Make a roof outspread
  To give you pleasure;
Strange scrolls are shining
  On walls lime-white–
  A mystic sight
In their wondrous twining.

Its oaken door
  Hath a threshold shady,
To lure you o'er,
  O sunbright lady.
My wolf-hound lingers
  Beside our seat
  For the stroking, Sweet,
Of your slender fingers.

In our Isle the calm
  Slow-dropping dew
Shall shed its balm
  'Twixt night and you:
And peace shall hover,
  Till Angus calls,
And the Great Peace falls
  On beloved and lover.

[Page 9] 

MO CHRAOIBHÍN CNO. *

A Sword of Light hath pierced the dark, our eyes have seen the Star:
Oh Eire, leave the ways of sleep now days of promise are:
The rusty spears upon your walls are stirring to and fro,
In dreams they front uplifted shields–Then wake,
          Mo Chraoibhin Cno!

The little waves creep whispering where sedges fold you in,
And round you are the barrows of your buried kith and kin;
Oh! famine-wasted, fever-burnt, they faded like the snow
Or set their hearts to meet the steel–for you,
          Mo Chraoibhin Cno!

Their names are blest, their caoine sung; our bitter tears are dried;
We bury Sorrow in their graves, Patience we cast aside;
Within the gloom we hear a voice that once was ours to know–
'Tis Freedom–Freedom calling loud; Arise!
          Mo Chraoibhin Cno!

[Page 10] 

Afar beyond that empty sea, on many a battle-place,
Your sons have stretched brave hands to Death before the foeman's face–
Down the sad silence of your rest their war-notes faintly blow,
And bear an echo of your name–of yours,
          Mo Chraoibhin Cno!

Then wake, a grádh! We yet shall win a gold crown for your head,
Strong wine to make a royal feast–the white wine and the red–
And in your oaken mether the yellow mead shall flow
What day you rise, in all men's eyes–a Queen,
          Mo Chraoibhin Cno!

The silver speech our fathers knew shall once again be heard;
The fire-lit story, crooning song, sweeter than lilt of bird;
Your quicken-tree shall break in flower, its ruddy fruit shall glow,
And the Gentle People dance beneath its shade–
          Mo Chraoibhin Cno!

There shall be peace and plenty–the kindly open door;
Blessings on all who come and go–the prosperous or the poor–
The misty glens and purple hills a fairer tint shall show,
When your splendid Sun shall ride the skies again–
          Mo Chraoibhin Cno!


[Page 9]

* Pr. Mo chreeveen no. "My cluster of nuts"=my brown-haired girl, i. e., Ireland.

[Page 11] 

THE WELL O' THE WORLD'S END.

Beyond the four seas of Eire, beyond the sunset's rim,
It lies half-forgot, in a valley deep and dim;
Like a star of fire from the skies' gold tire,
And whoso drinks the nine drops shall win his heart's desire–
  At the Well o' the World's End.

What go ye seeking, seeking, seeking,
O girl white-bosomed, O girl fair and young?
"I seek the Well-water, the cool Well-water,
That my love may have love for me ever on his tongue."

What go ye seeking, seeking, seeking,
O lad of the dreaming eyes, slender lad and tall?
"I seek the Well-water, the cool Well-water,
That the cailín I love best may love me best of all."

What go ye seeking, seeking, seeking,
O mother, with your little babe folded on your arm?
"I seek the Well-water, the cool Well-water,
That nine drops upon his lips may shield my child from harm."

What go ye seeking, seeking, seeking,
O gray head, long weary of the vigil that ye keep?
"I seek the Well-water, the cool Well-water
That nigh it I may rest awhile, and after fall asleep."

[Page 12] 

THE KING OF IRELAND'S CAIRN.

Blow softly down the valley,
  O wind, and stir the fern
That waves its green fronds over
  The King of Ireland's Cairn.

Here in his last wild foray
  He fell, and here he lies–
His armour makes no rattle,
  The clay is in his eyes.

His spear, that once was lightning
  Hurled with unerring hand,
Rusts by his fleshless fingers
  Beside his battle brand.

His shield that made a pillow
  Beneath his noble head,
Hath mouldered, quite forgotten,
  With the half-forgotten dead.

Say, doth his ghost remember
  Old fights–old revellings,
When the victor-chant re-echoed
  In Tara of the Kings?

Say; down those Halls of Quiet
  Doth he cry upon his Queen?
Or doth he sleep contented
  To dream of what has been?

[Page 13] 

Nay; nay, he still is kingly–
  He wanders in a glen
Where Fionn goes by a-hunting
  With misty Fenian men.

He sees the hounds of Wonder
  Bring down their fleeting prey
He sees the swift blood flowing
  At dawning of the day.

At night he holds his revels
  Just as a king might do–
But the ghostly mirth is silent,
  The harp-song silent too!

And he who crowns the feasting,
  His shadowy Queen beside,
Is pale as when they stretched him
  That bitter eve he died.

     : : : : :

'Tis well he seeks no tidings–
  His heart would ache to know
That all is changed in Ireland,
  And Tara lieth low.

That we go wailing, wailing,
  Around a foreign horde–
Nor raise the call to conflict,
  Nor ever draw the sword.

[Page 14] 

TURLOUGH MACSWEENEY.

A health to you, Piper,
  And your pipes silver-tongued, clear and sweet in their crooning!

Full of the music they gathered at morn
  On your high heather hills from the lark on the wing,
From the blackbird at eve on the blossoming thorn,
  From the little green linnet whose plaining they sing,
And the joy and the hope in the heart of the Spring,
          O, Turlough MacSweeney!

Play us our Eire's most sorrowful songs,
  As she sits by her reeds near the wash of the wave,
That the coldest may thrill at the count of her wrongs,
  That the sword may flash forth from the scabbard to save,
And the wide land awake at the wrath of the brave,
          O, Turlough MacSweeney!

Play as the bards played in days long ago,
  When O'Donnell, arrayed for the foray or feast,
With your kinsmen from Bannat and Fannat and Doe,
  With piping and harping, and blessing of priest,
Rode out in the blaze of the sun from the East,
          O, Turlough MacSweeney!

[Page 15] 

Play as they played in that rapturous hour
  When the clans heard in gladness his young fiery call
Who burst from the gloom of the Sassenach tower,
  And sped to the welcome in dear Donegal,
Then on to his hailing as chieftain of all–
          O, Turlough MacSweeney!

Play as they played, when, a trumpet of war,
  His voice for the rally, pealed up to the blue,
And the kerns from the hills and the glens and the scaur
  Marched after the banner of conquering Hugh–
Led into the fray by a piper like you,
          O, Turlough MacSweeney!

And surely no note of such music shall fail,
  Wherever the speech of our Eire is heard,
To foster the hope of the passionate Gael,
  To fan the old hatred, relentless when stirred,
To strengthen our souls for the strife to be dared,
          O, Turlough MacSweeney!

May your pipes, silver-tongued, clear and sweet in their crooning,
Keep the magic they captured at dawning and even
From the blackbird at home, and the lark on its journey,
From the thrush on its spray, and the little green linnet.
          A health to you, Piper!

[Page 16] 

THE LOVE-TALKER.

I met the Love-Talker one eve in the glen,
He was handsomer than any of our handsome young men,
His eyes were blacker than the sloe, his voice sweeter far
Than the crooning of old Kevin's pipes beyond in Coolnagar.

I was bound for the milking with a heart fair and free–
My grief! my grief! that bitter hour drained the life from me;
I thought him human lover, though his lips on mine were cold,
And the breath of death blew keen on me within his hold.

I know not what way he came, no shadow fell behind,
But all the sighing rushes swayed beneath a fairy wind
The thrush ceased its singing, a mist crept about,
We two clung together–with the world shut out.

Beyond the ghostly mist I could hear my cattle low,
The little cow from Ballina, clean as driven snow,
The dun cow from Kerry, the roan from Inisheer,
Oh, pitiful their calling–and his whispers in my ear!

[Page 17] 

His eyes were a fire; his words were a snare;
I cried my mother's name, but no help was there;
I made the blessed Sign: then he gave a dreary moan,
A wisp of cloud went floating by, and I stood alone.

Running ever thro' my head is an old-time rune–
"Who meets the Love-Talker must weave her shroud soon."
My mother's face is furrowed with the salt tears that fall,
But the kind eyes of my father are the saddest sight of all.

I have spun the fleecy lint and now my wheel is still,
The linen length is woven for my shroud fine and chill,
I shall stretch me on the bed where a happy maid I lay–
Pray for the soul of Máire Og at dawning of the day!

[Page 18] 

PÁISTÍN FIONN.

O, Páistín Fionn, but it vexed her sore,
The day you turned from your mother's door
For the wide gray sea, and the strife and din
That lie beyond, where the ships go in.

There was always peace in the little town–
The kindly neighbours went up and down,
With a word to you, and a word to me,
And a helping hand where need might be.

The sheltering hills and the rainbow skies,
Set the dreams alight in your boyish eyes,
And the shrill sweet singing from every brake
Stirred in your heart a restless ache.

So you left our glens, and our fishful streams,
To follow the lure of your boyish dreams:
Through the lonely cities you wander long,
Far from the moors and the blackbird's song.

Has the world been good to you, Páistín Fionn
Has the yellow gold that you sought to win
Been worth the toil and the danger dared?
Has plenty blessed you and sorrow spared?

[Page 19] 

Your mother sits in the dusk alone,
And croons old songs in an undertone,
Old cradle-songs that your childhood knew,
When her folding arms made a world for you.

Her sad heart, loving and hoping on,
Awaits your footsteps from dark to dawn–
The thin cheeks paler and paler grow,
With hunger for you as the hours drift slow.

Then, Páistín Fionn, come back, come back–
A homebound bird o'er the glancing track;
The door is open–the hearth is red–
And our love is calling you, Dear Fair Head.

[Page 20] 

HANDSOME BRIAN O'GALLAGHER.

(After an Old Song.)

Handsome Brian O'Gallagher, you took my heart away
When you set your foot upon the ship and sailed that bitter day,
And in my dreams, both noon and night, I'm sighing o'er and o'er,
Handsome Brian O'Gallagher, shall I ever see you more?

'Tis far and very far your feet have led you all alone,
No friendly faces near you, nor speech that is your own;
But withered verdure under, and a cruel sun before–
Handsome Brian O'Gallagher, shall I ever see you more?

Sure travel brings no ease, a gradh, but wakens memories sweet,
And a keen regret within you for a white hill-climbing street;
For the turf-fire's ruddy flicker, and the kindly open door–
Handsome Brian O'Gallagher, shall I ever see you more?

You must have met the fairies in some shadow-thridden glen,
Who shook their Fluttering Wisp at you, again and yet again,
And sowed the seed of wandering that keeps me sobbing sore–
Handsome Brian O'Gallagher; shall I ever see you more?

[Page 21] 

The magic of the Fluttering Wisp has struck your clear eyes blind;
Since for an unknown world you leave this dearer world behind;
With its green and purple valleys, its songful woods go leor
Handsome Brian O'Gallagher, shall I ever see you more?

I will pray for you to Patrick, and on Brigid I will call–
(And there's many a holy toras to be said in Donegal),
And Colmcille will listen from his throne on Heaven's floor–
Handsome Brian O'Gallagher, shall I ever see you more?

Oh! thinking long 's the weary work; it breaks my heart from dawn,
Till all the solemn shining stars come out at dayli'gone;
And with the dart of sorrow I am wounded to the core–
Handsome Brian O'Gallagher, shall I ever see you more?

[Page 22] 

MARY OF CARRICK.

Mary of Carrick has gone away
From our pleasant places, down to the sea,
She has put a loss on our mountain gray,
She has drained the joy from the heart o' me,
              Mary a-stor,
              Mary a-stor,
Black hair, black eyes, I am grieving sore!

Mary of Carrick is small and sweet–
My Share of the World, how sweet were you
Tripping along on little bare feet
With your milking-pails through the rainbow dew?
              Mary a-stor,
              Mary a-stor,
The sun was a shadow with you to the fore!

Mary of Carrick gave only a smile–
No word of comfort for words I spake,
But since she left me, this weary while,
My heart is learning the way to break,
              Mary a-stor,
              Mary a-stor,
Quick is my learning–and bitter the lore!

Mary of Carrick, 'tis you I must follow,
For where you are 'tis there I must be–
On mountain gray, or in heathery hollow,
Or where the salt wind blows from the sea.
              Mary a-stor,
              Mary a-stor,
When I find I shall bind you. nor lose evermore!

[Page 23] 

NIAMH.

Oh, who is she, and what is she?
A beauty born eternally
Of shimmering moonshine, sunset flame,
And rose-red heart of dawn;
None knows the secret ways she came–
Whither she journeys on.

I follow her, I follow her
By haunted pools with dreams astir,
And over blue unwearied tides
Of shadow-waves, where sleep
Old loves; old hates, whose doom derides
Vows we forget to keep.

I send my cry, I send my cry
Adown the arches of the sky,
Along the pathway of the stars,
Through quiet and through stress;
I beat against the saffron bars
That guard her loveliness.

And low I hear, oh, low I hear,
Her cruel laughter, fluting clear,
I see far-off the drifted gold
Of wind-blown flying hair;
I stand without in dark and cold
And she is–Where? Where? Where?

[Page 24] 

ON AN ISLAND.

Weary on ye, sad waves!
Still scourging the lonely shore.
Oh, I am far from my father's door,
And my kindred's graves!

From day to day, outside
There is nothing but dreary sea;
And at night o'er the dreams of me
The great waters glide.

If I look to east or west,
Green billows go tipped with foam–
Green woods gird my father's home,
With birds in each nest.

The grass is bitter with brine,
Sea-stunted the rushes stir–
In my father's woods the fir
Smells sweeter than wine.

My mother's eyes were kind,
But oh! kind eyes and smile
That won me to this lone isle,
She is left behind.

[Page 25] 

For love came like a storm,
Uprooted, and bound me here
In chains more strong, more dear,
Than the old home charm.

    : : : : :

Swiftly I thrust away
This thought of the Woods of Truagh,
My poplar, my fir are you,
My larch a-sway–

My mether of full delight,
My sun that is never spent,
And thus I go well-content,
Through gray days in your light.

[Page 26] 

THE HEATHERY HILL.

I MIND it well, and I see it yet
  In a halo of sunset glory,
When I climbed knee-deep through the gorse and fern
  To keep my tryst with Rory.
Like a singing-flame the little red lark
  Poured the joy of its heart above me;
My grief, my grief! for the Heathery Hill
  And the lad that used to love me.

The blue mist eerily drifted down,
  Till the kine were lost in shadow,
'Twas time for Rory to come this way
  By boreen and dewy meadow.
Then, then a song, that was sweeter far
  Than thrush's or lark's, rose near me–
Oh! I'm thinking long for the Heathery Hill
  And the voice of my lad to cheer me.

I miss my mother the livelong day–
  Sure I was my mother's treasure;
I cry in dreams for my father's fields,
  And the city holds no pleasure:
I'd part its ease and its golden store,
  Though the wise folk may deride me,
For a summer eve on the Heathery Hill
  And the lad o' my heart beside me.

[Page 27] 

THE SPELL-STRICKEN.

I hung my gift on the hawthorn bush,
Because three sips from the Holy Well
Had hurried the fever out of my veins,
And a pain that no tongue could tell.

And the gift I gave to the good Saint Bride
Was your little kerchief of spotted blue–
Cáilín deas, it had circled your neck,
And was sweet with the warmth of you.

The priest came by as I sat and dreamed
(I dreamed at night and I dreamed at noon),
He laid his kindly hand on my brow–
"Are you hearing a fairy tune?

"Do you hear them sing as you sit and smile?"
Then he led my steps to the blessed place,
I drank that day from his hollowed palms,
And he prayed, "God give you grace."

No fairy piping had troubled me–
It was you, O girl of the yellow hair!
It was you, bright blossom of loveliness!
Who set for my soul a snare.

[Page 28] 

Your smile had more than the strength of ten
To draw me after–your frown was worse,
For then I turned to the cup of woe,
And drained to the dregs its curse.

Mary O'Hara, my soul is safe!
I walk with men as a man should walk,
No longer my mother makes her moan
For my idle hours and my foolish talk.

I see you pass in your homespun dress,
Your white throat bare, and your eyelids meek.
But your wonder of beauty is all in vain,
Dark eyes, soft lips, and young round cheek.

Is it in vain? Kind saints be near!
I vow that the tortures of love are fled;
Yet something stirs at yon light foot-fall,
Till I close my ears for dread.

Mary O'Hara, pass on, pass on,
The spell is broken–the captive free,
Pass on, ere I pillow your yellow head
On my heart where it used to be.

[Page 129] 

SLÁINTE NA H-ÉIREANN.

O wind-drifted Branch, lift your head to the sun,
For the sap of new life in your veins hath begun,
And a little young bud of the tenderest green
Mine eyes through the snow and the sorrow have seen!

O little green bud, break and blow into flower,
Break and blow through the welcome of sunshine and shower;
'Twas a long night and dreary you hid there forlorn,
But now the cold hills wear the radiance of morn!

And there will be joy in our hearts since you bring
A whisper of Hope and a promise of Spring–
A Spring that is fairer for long waiting years,
And a Hope that is dearer because of our tears.

[Page 30] 

GLEN MOYLENA.

All the Summer for our loving, with the soft wind in the wheat!
  Ah! but Autumn brought disaster, speeding far on deadly feet.
We two kept our tryst that eve; how you clasped me, loth to leave
  Though the pikemen sought their chief in Glen Moylena.

"Ere I go to meet my doom, Love, one kiss–the best and last.
  Sweet wet eyes, oh, vex me not with haunting memories of the past.
Make me brave for death; I pray, since I tread a sterner way
  Than the woodbine-scented paths of Glen Moylena.

To the wise moon gleams of steel flashed defiance from the shade,
  Round the hill the red-coats toiled, plunder laden, unafraid;
Then the horror of the meeting, pike and pike sprang out in greeting–
  (Sleep in peace, ye pallid ghosts of Glen Moylena).

[Page 31] 

"This for Eileen, yellow-haired, this for dear and dark-eyed Maeve,
  This for altar overthrown, this for desecrated grave,
Strong and swift for hunger dire, withered mother, murdered sire"–
  Red the heart's-blood tinged each pike in Glen Moylena.

Fighting through the startled night, fighting while the shy dawn peeps
  On stark forms upon the sward; green and red in ghastly heaps;
Hand to hand in desperate strife, fighting for your country's life,
  Fighting till ye lost the day in Glen Moylena.

Since you came not, stor mo chroidhe, through the gloom I wandered far:
  High above in heaven trembled here and there a frightened star,
I could here the sleuth-hounds bay, tracking sure their bleeding prey,
  Hear the cry of spear-tossed babes in Glen Moylena.

In those awful hours, while Death reaped for harvest Ireland's best,
  By the thorn-crowned rath I stole, where some old king takes his rest,
Kindly angels mourned with me, when beneath our trysting-tree,
  Cold and wan I found you, love, in Glen Moylena.

[Page 32] 

Brave in life, brave in death, in the foremost ranks you fell,
  With the torn green banner draped round the heart that loved it well,
Staring with your dead grey eyes to the pitiful wet skies,
  Saddest day of all the days in Glen Moylena!

: : : : : :

There's a quiet dell, unknown save to Love and me alone,
  Where the Springtime enters first, and where Summer holds her throne;
Where I kneel at eve and weep tears that never thrill your sleep,
  Only keep your grave-grass green in Glen Moylena.

[Page 33] 

THE SAD SONG OF FINIAN.

I was sent adrift on the waves of the world,
        Ochón! ochón!
All for the sake of the yellow-curled
Slender girl that I wished my own.

I wandered East and I wandered West,
        Ochón! ochón!
And never saw sloe-blossom white as her breast,
Though the heart in under is hard as a stone.

I was scourged by the cruel Red Wind o' the Hills,
        Ochón! ochón!
I lay all night in the mist that chills,
And to God and Mary I made my moan.

I saw through the dark her eyes aglow,
        Ochón! ochón!
Shadowy, shimmering like the flow
Of running water o'er rock moss-grown.

[Page 34] 

I saw through the dark the shine of her hair,
        Ochón! ochón!
It floated over and round me there–
A golden web down the silence blown.

I saw through the dark her rowan-hued lips,
        Ochón! ochón!
Her cheek, soft-curving, whose young blush slips
Into the snow 'bove her kerchief shown.

My Star of Knowledge! my Flower of Grace!
        Ochón! ochón!
Tis she has left me in woeful case,
With empty arms to lament alone.

I wander North and I wander South,
        Ochón! ochón!
In the veins of my heart is a burning drouth,
And love for her tortures my every bone.

I am adrift on the waves of the world–
        Ochón! ochón!
Tossed by the storm, by the green seas whirled,
All for the sake of the yellow-curled
Slender girl that I wished my own.

[Page 35] 

THE BROWN WIND OF CONNAUGHT.

The brown wind of Connaught–
  Across the bogland blown,
(The brown wind of Connaught ),
  Turns my heart to a stone;
For it cries my name at twilight,
  And cries it at the noon–
O, Mairgread Bán! O, Mairgread Bán!
  Just like a fairy tune.

The brown wind of Connaught,
  When Dermot came to woo,
(The brown wind of Connaught ),
  It heard his whispers too;
And while my wheel goes whirring,
  It taps on my window-pane,
Till I open wide to the Dead outside,
  And the sea-salt misty rain.

The Brown wind of Connaught
  With women wailed one day
(The brown wind of Connaught ),
  For a wreck in Galway Bay;
And many the dark-faced fishers
  That gathered their nets in fear,
But one sank straight to the Ghostly Gate–
  And he was my Dermot Dear.

[Page 36] 

The brown wind of Connaught
  Still keening in the dawn,
(The brown wind of Connaught ),
  For my true love long gone.
Oh, cold green wave of danger,
  Drift him a restful sleep
O'er his young black head on its lowly bed,
  While his weary wake I keep.

[Page 37] 

THE FOUR PLACES OF SORROW.

There is sorrow for me in the North, where the black wind blows,
(Hush, O Wind of the dirges, O Voice of the restless dead!)
The ache of its cruel keening thro' my heart like an arrow goes,
I see in the tossing waters the sheen of a dear bright head.

There is sorrow for me in the South, where the white wind sings,
(Hush, O Wind of all lovers, crooning a laugh and a cry!)
On the pain of a dream love-haunted breaks the music of wings,
Seagulls, sweeping and swaying, saw ye my dead drift by?

There is sorrow for me in the East, where the red wind burns,
(Hush, O Wind of remorse, O Wind of the scourging flame!)
Under its slow cold dawning the soul of the drowned returns
And wan, in the startled daybreak, a ghost from the sea he came.

[Page 38] 

There is sorrow for me in the West, where the brown wind raves,
(Hush, O Wind from the bogs, O memory-freighted Wind!)
He is spindrift hither and thither, sport of unweary waves:
Would that my heart were close on his heart, my eyes on his eyes were blind!

[Page 39] 

CAROLL O'DALY.

I NEVER dance as in days of yore,
   Caroll O'Daly! Caroll O'Daly!
The banquet hall knows my mirth no more,
My song is silent, my wheel at rest;
My desolate heart hath grief for guest;
Bran at my feet sits wistful-eyed,
I am too weary to cheer or chide–
And my maidens repine for the joy that was mine,
   Caroll, my lover!

The birds still trill at my window, Dear!
   Caroll O'Daly! Caroll O'Daly!
Why are they happy and you not here?
Once while the thrush sang his lay for us,
His little heart's phantasy tremulous–
On a bough of roses swayed to and fro,
You told me the story I yearned to know;
Now the bloom's on the thorn and I wander forlorn,
   Caroll, my lover!

To-night of all nights, if you were nigh,
   Caroll O'Daly! Caroll O'Daly!
You and your good steed prancing by;
Vainly my maids on the marriage dawn,
Might seek the pale bride in bower and bawn,
There would be sorrow and wild surprise,
And flashings of ire in my bridegroom's eyes–
But no succour is near for my grieving and fear,
   Caroll, my lover!

[Page 40] 

They say you have wedded a lady fair,
   Caroll O'Daly! Caroll O'Daly!
In that southern land of the perfumed air–
Beauteous as she who Diarmuid wooed
From a perilous court to the solitude;
Gentle as Deirdre, whom poets sing,
And I dream and dream that your kisses cling
To my lips grown white for the lost delight,
   Caroll, my lover!

    : : : : : : :

O harper grey, did you ever meet,
   Caroll O'Daly! Caroll O'Daly!
In forest glade, or in crowded street,
In banquet chamber, or cloister dim?
Heard you the warring world's praise of him
For chivalrous daring, in danger's face;
For generous spirit and knightly grace,
Or do sighing winds sweep o'er his lonely last sleep?
   (Carol!, my lover!)

O harper, chant me your saddest strain!
   Caroll O'Daly! Caroll O'Daly!
Cometh no more to soothe my pain.
Sing me of Lir, and the swans that toil
Broken and soul-wrung through waves of Moyle,
Sing of the lovers whose dead hearts grew
Into tall trees of the apple and yew–
While I mourn for my woe and the heavy tears flow,
   (Carol!, my lover!)

[Page 41] 

"Eibhlín, Eibhlín, Eibhlín, a rúin,
   (Caroll O'Daly! Caroll O'Daly!
This minstrel playeth the old-time tune);
"A hundred thousand welcomings, Sweet,
Thy dear dark eyes from my soul I greet,
Thy rose-red lips and each dusky curl"–
The lights grow dim in a wildering whirl,
And I look on your face from my canopied place,
   Caroll, my lover!

"Eibhlín, Eibhlín, Eibhlín, a rúin,"
   Caroll O'Daly! Caroll O'Daly!
(The clear notes die in a plaintive croon);
Wilt thou be mine, who hath loved thee long,
Crossed the broad seas lest thou do this wrong,
Dared thy stern sire and his clan for thee–
Pulse of my heart, wilt thou fly with me?"
Through the echoing hall rings your passionate call,
   Caroll, my lover!

    : : : : : : :

Over the border and far away,
   Caroll O'Daly! Caroll O'Daly!
Your voice as a spell, could I answer 'Nay?'
Let the grim chief seek him another bride,
But into the starlight we ride, we ride,
Your sheltering arm close round me pressed,
And my happy head on your faithful breast,
And before us dew-pearled, the awakening world,
   Caroll, my lover!

[Page 42] 

BEREFT.

I roved last night from dusk to dawn lamenting all forlorn!
And stept upon a ring of green beneath a twisted thorn,
The cruel Red Wind o' the Hills came blowing round about–
I heard the clash of fairy swords and the fairies' battle shout.

My eyes were open to the dark, I stood in silent fear,
And saw one move among them was gone from me a year,
Her nut-brown curls so fine and free, her slender shape I knew–
Christ keep us from such sorrow as filled her eyes of blue.

The Gentle Folk were warring for sake of my fair girl–
Their strokes had set the wind to blow and dead brown leaves to whirl.
She saw me, and her little hands were lifted in despair,
Mo bhron! mo bhron! when next I looked nor Sidhe nor ghost was there.

[Page 43] 

Had I but called on Christ's dear Name and made the holy Sign,
Sweet Una would have safely lain within these arms of mine–
But frozen was my voice with awe that proved my courage vain,
Else I had dared the fairy foe and won my dear again.

Oh, I will wander to the east, and I will wander west,
And dree my penance in the ways that Patrick's feet have blessed,
And maybe where she bides unseen in fairy field or hall,
The blessing of my whispered prayer upon her head may fall.

If in that hour the bonds should break and her sad soul go free
To take the lonely road of death and come no more to me,
I only ask one gift from God–one joy for joys denied–
When Una walks the road of death that I may walk beside.

[Page 44] 

MO BHUACHAILL CAEL-DUBH.

(My Black Slender Boy).

My Black Slender Boy, as you step on your way
To the dewy-wet fields at the dawning of day;
My heart in my dreams hears the ring of your shoe,
And roams in the dawn through the clover with you.

My Black Slender Boy!–on my father's grass browse
Of sheep a full hundred, and twenty fine cows,
And my mother has webs of blue woollen go leor,
And linen and gold for my fortune, a stor.

My Black Slender Boy, you have nothing but health–
Yet your diamonds of eyes are far rarer than wealth;
Your mouth of white pearls, and your locks of the jet
Would buy all my fortune and leave me in debt.

My Black Slender Boy, though my father may frown,
And my proud mother pass you with scorn in the town,
While they bargain at making a match for me there,
With Red Ulic Keown in the heat of the fair–

[Page 45] 

I love you the more, Love, because of their hate,
If you whispered me 'Come,' I would fly to you straight,
Ay, over the bog to you, jewel of mine–
And leave them their pride, and their gold, and their kine.

But what can a poor colleen do till you speak?
With your hand in my hand, and your kiss on my cheek,
I would wander the world with you, singing for joy,
My store-house of treasure, my Black Slender Boy.

[Page 46] 

NIAL O'CAHAN.

Oh, when my Knight rode forth at morn,
The blue hills shone, sun-kissed, afar;
Oh, when my Knight was homeward borne,
Over him glittered the first pale star.

    Raise the dirge for the bravest chief!
    Foremost in danger on battle plain:
    Deaf, oh deaf, is he to my grief–
    Raise the dirge for Nial O'Cahan.

Little he dreamt of a death-blow then,
With his hounds high-leaping around his knee;
Bound for the shady green woods of Prehen,
The hunting-band was a sight to see.

    I waved my scarf from Dungiven's tower,
    He turned in his stirrup to doff again
    The white-plumed cap–in his manhood's flower,
    Raise the dirge for Nial O'Cahan.

Could my curses wither your base, black brood,
I would curse you, Donal, from dawn till dark,
For you sought him by stealth in the ferny wood,
And he lay on the blue-bells still and stark.

    He who had stood through your childhood lone
    Your strong, bright shield against woe and pain,
    The viper he cherished and loved for his own
    Bit to the heart's core of Nial O'Cahan.

[Page 47] 

Home by Glen Dermot his clansmen stepped,
With solemn pacing, beneath the pall.
What was the quarry so wildly bewept
And laid at my feet in the castle hall?

    Hark! they are digging his narrow grave,
    And your red hand, Donal, shall keep its stain,
    Though all the waters of Foyle should lave,
    For the doom you dealt to Nial O'Cahan.

Pray, oh Priest, by your altar stone,
That his soul may look on God's Face to night,
Raise, oh Keeners, the shrill Ochón,
For my lord, who fell in no hard-fought fight.

    Raise the dirge for the generous chief
    Whose dead hand dropped from the slackening rein,
    Deaf forever is he to my grief–
    Raise the dirge for Nial O'Cahan.

[Page 48] 

ALL SOUL'S NIGHT.

Mhuire a's truagh! Mhuire a's truagh!
  A foot went by in the night,
  A swift foot that I knew,
  And I saw in the chill moonlight
  A golden ghostly head–
  O my Love long dead!

Mhuire a's truagh! Mhuire a's truagh!
  Is it colder yet in the clay,
  Since the wandering's come on you
  'Twixt the dark and the day;
  Now the frost's on the window-pane
  And you come to my door again?

Mhuire a's truagh! Mhuire a's truagh!
  Do you bring me the word at last
  That the waiting hours are through
  And my loneliness is past?
  That after the joy denied
  I may rest satisfied.

Mhuire a's truagh! Mhuire a's truagh!
  'Twill be sweet to sleep in the sod,
  With the singing lark in the blue,
  Under the smile of God;
  So that a grave we share
  Together, Heart's Dearest, there.

[Page 49] 

OUR ROAD.

Here is the road that you must climb with me,
This road that winds between the hill and sea,
And leads to where our quiet home shall be.

Love waits us there–not proud, nor kingly clad,
Oh! just a little joyous country lad,
With tender wiles to make our tired hearts glad.

No barbéd arrow doth he hold for us–
But outstretched hands, divine and generous.
Would all sad wayfarers were welcomed thus!

The world hath tortured–yet immense our gain
To find enduring peace around us twain,
I, weary of my wanderings, you of your disdain.

[Page 50] 

BRIAN BOY MAGEE.

(A. D. 1641.)

I am Brian Boy Magee–
My father was Eoghain Bán–
I was wakened from happy dreams
By the shouts of my startled clan;
And I saw through the leaping glare
That marked where our homestead stood,
My mother swing by her hair–
And my brothers lie in their blood.

In the creepy cold of the night
The pitiless wolves came down–
Scotch troops from that Castle grim
Guarding Knockfergus Town
And they hacked and lashed and hewed
With musket and rope and sword,
Till my murdered kin lay thick
In pools by the Slaughter Ford.

I fought by my father's side,
And when we were fighting sore
We saw a line of their steel
With our shrieking women before;
The red-coats drove them on
To the verge of the Gobbins gray,
Hurried them–God! the sight!
As the sea foamed up for its prey.

[Page 51] 

Oh, tall were the Gobbins cliffs,
And sharp were the rocks, my woe!
And tender the limbs that met
Such terrible death below;
Mother and babe and maid
They clutched at the empty air,
With eyeballs widened in fright,
That hour of despair.

(Sleep soft in your heaving bed,
O little fair love of my heart!
The bitter oath I have sworn
Shall be of my life a part;
And for every piteous prayer
You prayed on your way to die,
May I hear an enemy plead
While I laugh and deny.)

In the dawn that was gold and red,
Ay, red as the blood-choked stream,
I crept to the perilous brink–
Great Christ! was the night a dream?
In all the Island of Gloom
I only had life that day–
Death covered the green hill-sides,
And tossed in the Bay.

I have vowed by the pride of my sires–
By my mother's wandering ghost–
By my kinsfolk's shattered bones
Hurled on the cruel coast–
By the sweet dead face of my love,
And the wound in her gentle breast–
To follow that murderous band,
A sleuth-hound who knows no rest.

[Page 52] 

I shall go to Phelim O'Neill
With my sorrowful tale, and crave
A blue-bright blade of Spain,
In the ranks of his soldiers brave.
And God grant me the strength to wield
That shining avenger well–
When the Gael shall sweep his foe
Through the yawning gates of Hell.

I am Brian Boy Magee!
And my creed is a creed of hate;
Love, Peace, I have cast aside–
But Vengeance, Vengeance I wait!
Till I pay back the four-fold debt
For the horrors I witnessed there,
When my brothers moaned in their blood,
And my mother swung by her hair.

[Page 53] 

THE PRINCES OF THE NORTH.

Summer and winter the long years have flown
Since you looked your last for ever on the hills of Tyrone;
On the vales of Tyrconnell, on the faces strained that night
To watch you, Hugh and Rory, over waves in your flight.

Not in Uladh of your kindred your bed hath been made,
Where the holy earth haps them and the quicken-tree gives shade;
But your dust lies afar, where Rome hath given space
To the tanist of O'Donnell, and the Prince of Nial's race.

O, sad in green Tyrone when you left us, Hugh O'Neill,
In our grief and bitter need, to the spoiler's cruel steel?
And sad in Donegal when you went, O Rory Bán,
From your father's rugged towers and the wailing of your clan.

Our hearts had bled to hear of that dastard deed in Spain:
We wept our Eaglet, in his pride, by Saxon vileness slain;
And, girded for revenge, we waited but the call of war
To bring us like a headlong wave from heathery height and scaur.

[Page 54] 

Ochón and ochón! when the tidings travelled forth
That our chiefs had sailed in sorrow from the glens of the North;
Ochón and ochón! how our souls grew sore afraid,
And our love followed after in the track your keel had made!

And yet in green Tyrone they keep your memory still,
And tell you never fled afar, but sleep in Aileach Hill–
In stony sleep, with sword in hand and stony steed beside,
Until the horn shall waken you–the rock gate open wide.

Will you come again, O Hugh, in all your olden power,
In all the strength and skill we knew, with Rory, in that hour
When the Sword leaps from its scabbard, and the Night hath passed away,
And Banba's battle-cry rings loud at Dawning of the Day.

[Page 55] 

DONAL MAC SEAGHAIN NA MALLACHT.

(Donal Mac Shan of the Curses took the garrison of Liscallaghan, October 23rd, 1641.)

"Donal Mac Seaghain Na Mallacht
Sign the cross on your lips and breast
Before you go into the battle
Where, maybe, you'll find your rest.

"And sign it on brow of blackness:
Loved vein of my heart, my son,
That the bitter hate may leave you,
And the bitter words be done.

"For a grief is ever with me–
Dark sorrow without shine–
That Donal Mac Seaghain of the Curses
Should be name on son of mine."

He took the hands of his mother
And answered in gentle wise
Though his face was a cloud of anger,
And a quenchless flame his eyes.

"For you I have only loving
Who nursed me upon your knee:
Yet, O Mother, you cannot sweeten
The sights that to-day I see.

[Page 56] 

"I look on our smoking valleys,
I gaze on our wasted lands,
I stand by our grass-grown thresholds
And curse their ruffian hands.

"I curse them in dark and daylight–
I curse them the hours between
The grey dawn and shadowy night time,
For the sights my eyes have seen.

"I curse them awake or sleeping,
I curse them alive or dead,
And, O Christ! that my words were embers
To fall on each Saxon head.

"They have swept my land with their fury,
It is burnt where their feet have passed:
It is blighted, dishonoured, lowly
In the track of the poisonous blast.

"But Eoghan, God shield him, gathers
The tall spears of the Gael–
And Donal Mac Seaghain Na Mallacht
Goes foremost to win or fail.

"Then stay me not of my curses–
When mountain and fair green glen
Are free as the Lord God meant them,
I shall pray at your bidding then."

[Page 57] 

HILLS O' MY HEART.

  Hills o' my heart!
I have come to you at calling of my one love and only,
I have left behind the cruel scarlet wind of the east,
The hearth of my fathers wanting me is lonely,
And empty is the place I filled at gathering of the feast.

  Hills o' my heart!
You have cradled him I love in your green quiet hollows,
Your wavering winds have hushed him to soft forgetful sleep,
Below dusk boughs where bird-voice after bird-voice follows
In shafts of silver melody that split the hearkening deep.

  Hills o' my heart!
Let the Herdsman who walks in your high haunted places
Give him strength and courage, and weave his dreams alway:
Let your cairn-heaped hero-dead reveal their grand exultant faces,
And the Gentle Folk be good to him betwixt the dark and day.

[Page 58] 

  Hills o' my heart!
And I would the Green Harper might wake his soul to singing,
With music of the golden wires heard when the world was new,
That from his lips an echo of its sweetness may come ringing,
Song of pure and noble hopes–a song of all things true.

  Hills o' my heart!
For sake of the yellow head that drew me wandering over,
Your misty crests from my own home where sorrow bided then,
I set my seven blessings on your kindly heather cover,
On every starry moorland loch, and every shadowy glen.
                  Hills o' my heart!

[Page 59] 

AT THE WELL OF BRANCHY TREES.

At the Well of the Branchy Trees, I lay awhile to rest,
Then God's hand shook the trouble down upon my breast,
For the girl I had never seen except in dreams came by,
And now my nights are sleepless grief, my days a sigh.

She is Mary of the Curls–the swan-white modest maid,
Grey pools of quiet are her eyes, like waters in the shade,
She moves as softly through the world as any whispered prayer,
And where she steps, the blossoms rise, and song haunts the air.

O Heartbreaker, will you come where my hut stands lone?
I will build you of my true love a jewelled throne,
I will rear for you a palace of fancies fine,
And my dreams shall weave a crown for you, when you are mine.

O Heartbreaker, I have neither red gold nor lands!
My only wealth is youth and strength, and willing hands.
But you would find a shelter from every hurting ill,
Beneath the roof I call my own in Lissadill.

[Page 60] 

It is there the curlew cries on a circling wring,
The heather-bleat croons wistfully, the brown larks sing,
The mournful restless peewit has a constant fear,
And the lake-water laps at the sedge's spear.

The honeysuckle twists with the tangled briar,
The gorse sweeps across the moor in floods of fire,
And the little snowy blossoms of the ceanabhan a-blow
Wave welcome from the bog-land along the ways I go.

I am as a shivering rush in the wind of your scorn
You shed sweet pity on the sad, yet leave me forlorn,
My woe! for the peace I knew, the careless ease,
Ere God gave me sorrow under the Branchy Trees.

[Page 61] 

INVOCATION.

The steeds of the Black Wind race
  Frost-shod and fleet,
Where you hide from my love your face,
  And stay your feet:
In this rose-rimmed quiet glen
  I bide, and pray
Through the star-filled gloom, and the day,
  For your voice again.

The flames on my hearth leap red,
  Each a slender spear,
My bosom awaits your head,
  And to charm your ear
I have wonder-tales without end,
  Fond words untold
Or the spell of a harp of gold,
  As your wild moods tend.

Oh strong man! man of my love!
  With eyes of dreams
Pools of the dusk where move
  No starry gleams:
Come from your storm-girt tower,
  Come to my side
And sweetly your sheath of pride
  Shall break into flower.

[Page 62] 

When the arrow ends its flight
  You will lonely grow
For a woman's kiss in the night,
  And her breast of snow:
You will reach your arms to the Dark,
  And call and cry,
As the wingéd winds sweep by–
  But no ear shall hark.

[Page 63] 

I-BREASIL.

There is a way I am fain to go–
  To the mystical land where all are young,
Where the silver branches have buds of snow.
  And every leaf is a singing tongue.

It lies beyond the night and day,
  Over shadowy hill, and moorland wide,
And whoso enters casts care away,
  And wistful longings unsatisfied.

There are sweet white women, a radiant throng,
  Swaying like flowers in a scented wind:
But between us the veil of earth is strong,
  And my eyes to their luring eyes are blind.

A blossom of fire is each beauteous bird,
  Scarlet and gold on melodious wings,
And never so haunting a strain was heard
  From royal harp in the Hall of Kings.

The sacred trees stand in rainbow dew,
  Apple and ash and the twisted thorn,
Quicken and holly and dusky yew,
  Ancient ere ever gray Time was born.

[Page 64] 

The oak spreads mighty beneath the sun
  In a wonderful dazzle of moonlight green–
O would I might hasten from tasks undone,
  And journey whither no grief hath been!

Were I past the mountains of opal flame,
  I would seek a couch of the king-fern brown,
And when from its seed glad slumber came,
  A flock of rare dreams would flutter down.

But I move without in an endless fret,
  While somewhere beyond earth's brink, afar,
Forgotten of men, in a rose-rim set,
  I-Breasil shines like a beckoning star.

[Page 64] 

THE CURSE OF MORA.

The fretted fires of Mora
  Blew o'er him in the night,
He thrills no more at loving,
  Nor weeps for lost delight,
For when those flames have bitten
  Both joy and grief take flight.

Around his path the shadows
  Stalk ever grim and high:
Spears flash in hands long withered,
  And dented shields give cry;
Or misty woman-faces
  Laugh out, and pass him by.

He hath the curse of Mora–
  Yet blessed of all is he
Whose dew-wet eyes uplifted
  See what we fain would see–
One crowned with scarlet berries
  Of the sacred quicken tree.

[Page 66] 

He hears the wild Green Harper
  Chant sweet a fairy rune,
And through the sleeping-silence
  His feet must track the tune
When the world is barred and speckled
  With silver of the moon.

Thus is he doomed till Judgment–
  Although the cairn should hold
His fevered heart in quiet,
  And hide his hair of gold,
His soul shall wander seeking,
  And its quest be never told.

[Page 67] 

THINKIN' LONG.

Oh thinkin' long 's the weary work!
It breaks my heart from dawn
Till all the wee, wee, friendly stars
Come out at dayli'gone.
An' thinkin' long's the weary work,
When I must spin and spin,
To drive the fearsome fancies out,
An' hold the hopeful in!

Ah, sure my lad is far away!
My lad who left our glen
When from the soul of Ireland came
A call for fightin' men;
I miss his gray eyes glancin' bright,
I miss his liltin' song,
And that is why, the lee lone day,
I'm always thinkin' long.

May God's kind angels guard him
When the fray is fierce and grim,
And blunt the point of every sword
That turns its hate on him.
Where round the tattered dear green flag
The brave and lovin' throng–
But the lasses of Glenwherry smile
At me for thinkin' long.

[Page 68] 

THE CONQUEROR.

She lingered in the greening way–
  The kine she tended by her side–
  Her hair the swift brown hands untied,
And o'er her gown of humble gray
  Fell waves of gold, so exquisite,
  So bright, the darksome day was lit.

He had no heart for woman's wiles,
  Strong was he, grave, and full of dreams
  He came, her hair the sunshine seems,
Her shy, alluring, pleading smiles
  Draw the world's beauty from all space,
  Into one rose-red wistful face.

Then lo! a shaft of fire sprang high,
  A royal, eloquent, white flame
  In his calm heart that knew no name
To call the radiant vision by–
  His soul stood trembling ere it flew
  To greet her soul, awakened too.

He took her slender hand in his,
  Yet laid no generous gifts therein,
  Her lips she lifted for his kiss–
He dreamt no more of fights to win,
  But captive, in Love's power, was raised,
  To her height–whom his world dispraised.

[Page 69] 

MOORLOCH MARY.

Like swords of battle the scythes were plying,
The corn lay low in a yellow rout,
When down the stubble, dew-wet and glinting,
A golden shaft of the sun came out:
It was Moorloch Mary, the slender blossom,
Who smiled on me in the misty morn,
And since that hour I am lost with grieving,
Through sleepless nights, and through days forlorn.

Oh Moorloch lies in a world of heather
Where Mary's little brown feet go bare,
And many a shadowy peak divides us,
Yet I will journey to find her there;
I will climb the mountains and swim the rivers,
I will travel the crests of the heath, wind-blown,
Her face in my heart like a star I carry,
And it shall guide me unto my own.

When I come at last to my Moorloch Mary,
I will take her little brown hands in mine,
And kiss her lips where the rowans tarry,
And kiss her hair where the sun-rays shine;
And whisper–"A stoirín, my heart was haunted
By wistful eyes of the sweetest grey,
That drew it over the hills of Derry–
O Moorloch Mary, bid the wanderer stay."

[Page 70] 

FEITHFAILGE.

    The blue lake of Devenish!
I put my thousand blessings there;
    (The blue lake of Devenish )
On shadow waters all a-stir,
And on the wind-blown honeysuckle
Beauty of Feithfailge's hair.

    The blue lake of Devenish!
I pray, if God but grant the grace,
    (The blue lake of Devenish )
To win that dear enchanted place,
Where spring bides in the apple-blossom,
Beauty of Feithfailge's face.

    The blue lake of Devenish!
I vex the purple dark with sighs–
    (The blue lake of Devenish )
Across the world my sorrow flies,
A-hunger for the gray and wistful
Beauty of Feithfailge's eyes.

    The blue lake of Devenish!
I wander far, yet find no rest–
    (The blue lake of Devenish )
Sore-haunted ever, and oppressed
By dreams that pillow on the snow-white
Beauty of Feithfailge's breast.

[Page 71] 

    The blue lake of Devenish,
She walks there in the quiet, meet
    (The blue lake of Devenish )
For prayerful thoughts, and visions sweet,
And cool green grasses kiss the lightsome
Beauty of Feithfailge's feet.

    The blue lake of Devenish,
I would the red gold were my part,
    (The blue lake of Devenish )
Ripe fields, and herds upon Drimart,
That by my fire might shine the lovelit
Beauty of Feithfailge's heart.

[Page 72] 

THE WAYFARER.

He had no crown upon his head
  When first he met me by the way,
His feet upon the thorns had bled,
  His gown was trodden gray:
    But in his eyes, stars, moon, and sun,
        Were one.

He came, his empty hands outheld,
  I gave to him with glad good-will:
And since my pitying heart rebelled
  That he should fare so ill,
    I took his gold head to my breast
        For rest.

Then lo! his empty hands were piled
  With all gifts craved in dreams of mine,
And over me the pilgrim-child
  Spilled benefits divine:
    Joy, Heart's Desire, and Peace most fair,
        Fell there.

For my great pity in his stress
  Because that sad and bare he went,
I now am clad with happiness,
  And rich in sweet content:
    'Twas Love, the King, who crossed my way
        To-day.

[Page 73] 

THE OTHER.

I am the Other–I who come
  To heal the wound she gave,
The wound that struck your fond words dumb,
  And left your world a grave.

What though you loved her–I love you,
  And so the most is said,
Here is my yearning heart, still true
  To yours her frailty bled.

(But oh! the bitter grief that I
  Kept hushed, the wild despair,
When your dear eyes had passed me by
  To find her face so fair.)

Now she hath gone her cruel way,
  And I am come again,
To seek among the husks to-day
  For one sweet golden grain.

Because in me Love's strength is great,
  Too great for pride, or sin,
I knock upon your heart's barred gate,
  And pray you let me in.

[Page 75] 

THE QUEST.

I bared my heart to the winds and my cry went after you–
A brown west wind blew past and the east my secret knew,
A red east wind blew far to the lonesome bogland's edge,
And the little pools stirred sighing within their girdling sedge.

The north wind hurled it south–the black north wind of grief–
And the white south wind came crooning through every frozen leaf;
Yet never a woe of mine, blown wide down starlit space,
Hath quickened the pulse of your heart, or shadowed your rose-red face.

I reach my arms to the Dawn and call your name–your name,
O Sweet, whom I seek untiring, are you core of the gold-green flame?
Are you the gate of the sun? Are you life in the opening flower?
Since the garnered beauty of earth God lavished on you for dower.

[Page 75] 

The moon-gold web of your hair is a mesh that I cannot break,
In the shadowy wells of your eyes I stoop Love's thirst to slake,
And find the water as bitter as Death's unwelcome cup–
Still, slave to your wordless bidding, I quaff the bitter up.

I see you in foam of the waves, and clasp it with passionate hands–
Yet ever it vanishes, soundless, and vague as a dream, in the sands,
Are you, too, a dream, O Heartbreaker?–shall I greet you some day or some night
To know you for Sorrow eternal, or the star of unending Delight?

[Page 76] 

THE EYES OF FIONUALA.

Dawn Eyes!
  Sending swift silver spears of beauty through
  The grey mists of my life–a world of sighs
  Until, that hour of hours, I met with you.

Sun Eyes!
  Glowing and glad; a flame of pure delight,
  Fanning the spirals of Love's fire to rise
  Within me, and attain your holy height.

Moon Eyes!
  Shadow and shine fall from you sweet and cool,
  A shimmer of rainbow peace that softly lies
  In blessing on my heart's unquiet pool.

Star Eyes!
  Steady and golden, smile on me, nor will
  Thy tender light to leave my storm-blown skies,
  But be my sentinel of Heaven still.

[Page 77] 

AFTER.

Now that the gates are shut on all I cherished,
  O wistful Love, I pray,
Blow no more haunting scents of roses perished,
  About my lonely way.

Take from me memory of happy laughter,
   Of kisses more than kind:
And that I may not meet his eyes hereafter,
  I pray thee strike me blind.

Lest I should knock against the bars, and, bleeding,
  Cry to him, faithless–"Come!"
The while he passes by, my grief unheeding,
  I pray thee strike me dumb.

So it were best. And dumb and blind, forgetting,
  White peace may wrap my soul;
Till, lorn of love and hate, and unregretting,
  It passes to its goal.

[Page 78] 

MY PRAYER.

Set your love before me as a shield!
  That, whistling by, the shadowy, wounding spear
    Of the world's hate may seek my heart in vain,
  Where on your breast it nestles–half in fear
    Of the divine sweet silence round us twain–
Set your love before me as a shield!

Set your love before me as a light!
    A candle tall; so shall I, weak, prevail
  O'er Darkness; pass beyond all venomed things
    Into the endless Dawn, gold-starred, rose-pale,
  And murmurous with whirring silver wings–
Set your love before me as a light!

Set your love before me as a cloud!
  A cloud of rainbow mist, where Grief discerns
    The radiant face of Joy, and groweth glad:
  And Joy, remembering how God's Angel turns
    The Wheel of Life, hath pity for the sad–
Set your love before me as a cloud!

[Page 79] 

Set your love about me as a sea!
  Encompassing–whose white and cooling wave
    Brings peace–or should at times your soul desire,
  To prove my spirit's fervour, then I crave
    Love's baptism in deeps of strengthening fire–
Set your love about me as a sea!

Set your love upon me as a prayer!
    A benison so softly breathed that none
  But God and you and I the words may guess–
    Whisper it down the quiet, Dearest One,
  The while I reach my lips for your caress–
Set your love upon me as a prayer!

[Page 80] 

TO THE COMELY FOUR OF ARAN.

         I send my prayer upon
         The winds that chase the sun,
O Four who are most comely and renowned!
         Conal the Wanderer,
         And Brendan grave, of Birr,
Fursey, and Berchain of this holy ground.

         Keep you my treasure safe
         From sorrow and from chafe;
From the strange deadly things that haunt the world
         When dark lies, dewy-cool;
         From rush-fringed bogland pool;
And from the storm-whipped sea's green snare upcurled

         O when his weary feet
         Journeyed through snow and sleet
On high bald mountains where the way was lone,
         My prayers went as a light
         Before him in the night,
And Christ, the Kind, was kindly to my own.

         He is my secret love,
         O Four who sit above!
To you I whisper all my hungering heart
         He is my dear desire,
         My soul's red altar-fire,
And, bitter woe! too long are we apart.

[Page 81] 

         By Oghil Well in gray
         Mist ere the dawn of day,
I knelt for sake of him and cried to you,
         And made my hands a cup,
         And drank the white wave up,
The three keen draughts that chilled me through and through.

         His bright head be your care,
         O tender Saints and fair!
Be you his mantle in the dew and rain,
         His shelter from the cold,
         The staff within his hold,
And mine the grieving be, the cold, the pain.

[Page 82] 

RODY M'CORLEY.

Ho! see the fleet-foot hosts of men
Who speed with faces wan,
From farmstead and from fisher's cot
Upon the banks of Bann!
They come with vengeance in their eyes–
Too late, too late are they–
For Rody M'Corley goes to die
On the Bridge of Toome to-day.

Oh Ireland, Mother Ireland,
You love them still the best,
The fearless brave who fighting fall
Upon your hapless breast;
But never a one of all your dead
More bravely fell in fray,
Than he who marches to his fate
On the Bridge of Toome to-day.

Up the narrow street he stepped,
Smiling and proud and young;
About the hemp-rope on his neck
The golden ringlets clung.
There's never a tear in the blue, blue eyes,
Both glad and bright are they–
As Rody M'Corley goes to die
On the Bridge of Toome to-day.

[Page 83] 

Ah! when he last stepped up that street,
His shining pike in hand,
Behind him marched in grim array
A stalwart earnest band!
For Antrim town! for Antrim town!
He led them to the fray–
And Rody M'Corley goes to die
On the Bridge of Toome to-day.

The grey coat and its sash of green
Were brave and stainless then;
A banner flashed beneath the sun
Over the marching men–
The coat hath many a rent this noon,
The sash is torn away,
And Rody M'Corley goes to die
On the Bridge of Toome to-day.

Oh! how his pike flashed to the sun!
Then found a foeman's heart!
Through furious fight, and heavy odds,
He bore a true man's part;
And many a red-coat bit the dust
Before his keen pike-play–
But Rody M'Corley goes to die
On the Bridge of Toome to-day.

Because he loved the Motherland,
Because he loved the Green,
He goes to meet the martyr's fate
With proud and joyous mien,
True to the last, true to the last,
He treads the upward way–
Young Rody M'Corley goes to die
On the Bridge of Toome to-day.

[Page 84] 

THE WONDER-MUSIC.

I would play you the music of mourning!
And put you to grieving, oh dear love and fair,
Till you droop your young head of the shadowy hair,
And the round rainbow tears come a-trembling and fall,
For a sorrow of sorrows that broods over all–
For a cruel pain burning.

I would play you the music of laughter!
And set the smiles lighting your apple-bloom face,
In little glad ripples, that gather apace
As if the lone hush of lake-waters were stirred
In a wind from the swift-sweeping wing of a bird,
Which trails the breeze after.

I would play you the music of sleeping!
And close the white lids over gray wistful eyes,
And bring the rare dreams in a troop from the skies,
And the dreams I should choose for you, pulse of my heart,
Are the sweet and the secret for love kept apart–
My love in your keeping.

[Page 85] 

A GLEN SONG.

      There's a green glen in Eirinn,
      A green glen in Eirinn!

Do you remember yet, a gradh, the sunshine of that day,
How the the river ran before us, and the fleckless blue hung o'er us,
And against the purple heather gleamed the yellow of the hay?

      There's a green glen in Eirinn,
      A green glen in Eirinn!

Where on a dew-wet swinging spray brown throstles trilled above,
And the blackbird carolled after in a silver rain of laughter,
And the little linnet piped its song that has no theme but Love.

      There's a green glen in Eirinn,
      A green glen in Eirinn!

'Twas sweet with you beside me in a world of harvest gold:
The sallaghs made a shadow in a corner of the meadow,
And your eyes were wells of kindness, and my hand lay in your hold.

[Page 86] 

      There's a green glen in Eirinn,
      A green glen in Eirinn!

The voice of Spring comes on the winds like cuckoo calling clear
She bids us fare together, nor heed the fitful weather–
And seek in yon green glen the joy that waits our hearts, my Dear.

[Page 87] 

THE KISSES OF ANGUS.

The kisses of Angus came to me–
And three bright birds on my apple-tree
Pipe their magical haunting song
That shall fill with dreaming my whole life long.

The first bird sings of my love's shut eyes,
The second her lips where silence lies,
The third her blushes for ever fled,
And the plenteous curls of her radiant head.

Night and day, asleep or awake,
I carry a heart nigh fit to break,
I carry a pain I shall not forget
Until above me the cairn is set.

For Angus the Druid sent them forth–
These birds that fly to the South and North;
Three kisses he blew on a fateful wind–
These three bright birds for our grief designed.

He bade them circle green Eri round,
Wherever a love-lorn youth be found,
From the High-King's son in his torque of gold,
To the shepherd guarding his master 's fold

[Page 88] 

He bade them sting like the honey-bee,
In the bitter-sweet of their minstrelsy;
Or soothe as soft as a mother's croon
When her tired babe droops to the drowsy tune.

He bade them foster the wild unrest
That burns like flame in a lover's breast,
Or haunt the sad from a burial-place
With the pale content of a ghostly face.

Mo bhrón! mo bhrón! my lady's sleep
Under the bracken is cold and deep;
At head and at foot stands an ogham-stone,
Where my carved lament on each slab is shown.

Why doth the young god hurl his ire
At a lover bereft of his soul's Desire?
My heart goes withering in the sun–
And mirth hath forsaken my father's dún.

It is Sorrow's raven I fain would see!
O Angus, call the bright birds from me!
To happier lovers who love may win–
For the hill-fern foldeth my dear one in.

[Page 89] 

NEECE THE RAPPAREE.

(1720.)

Saw ye Neece O'Hagan,
  By Moylena's Banks,
With his matchlock in his hand,
  Foam on Rory's flanks?
Child dear! child dear!
  'Twixt the night and day,
Neece will come with all his men
  And carry you away.

If you do not shut your eyes
  And sleep, mo paistín fionn,
If you do not keep the sighs
  Locked your lips within,
When your cradle-song I sing,
  Hushing to and fro–
Neece will knock at mother's door,
  And off my Dear must go.

He will take you to his cave
  Far down the Glen,
You will miss your mother's arms
  Among the roving men.
Whist, whist, a-stor mo chroidhe,
  Closer, closer creep–
O Neece, go by nor stop to-night,
  For my Dear's asleep.

[Page 90] 

Did I catch a blink o' blue?
  Did a whisper stir?
Nay, 'twas but a deeper note
  In pusheen's gentle purr;
And a little sleeping boy
  On his mother's knee,
Walks with angels in his dreams,
  Nor fears the Rapparee.

[Page 91] 

VEIN O' MY HEART.

Vein o' my heart, can you hear me crying,
  Over the salt dividing sea?
Maybe you'll think 'tis the wind that's sighing–
  But it comes from the heart o' me,
      The heart o' me!

Oh, that happy day, and your face before me!
  The blue loch lay like a silver sheet,
A blackbird swayed to its own sweet story,
  And a thrush sang in the wheat.

Around us both was the radiant weather,
  Over us both a blue, blue sky;
And the singing stream and the purpling heather,
  Gave no thought of a sad good-bye.

Your kind eyes smiled, and your hand was near me,
  Warm to hold, and strong and true,
And your words so sweet, yet so brave to cheer me,
  Swelled my heart with the love of you.

Vein o' my heart, can you hear me crying,
  Over the salt dividing sea?
Maybe you'll think 'tis the wind that's sighing–
  But it comes from the heart o' me,
      The heart o' me!

[Page 92] 

MY YELLOW YORLIN.

I would build myself a nest, a little downy nest,
  And a warbler of the woodland I would wed–
Oh, not the blackbird bold, nor the thrush with voice so cold,
  But the Yorlin with the yellow on his head.

I would keep him safe and warm, I would screen him from the storm;
  Together we would greet the golden sun–
We would mount the greening stair of the slender larch and fir,
  And sing our love until the day be done.

Should he journey far away I would watch both night and day,
  I would call upon the seas to go asleep,
And to be a floor of glass, that my wandering love might pass,
  Nor fear the curly snares of the deep.

Oh, my Yellow-Yorlin dear, I should ever go in fear
  Of the Little Folk who dance beneath the moon:
They would steal you from my side to mate a fairy bride,
  And cage my darling Yorlin in the dún.

But I know a way to take to a secret lonely lake
  Where scented groves above the waters sway;
And I know a secret tree for my Heart's Desire and me,
  Where we'll live and love, forever and a day.

[Page 93] 

THE REASON WHY.

Because you brought the hills to me–
  The dear hills I had never seen,
All sweet with heather down the braes,
  And golden gorse between–

Where sings the blackbird in the dawn,
  And where the blue lake-water stirs,
And where the slender wind-blown sedge
  Shakes all its silver spurs.

Because you loved the country ways,
  Whereon your happy feet were set.
Nor was the calmness of your days,
  Stirred by one vexed regret.

But in your every homely word
  I heard my unknown kinsfolk call
My roving heart to find its nest
  Afar in Donegal.

[Page 94] 

ON INISHEER.

         On Inisheer, on Inisheer,
         In the Spring-tide of the year,
You sought me, in your eyes love's rapture burning;
         And for the words you said,
         Above my drooping head,
My heart flew to you on the wings of yearning.

         On Inisheer, on Inisheer,
         I had never known a fear,
Nor a sorrow, nor a sigh to mar my laughter;
         Until that saddest day,
         When my true love sailed away,
And the sun grew dim, and darkness followed after.

         Why did you go, oh love,
         Ere the primrose peeped above
The scanty grass bleached with the wind salt-bitter?
         Here, by a cabin fire,
         Each with our heart's desire,
Had not the peace of home for us been fitter?

         Than you to pine afar
         Under the Southern Star,
And I to pine by Keevin's ruined altar,
         Watching the cliffs of Clare
         Fade in the evening air,
Telling my beads for you in tones that falter;

[Page 95] 

         Or by the holy well,
         Where as the darkness fell,
And out of dark the tender dawn came flowing
         In seas of silver light,
         You prayed the livelong night
That Christ would bless and guard you in your going.

         Some day He keeps in store
         You will return, a-stor,
Your curragh down our foaming current speeding
         From the welcome of your clan,
         On the rocks of Inishmaan,
To heal my wound of longing, ever bleeding.

         On Inisheer; on Inisheer,
          Love, I shall wait you here,
My radiant web of dreams through grey hours weaving.
         Until, the red gold won,
         And all your wandering done,
You take me to your heart and end my grieving.

[Page 96] 

MÁIRÍN-NÍ-CULLINÁN.

(IRELAND'S LAMENT FOR LORD EDWARD.)

Underneath the shrouding stone,
Where you lie in Death alone,
Can you hear me calling, calling,
In a wild hot gush of woe?
'Tis for you my tears are falling–
For you mo Chraoibhín Cno!

When you stood up in the Green
As beseemed the Geraldine,
Slender sword a-glancing, glancing,
Over you the tender skies,
How the warrior-joy kept dancing
In your brave bright eyes.

"'Stor," I said, "A stor mo chroidhe,
Hope of Mine and Hope of Me,
Take our honour to your keeping,
Bare your swift blade to the Dawn.
Freedom's voice hath roused from sleeping
Máirín-ní-Cullinán."

So I dreamt the Day had come,
Now your ardent lips are dumb,
And the sword is rusty, rusty,
Through a hundred weary years;
All the winds are blowing gusty
With a storm of tears.

[Page 97] 

"'Stor," I cry, above your bed,
Where I kneel uncomforted–
"Feel you not the battle-anger,
Shake the Nations of the World?
While amid the stress and clangour,
Still my Flag is furled."

"Were you here, O Geraldine,
This oblivion had not been."
Thus I mourn you, pining, pining,
For the gallant heart long gone,
Whose love was as a true star shining,
To Máirín-ní-Cullinán."

[Page 98] 

THE GREEN WOODS OF TRUAGH.

In the green woods of Truagh we met without fear,
Your kiss on my lips, and your voice in my ear,
Your tender arms about me, and your eyes glad and clear–
        Ochón, the Green Woods of Truagh!

In the green woods of Truagh the days go on wings,
On every brown branch a gladsome bird sings
And the fragrant amber blossom of the honey-suckle swings–
        Ochón, the Green Woods of Truagh!

In the green woods of Truagh the bracken stands high,
And wells of spring-water in deep hollows lie,
And the red deer is browsing in the cool shadows nigh–
        Ochón, the Green Woods of Truagh!

In the green woods of Truagh no sorrow dared stay,
The lark called me early at dawn o' the day,
And o'er my sleep at night pleasant dreams used to play–
        Ochón, the Green Woods of Truagh!

[Page 99] 

In the green woods of Truagh you wait till I come–
I left home and you for the stranger's far home,
To bring a hoard of yellow gold across the grey foam–
        Ochón, the Green Woods of Truagh!

In the green woods of Truagh–if God hears my prayer–
I shall reach you, O true love, my empty hands there,
For little of the yellow gold has fallen to my share–
        Ochón, the Green Woods of Truagh!

In the green woods of Truagh–your heart on my own,
And your bright hair in ringlets across my cheek blown
Now where in all the wide, wide world, could greater bliss be known?
        Ochón, the Green Woods of Truagh!

[Page 100] 

HAUNTED.

There was a wild cry in the night
  And one went past,
I knew a soul was faring forth
    Upon the blast.

I knew it was my little love,
  But dared not rise;
My mother held me with her prayers,
  And tear-wet eyes.

"Son! Son! 'tis but the banshee's voice."
  My grief! I knew
Cold Death had sealed the kissing lips,
  And eyes of blue.

I knew she lay a pulseless thing,
  A lily slain–
Lights at the feet that never more
  Would dance again.

Candles around the yellow head–
  And on her breast
Blossoms as wan as her dead cheek
  Mine own had pressed.

[Page 101] 

My anger broke her gentle heart–
  Because of me
She went to walk the lonely road
  Where shadows be.

And I, crouched thro' that awful night
  Without a stir,
Saw shining in the dark, the sweet
  Sad face of her.

A chill wind blows about my hair
  Where'er I go;
A weeping voice is in my ear–
  A voice I know.

She haunts me and will not depart
  For prayer or tear–
Would I were underneath the sod
  And she were here!

Then I, being dead, might pity win,
  And in God's peace
Old memories would lose their sting,
  Old sorrows cease.

[Page 102] 

ART THE LONELY.

The berried quicken-branches lament in lonely sighs,
Through open doorways of the dún a lonely wet wind cries,
And lonely in the hall he sits with feasting warriors round,
The harp that lauds his fame in fights hath a lonely sound,

The press of battle and the clang of striking spears
Set a lonely echo ringing for ever in his ears;
Amid the hunting-band he goes dream-stricken in the dawn–
The red deer and the baying hounds seem phantoms hurrying on.

The speckled salmon, too, darts lonely in the pool,
The swan floats lonely with her brood in shallows cool,
His steeds–the swift and gentle–are lonely in their stall,
The sorrow of his loneliness weighs heavy over all.

For in the house of Tara three shadows share the feast,
Conn sits within the High-King's place, against the East,
And Crionna whispers to his hound some memory of the chase,
While Connla to the harping turns a joyous listening face.

[Page 103] 

Ah, woe! the cairn is over Conn–his hundred battles done,
And in his sleeping Crionna lies, hidden from the sun;
But on a blue mysterious wave Prince Connla sailed away,
Nor hath an eye in Éire beheld him since that day.

His yellow hair hath silver stars to crown it now,
And silver blossoms kiss his cheek at bending of the bough,
And the spell that lays forgetfulness of earth on earthly things
Blows sweetly down enchanted air from whirring fairy wings.

         :   :   :   :   :   :   :   :  

Yet Art the King waits ever a footfall on the floor,
A radiant form between the carven pillars of his door,
His druids in their praying chant softly Connla's name.
And Crionna's boyish beauty, and Conn's enduring fame.

For sake of these his yearning heart to welcome Death is fain,
His hand moves idly at the chess; joy spreads its lure in vain;
His grieving gaze is seeking from morn till eventide
The eyes of two who sleep the Sleep; and of one who never died.

[Page 104] 

THE LITTLE HEAD OF CURLS.

O Little Head of Curls, you're my temptation–
  When you flash before my eyes what can I do?
Were I a King I'd leave my lofty station,
  And walk the world a-stóirín, after you!
Ay, walk the world, nor envy mortal in it–
  But travel gaily while the tempest whirls,
You'd be my Summer and my singing Linnet,
  My Treasure-Store–O Little Head of Curls.

O Little Head of Curls, your father's winning,
  Red gold to give the childeen of his heart,
And your thrifty mother sits above her spinning–
  My grief! the wealth that keeps us both apart!
And what have I to offer for their jewel?
  Ah, nothing, caílín deas, save love of you,
So they scorn me in the fair with glances cruel,
  While you coax me with those laughing eyes of blue.

O Little Head of Curls; I'll cross the water,
  Since a poor boy has no peace where'er you be–
And maybe then your haughty mother's daughter
  Will sometimes have a kindly wish for me.
A-rúin–a-rúin, is that a tear down falling,
  And what is this your trembling sweet lips say?
"Would I break your heart entirely?" No, mo cháilín,
  So to comfort and console you, Love, I'll stay.

[Page 105] 

UNFEARING.

I fear not Life, now that your arms are round me,
  Now that your heart hath told its tale to mine,
For Love hath rent the web of doubt that bound me,
  Where once were mists I see his pure Star shine.

I fear not Death, despite its bitter drinking,
  And the sad wrench of parting we must bear,
Since, some time, soul to soul shall leap unshrinking,
  Before God's foot-stool, in the glory there.

[Page 106] 

IN DONEGAL.

I know a purple moorland where a blue loch lies,
Where the lonely plover circles, and the peewit cries,
  Oh! do you yet remember that dear day in September,
The hills and shadowy waters beneath those tender skies?

Behind the scythes, swift-flashing, a wealth of gold corn lay,
In every brake a singing voice had some sweet word to say,
  When we took the track together across a world of heather,
With Joy before us like a star to point the pleasant way.

* * * * *

In Kerry of the Kings you hear the cuckoo call,
You watch the gorse grow withered and its yellow glory fall:
  Yet may some dream blow o'er you the welcome that's before you,
Among the wind-swept heather and gray glens of Donegal.

[Page 107] 

ANGUS THE LOVER.

I follow the silver spears flung from the hands of dawn.
Through silence, through singing of stars, I journey on and on:
The scattered fires of the sun, blown wide ere the day be done,
Scorch me hurrying after the swift white feet of my fawn.

I am Angus the Lover, I who haste in the track of the wind,
The tameless tempest before, the dusk of quiet behind,
From the heart of a blue gulf hurled, I rise on the waves of the world,
Seeking the love that allures, woeful until I find.

The blossom of beauty is she, glad, bright as a shaft of flame,
A burning arrow of life winging me joy and shame,
The hollow deeps of the sky are dumb to my searching cry,
Rending the peace of the gods with the melody of her name.

[Page 108] 

My quest is by lonely ways–in the cairns of the mighty dead,
On the high-lorn peaks of snow–panting to hear her tread,
At the edge of the rainbow well whose whispering waters tell
Of a face bent over the rim, rose-pale, and as roses red.

Thus she ever escapes me–a wisp of cloud in the air,
A streak of delicate moonshine; a glory from otherwhere;
Yet out in the vibrant space I shall kiss the rose in her face,
I shall bind her fast to my side with a strand of her flying hair.

[Page 109] 

THE PASSING OF THE GAEL.

They are going, going, going from the valleys and the hills,
They are leaving far behind them heathery moor and mountain rills,
All the wealth of hawthorn hedges where the brown thrush sways and trills.

They are going, shy-eyed colleens and lads so straight and tall,
From the purple peaks of Kerry, from the crags of wild Imaal,
From the greening plains of Mayo and the glens of Donegal.

They are leaving pleasant places, shores with snowy sands outspread;
Blue and lonely lakes a-stirring when the wind stirs overhead;
Tender living hearts that love them, and the graves of kindred dead.

They shall carry to the distant land a tear-drop in the eye
And some shall go uncomforted–their days an endless sigh
For Kathaleen Ní Houlihan's sad face, until they die.

Oh, Kathaleen Ní Houlihan, your road's a thorny way,
And 'tis a faithful soul would walk the flints with you for aye,
Would walk the sharp and cruel flints until his locks grew grey.

[Page 110] 

So some must wander to the East, and some must wander West;
Some seek the white wastes of the North, and some a Southern nest;
Yet never shall they sleep so sweet as on your mother breast.

The whip of hunger scourged them from the glens and quiet moors,
But there's a hunger of the heart that plenty never cures;
And they shall pine to walk again the rough road that is yours.

Within the city streets, hot, hurried, full of care,
A sudden dream shall bring them a whiff of Irish air–
A cool air, faintly-scented, blown soft from otherwhere.

Oh, the cabins long-deserted! –Olden memories awake–
Oh, the pleasant, pleasant places!–Hush! the blackbird in the brake!
Oh, the dear and kindly voices!
–Now their hearts are fain to ache.

They may win a golden store–sure the whins were golden too;
And no foreign skies hold beauty like the rainy skies they knew;
Nor any night-wind cool the brow as did the foggy dew.

* * * * *

They are going, going, going, and we cannot bid them stay;
The fields are now the strangers' where the strangers' cattle stray.
Oh! Kathaleen Ní Houlihan, your way's a thorny way!

[Page 111] 

THE SHADOW HOUSE OF LUGH.

Dream-fair, beside dream waters, it stands alone:
A winging thought of Lugh made its corner stone:
A desire of his heart raised its walls on high,
And set its crystal windows to flaunt the sky.

Its doors of the white bronze are many and bright,
With wondrous carven pillars for his Love's delight,
And its roof of the blue wings, the speckled red,
Is a flaming arc of beauty above her head.

Like a mountain through mist Lugh towers high,
The fiery-forked lightning is the glance of his eye,
His countenance is noble as the Sun-god's face–
The proudest chieftain he of a proud Dedanaan race.

He bides there in peace now his wars are all done–
He gave his hand to Balor when the death-gate was won,
And for the strife-scarred heroes who wander in the shade,
His door lieth open, and the rich feast is laid.

He hath no vexing memory of blood in slanting rain,
Of green spears in hedges on a battle plain;
But through the haunted quiet his love's silver words,
Blow round him swift as wing-beats of enchanted birds.

[Page 112] 

A grey haunted wind is blowing in the hall,
And stirring through the shadowy spears upon the wall,
The drinking horn goes round from shadowy lip to lip–
And about the golden methers shadowy fingers slip.

The Star of Beauty, she who queens it there;
Diademed, and wondrous long, her yellow hair.
Her eyes are twin-moons in a rose-sweet face,
And the fragrance of her presence fills all the place.

He plays for her pleasure on his harp's gold wire
The Laughter-tune that leaps along in trills of fire;
She hears the dancing feet of Sidhe where a white moon gleams,
And all her world is joy in the House of Dreams.

He plays for her soothing the Slumber-song:
Fine and faint as any dream it glides along:
She sleeps until the magic of his kiss shall rouse;
And all her world is quiet in the Shadow-house.

His days glide to night, and his nights glide to day:
With circling of the amber mead, and feasting gay;
In the yellow of her hair his dreams lie curled,
And her arms make the rim of his rainbow world. *


[Page 112]

* I have pieced together, as best I could, from the unpolished, and unfinished, rough drafts. I supplied a missing word here and there, and missing lines–to complete stanzas. S. MACM.

[Page 113] 

THE GREEN PLOVER.

The Eske wood is lonely, and I go in fear,
Where the shadows are thickest, to seek you, my dear
  Your bed is the sere leaf, your roof the green boughs,
And cold is your house, though the summer is near.

You crouch with the wild-birds in bracken and ling,
O'er your sleep, danger-haunted, the wistful larks sing,
  And the gay blackbirds fling you their mirth, my Green Plover,
Lie close in your cover–the Hawk's on the wing.

In the sweep of the Hawk over mountain and moor,
Is danger, Green Plover, relentless and sure
  He dangles the lure of his gold where he goes–
'Mid friends and 'mid foes, your doom to secure.

He hath taken your castle, your life he demands,
He hath harried with fire your father's broad lands,
  At your broken gate stands all his red-coated men,
And through the green glen roam his murderous bands.

[Page 114] 

Oh, what if he knew that the bride he would wed,
Were pressing her cheek to your bonny dark head,
  That her lips had grown red with the warmth of your kiss,
And her heart found its bliss in the fond words you said!

But a sail's on the waters–a snowy far sail:
And Christ in His mercy hath sent us a gale,
  That from sad Innisfail we may fly in the night–
Green Plover, what sight makes your brown face grow pale?

The Hawk! God be praised for this marvellous grace
Our last earthly look is on each other's face
  And death hath no trace of dread fear now that I
Am given to die in my true love's embrace.

[Page 115] 

NIALL GLONDUBH TO GORMLAI.

(A. D. 913.)

The war-pipes blow, and with joy I go from Aileach's Halls to the hosting-field,
I have roused my men from each Ulster glen in the glitter of rustless spear and shield.

They are yours for life, O'Cearbhall's wife, or yours for death in the battle's blare–
When our blue-sharp swords through Leinster's hordes shall cut a pathway for vengeance there.

Shall cleave and kill with a mighty will, shall hack and hew for your woe or weal,
Till one who is best on his foeman's breast shall press in triumph the victor heel.

So now we march 'neath the greening arch of woodland places, swim rivers wide,
To guard your name from a coward's blame; to bear you far from a coward's side.

O fair bride, flown on a wayward blown ill-wind to a loveless royal seat,
Hath a crown consoled for the bliss of old–hath your sorrow remembered my sorrow, Sweet?

[Page 116] 

I have worn my pain as a secret chain, yet out of the years my passion cries–
The ache stirs keen in my heart, O Queen, and my eyes are wet for your haunting eyes.

Come back, come back, o'er the Northland track, let us laugh and kiss as in days that were–
When our childhood played in the quicken shade and I hid my face in your red-gold hair.

In your gríanân bright for Love's delight, I shall tune my harp to the songs you sing,
Sweeter than thrush in the twilight hush, or lark at morn on a rising wing.

You are mine, yea, mine, by a right divine, who dares deny while my hand is strong?
Though Cearbhall won, from her father's dún, my flower of flowers to her bitter wrong.

But our Clans shall pay the debt this day, and Niall welcome his Heart's Desire–
His Hope, his Star, through the stress of war, set free at last from her bondage dire.

Come straight, come straight to the arms that wait–nor in Cearbhall's arms shall you rest again–
Your knight I go, to meet my foe, and my guerdon reap on the battle-plain.

[Page 117] 

THE COMING OF LOVE.

He came in the sea-drift and rain,
His eyes held a passionate pain,
  The night-dew lay damp on his hair:
    I knew not the face nor the form,
  The voice of undying despair
    That craved for a rest from the storm.
I opened my door straight and wide,
And beckoned him safe to my side.

He nestled anear me: each day
Brought a gladder, new sense of dismay
  As closer he crept to my heart,
    This outcast who came with the wind.
  I never dared bid him depart,
    For I knew there would linger behind
Grave sorrow, unending regret,
For something too fond to forget.

One morning I rose unaware,
And stole up my heart's secret stair;
  And gazed through the half-open door:
    My guest was asleep on a throne,
  A dread quiver lay on the floor,
    And I knew it was Love, who alone
Had braved all the tempest's mad strife,
To teach me the glory of Life.

[Page 118] 

ANNE HATHAWAY.

Here did you stand, so shy and sweet,
   With face turned to the moss-grown way
That William trod with eager feet
   To you, at end of day.

Above you, tinted apple-blooms
   Showered their leaves across the lane,
And round you stole the soft perfumes
   Of flowers after rain–

Old cottage scents that rise at dusk
   From rosemary and jessamine,
The passionate warm breath of musk,
   And odorous woodbine.

The blush of girlhood is not yours,
   You are a woman grave and fair;
Yet in your eyes your youth endures,
   And in your sunset hair.

Across the fields at eventide
   With jaunty step, and smile elate,
He came and sought you, bluebell-eyed,
   Tryst-keeping at the gate.

And, "Sweetheart, hast thou waited long?"
   And, "Nay, love, but a little space:"
Then was it but the throstle's song,
   Or lovers face to face?

[Page 119] 

He lingered near you, all unchid,
   He prayed, as only lovers can;
He knew the worth your true heart hid,
   O fair, O happy Anne.

Dear! did you dream in days to come
   How great your lover's name would be?
How spell of his should wreathe your home
   With immortality?

How strangers by your hearth should sit
   And close their eyes, and seem to view,
Through vistas dim, your shadow flit,
   And William's shadow, too?

Or did you live those far-off years
   Love-sheltered,–holding home the best,
Haply, no envious, worldly fears
   Stirring your gentle breast?

O sweet dead woman! blessed above
   All women of those distant days;
Who knew the depth of Shakespeare's love,
   And merited his praise.

[Page 120] 

IN GLENGORMLEY.

'Tis Summer in Glengormley,
  And the mountain gorse aglow
Sends shafts of gold adown the slopes
  Where we were wont to go;
The thrushes pipe as sweet, as clear,
  The streamlet sings all day
By daisied grass and heather-bells–
  But you are far away!

Her star had dawned for our sad land,
  Her rallying-call had pealed
Loud from the city's market-place
  Over each sun-kissed field;
And the loving heart that beat for me,
  Was to the Mother true;
So forth you fared to take your place
  Among the dauntless few.

Though prison walls should sunder
  Our hands, that clasped, a stór,
Though lonely years should weigh me down,
  And you come back no more;
Though our bright dreams be unfulfilled,
  No shameful tears shall rise
To mar the memory of the smile
  That lit my love's brave eyes.

[Page 121] 

I'd rather see you cold, love,
  Beneath the shamrock screen,
Than know you traitor to your God,
  And traitor to the Green!
I'd rather see your dear, fair head
  On spear-point of the foe,
Than know when Ireland needed you
  You never struck a blow!

She's worth all bitter pangs endured
  For her sweet, holy sake,
By manly hearts that meet the steel,
  And women's hearts that break;
Should weaker souls grow faint and cold,
  Oh, never, love, forget
The land your father died to save
  Is yours to die for yet.

But God may hear my pleading prayer,
  And, haply, His decree
May bring you safe ere Summer wanes
  To home, and love, and me;
My pride to know you never quailed!
  My joy to kiss each scar
For Ireland borne, with Ireland's sons,
  On battle-fields afar.

And the thrushes in Glengormley
  Shall trill a song of hope,
The streamlet rush to welcome you
  Adown the heathery slope,
The sad soul of the Motherland
  Arise, erect and free,
When you come back, oh, true and brave,
  To my glad heart and me!

[Page 122] 

THE ERIN'S HOPE (1867).

A sail! a sail upon the sea–a sail against the sun!
A sail, wind-filled from out the west! our waiting-time be done,
Since sword and spear and shield are here to free our hapless One!

Patiently hath she sought her Star, her Star of feast and fray,
That faded, leaving scarce a gleam to light us on the way,
Where, weary-eyed, she broods and waits the Dawning of the Day!

Her white, white hand hath listless lain for many a bitter year;
She cares no more to wake the harp that myriads thronged to hear:
The thick graves of her children rise around her far and near.

But hark! the tramp of marching men–the aid desired so long–
Hath brought the bloom to her wan cheek, and rising straight and strong,
She blesses in her holy speech the hosts she stands among.

[Page 123] 

O come, ye brave! O come, ye wise! O come, ye true of heart!
Come in your hope and loyalty, from field, from shore, and mart!
Let broad breasts make a rampart round and swords from scabbards start!

[Page 124] 

SIR TURLOUGH.

        "Go forth to the combat,
My hero, my dearest," she cried, half in sorrow;
     "The trumpets peal loudly, there's work for the daring;
Our country may rise on the wings of the morrow,
     Then speed where the strong and high-hearted are faring.

        "Bear the banner I broidered
Straight, straight to the core of the conflict; at sunset
     My maidens shall croon the old songs of our sireland,
And our prayers shall ascend for the brave in the onset–
     The faithful and noble who struggle for Ireland!

        "Farewell, then; farewell, Love!
O, weak that I am! I would hold thee and keep thee,
     And vex thy proud soul with my woman's beseeching,
Whose glory and anguish it may be to weep thee,
     Since the dread arm of Death for our truest is reaching.

[Page 125] 

        "Ah, fiery steed, fret not!
Nor prick thy fine ears at the ominous rattle;
     Far happier than I, thou wilt still be anear him,
When my knight heads his clan in the stress of the battle
     Down the ranks of the foe that shall fly and shall fear him.

        "Yet in spirit I'll follow!
From our ivy-wreathed turret o'erlooking the valley
     My anxious, sad eyes shall gaze under and over
For thy white tossing plume in the rush and the rally;
     God guard thee and bless thee, my lover, my lover!"

        Leaning forth in her beauty
She hears the quick tramp of his horse down the roadway,
     She sees the white plume growing dim and yet dimmer,
Faint war-echoes fright her, until in the broadway
     Of Heaven, smoke-shadowed, the pallid stars glimmer.

. . . . . . . .

        With slow step and steady,
On spears, ruddy-dyed, interlaced and entwining
     Up the rock-girded path where the mountain mist gathers,
And the fays hold their revels when day is declining,
     They bore him at eve to the hall of his fathers.

[Page 126] 

        Loud, loud wailed the keeners!
Their weird voices raised in the shrillness of trouble–
     But not a moan made she, the dear and forsaken.
Mo bhron! 'tis our grief for the life of the noble
     That the sharp-pointed steel of the spoiler had taken.

        She knelt by him gently,
And pressed her sweet lips to the dead lips half parted,
     And laid her bright head on the dead heart that loved her:
No desolate tears at his deep silence started–
     His brave bride in living and dying she proved her.

        Praise the kind God who pitied,
And gave them to sleep their long last sleep together:
     Across his broad breast her gold hair like a glory–
Above them the purple of wind-drifted heather–
     And to us the pathos and pride of their story.

[Page 127] 

A GAELIC SONG.

A murmurous tangle of voices,
   Laughter to left and right,
We waited the curtain's rising,
   In a dazing glare of light;
When down through the din came, slowly,
   Softly, then clear and strong,
The mournful minor cadence
   Of a sweet old Gaelic song.

Like the trill of a lark new-risen,
   It trembled upon the air,
And wondering eyes were lifted
   To seek for the singer there;
Some dreamed of the thrush at noontide,
   Some fancied a linnet's wail,
While the notes went sobbing, sighing,
   O'er the heartstrings of the Gael.

The lights grew blurred, and a vision
   Fell upon all who heard–
The purple of moorland heather
   By a wonderful wind was stirred;
Green rings of rushes went swaying,
   Gaunt boughs of Winter made moan;
One saw the glory of Life go by,
   And one saw Death alone.

[Page 128] 

A river twined through its shallows,
   Cool waves crept up on a strand,
Or fierce, like a mighty army,
   Swept wide on a conquered land;
The Dead left cairn and barrow,
   And passed in noble train,
With sheltering shield, and slender spear,
   Ere the curtain rose again.

The four great seas of Éire
   Heaved under fierce ships of war,
The God of Battles befriended,
   We saw the Star! the Star!
We nerved us for deeds of daring,
   For Right we stood against Wrong;
We heard the prayer of our mothers,
   In that sweet old Gaelic song.

It was the soul of Éire
   Awaking in speech she knew
When the clans held the glens and the mountains,
   And the hearts of her chiefs were true:
She hath stirred at last in her sleeping,
   She is folding her dreams away,
The hour of her destiny neareth–
   And it may be to-day–to-day!

[Page 129] 

MY PRAYER FOR YOU.

Our hands are met for the parting; your path must lie afar,
Yet well my heart shall know the way that leads to where you are,
And whether in gladness or in woe this is my prayer sincere–
The blessing of God be with you through all the day, my Dear.

May it be nigh you when the hours are filled with anxious care,
And guide you when the track of sin shows smooth and very fair,
May it ease your soul of every grief, scatter each cloud of fear–
The blessing of God be with you through all the day, my Dear.

Can you see the sadness of my heart deep down within mine eyes?
Can you hear in my gay farewell words the echo of my sighs?
Or guess behind my laughter that the tears are trembling near–
The blessing of God be with you through all the day, my Dear.

[Page 130] 

The golden glory forsakes the sky, the throstle's song is dumb,
The flowers are sleeping on their stalks, and the parting time has come;
It may be never again we'll stand in the gathered gloaming here–
Then the blessing of God go with you through all your days, my Dear.

[Page 131] 

AMOR VINCIT.

A rush of wings upon the air, while here you sit and spin–
Give over wailing, O sad heart, and let the Summer in!
Love knocks without your guarded gate, your fire is burning red–
"I cannot let him in," she wept, "because of Love that's dead."

His wings are heavy with the rain, his curls are tempest-tossed,
He bears fair gifts to compensate for all the joy's you've lost;
Your silent house hath need of him, your lonely ingleside–
"I gave Love shelter once," she said, "for this my heart hath died."

"But if I be the Love of old," uprose his pleading sweet,
"Say might I then have welcoming, and nestle at your feet?
I only slept, uncared, unsought, beneath the stress of tears,
And ashes of remembrance, piled by the passing years.

[Page 132] 

"Yet Love outlives–if Love be true–aught born of blind disdain,
Comes in the gladness of the Spring, and seeks his own again–
Aught born of wrath when speech rings free and tried souls drift afar–
So Love be true, his benison can heal the deepest scar.

"Then let me in"–Her mournful eyes glow with their vanished grace
To see his drifted locks of gold, the glory on his face.
There's bloom in desert-lands to-day, there's singing in the sky,
Since Love remembered one sad heart, and cast his dreaming by.

[Page 133] 

A NEW YEAR SONG (1898).

What shall the year bring, fraught with omen,
  What shall the core of its message be?
Tramp of battle, and bright swords flashing,
  And the sunburst over you, Gramachree?

Say in what dawn shall our eyes behold it–
  Swift, white sails on the western sea,
And the exiled clans of your love returning
  To succour and save you, Gramachree!

Say shall the sound of their war-chant ringing,
  And our answering chorus re-echoing free,
From the strong dark North to the South sweet-spoken,
  Wake, from her dreaming, Gramachree!

Ah! not alone do the exiles call you,
  Nor alone in our passionate pleading are we;
But voices, long stilled, on the winds are drifting
  "Your day-star is rising, sad Gramachree!"

Hearken the shout of the Hundred Fighter!
  At Brian's fierce thunder old sorrowings flee:
And Owen, and Hugh the Beloved, are bending
  From Heaven to comfort you, Gramachree!

Lift your sad eyes to the hills, mavourneen,
  Where true hearts yearn for the fray to be:
The gold dawn flushes your grey sky over,
  God's sun will soon shine on you, Gramachree.

[Page 134] 

MEA CULPA.

Be pitiful, my God!
  No hard-won gifts I bring–
But empty, pleading hands
  To Thee at evening.

Spring came, white-browed and young,
  I, too, was young with Spring.
There was a blue, blue heaven
  Above a skylark's wing.

Youth is the time for joy,
  I cried, it is not meet
To mount the heights of toil
  With child-soft feet.

When Summer walked the land
  In Passion's red arrayed,
Under green sweeping boughs
  My couch I made.

The noon-tide heat was sore,
  I slept the Summer through;
An angel waked me–"Thou
  Hast work to do."

I rose and saw the sheaves
  Upstanding in a row;
The reapers sang Thy praise
  While passing to and fro.

[Page 135] 

My hands were soft with ease,
  Long were the Autumn hours;
I left the ripened sheaves
  For poppy-flowers.

But lo! now Winter glooms,
  And gray is in my hair,
Whither has flown the world
  I found so fair?

My patient God, forgive!
  Praying Thy pardon sweet
I lay a lonely heart
  Before Thy feet.

[Page 136] 

BEANNACHT LEAT.

Beannacht leat!

     I hold your hand in mine, I say
     The parting words this parting day–
     And if a sob be stifled, Dear,
     I pray you turn aside, nor hear–
     I would be brave, and yet, and yet,
     Can we two sunder without regret?

Beannacht leat!

     May every vagrant wind a-stir
     Between us be a messenger,
     Each falling wild-rose petal blow
     A haunting perfume where you go,
     And all the brown birds in the blue
     Sing memories of me to you.

Beannacht leat!

     Thank God! 'tis not a long good-bye
     We give each other, you and I–
     Sure in my heart the hope is fain
     To whisper, You will come again
     With the kind eyes, the same kind smile–
     Then for a little lonely while,

                     Beannacht leat!

[Page 137] 

THE SHAMROCK.

Patrick blessed it on Tara Hill,
He blessed it through good, he blessed it thro' ill.
He gave the little green leaf to me
As a humble sign of the Trinity.

I folded it safe in my heart and there
It grew in my love, so strong, so fair,
I held it dearer than rose or sedge
Tall-flowering, by the gray sea's edge.

It saw my Kings go forth to war
With spear and shield and battle car,
In the splendid time of my glory when
I was Queen and Mother of peerless men.

It grieved with me when the trouble came
On that dark, dark day of fear and shame,
When the Chiefs went sailing, Ochón! Ochón!
From Donegal and from green Tyrone.

Cromwell crushed it beneath his foot,
Yet, North and South spread each branchy root,
Secret and silent–from East to West–
And lo! it was blooming upon my breast.

Flesh of my flesh, and bone of my bone,
Hath the Sassanach taken–the corner-stone
Of my palace lies in the flaunting weeds,
And my heart keeps ever a wound that bleeds.

[Page 138] 

My Faith and my Shamrock–all bereft
I guarded the twain that the foe had left,
I wore the sprig at the scaffold's side–
God's earth lie light on the brave who died.

In the folds of my heart is the Shamrock–there
It grows in my love, wide-spreading, fair,
And a thousand times dearer than rose or sedge,
Tall-flowering, by the gray sea's edge.

[Page 139] 

A BALLAD OF GALWAY.

The market place is all astir,
   The sombre streets are gay,
And lo! a stately galleon
   Lies anchored in the Bay–
The colleens shy, and sturdy lads,
   Are swiftly trooping down,
To greet the Spanish sailors
   On the quay of Galway Town.

But Nora–golden Nora–
   What matters it to you?
There's joy–long time a stranger–
   In those gentle eyes of blue;
And wherefore deck your ringlets,
   And don your silken gown,
For a crew of Spanish sailors
   That stroll through Galway Town?

Said Nora–golden Nora–
   And her laughter held a tear,
"I don my silk and laces
   Because my love is near–
Among the Spanish crew is one
   Should wear a kingly crown–
Although he walks a landless man,
   To-day, through Galway town.

[Page 140] 

"Look forth! see yond his dusky head
   Tower high above the throng.
Oh brave is he, and true is he,
   And so my lips have song;
For he's no Spanish sailor,
   Though he wears the jerkin brown–
But Murrough Og O'Flaherty,
   Come back to Galway Town.

"He fought in Spain's red sieges,
   And holds a Captain's place,
Ah! would his arm were raised to strike
   In battles of his race!
But his boyhood saw with bitter grief
   Iar-Connacht lose renown,
When the Saxon crushed his valiant clan
   In the streets of Galway Town.

"To-night will be our wedding–
   With a holy priest to bless–
Shall we remember Cromwell's law
   Amid such happiness?
While my true love's arm is round me,
   Should they come with fighting frown,
His sword shall cleave a pathway
   For his bride through Galway Town."

Then up the street stepped Murrough,
   And down stepped Nora Bán,
Had ever sailor fairer love–
   Sweet, sweet as summer dawn?
Their glad lips clung together–
   "Such bliss old grief must drown:
God guard the faithful lovers,"
   Prayed we in Galway Town.

[Page 141] 

Oh, far across the water
   The good ship's speeding now,
And Murrough Og O'Flaherty
   Stands tall beside the prow;
And Nora–golden Nora–
   A bride in silken gown–
Hath sailed away for ever
   From her kin in Galway Town.

[Page 142] 

PASSING BY.

["And it came to pass that as He was come nigh unto Jericho, a certain blind man sat by the wayside begging; and hearing the multitude pass by he asked what it meant. And they told him that Jesus of Nazareth was passing by."]


"I hear Thy voice above the din
Of shouting multitudes that press
Between me and Thy tender eyes,
Thy healing hand upraised to bless;
Lord, I am blind! Look, look this way!
I sit anear the sun-dried pool,
Waiting for Thee the livelong day–
And, oh, to me be merciful!

"Lord, I am blind! Not mine to know
What sight of sky or earth may mean,
Men tell me of the solemn stars–
Sun, moon, that I have never seen.
Sinful, repining, gone astray–
Yet turn on me those brows of grace,
Lift up this darkening veil, I pray,
That I may see Thy joyful face.

"The happy little children sing
Around me in the burning heat
Of noon, or when the shadows bring
Soft breezes to our dusty street–
All day their joy rang far and wide,
Fain would I list to those anigh –
'Jesus of Nazareth comes,' they cried,
'The Lord is passing by.'

[Page 143] 

"'And wherefore make ye praise and song
What hath He done to move ye thus?'
'Oh, He hath raised the dead to life
With sweetest speech, and marvellous;
And He hath made the deaf to hear,
The dumb to speak, the blind to see!'
I came, I waited, lorn and sere,
O Lord! be merciful to me!"

He heard. The pressing throng unclosed
A pathway to the wayside well;
Upon the poor shut lids His touch
And tender breathing gently fell.
O! glad blind beggar in the dust,
Who rising from thy lowly place,
Lift eyes of wonder, love, and trust,
To gaze upon thy Saviour's face!

. . . .

Lord, I am blind! Yet do Thou pause
A little while to mark my woe;
Weak is my plea, but faintly raised
Amid the crowds that come and go;
My heart, world-weary, turns at last
Cries loud to Thee with shuddering cry–
O, dear Lord, hear the prayer I pray,
And save me passing by.

[Page 144] 

IN ISPAHAN.

One sunny day in Ispahan,
The Persian Yusuf sat and read
With eager eyes and bent white head
The World's great tale since Time began:
And turned his old lined face to me
Who gazed straight out unheedingly–
For now the passions of a man
Had grown, and Love held stronger sway
(Than aught that lived and passed away)
O'er me that day in Ispahan.

That sunny day in Ispahan,
The high-hung burning orb unrolled
O'er dreaming vales his sheet of gold,
Of red and amber raylets' span,
And each warm flow'ret dropped its head
Asleep upon its scented bed:
And through the happy hush there ran
The sudden crooning of a bird
That round the tree-tops flashed and whirred
That sunny day in Ispahan.

That sunny day in Ispahan,
I saw my slender maid go by,
Scarce lifting up the lids that lie
Black-fringed upon her cheeks so wan:
And then I mused:–"What books can hold
Such love as her heart bears untold,
Whose brow the perfumed breezes fan,
Whose curved red mouth controls my fate,
So that I grieve, so that elate
I count life Heaven in Ispahan."

[Page 145] 

That sunny day in Ispahan,
I weighed all science deep and rare,
Grand poet-songs beyond compare;
And turning to the love-worn man
I cried, "My love holds nature's grace
(Enough for me) within her face;
No tomes that ever yet were read
Shrine beauty such as that sweet head
Shows in its bendings to and fro;
I go to her; she is my star,
My shadow near; my moon afar,
To guide me through all glooms of woe."

I rose and left that wondering man,
Still vision-wrapped in Ispahan.

[Page 146] 

THE BETRAYAL OF CLANNABUIDHE. *

(Belfast Castle, November, 1574).

From Brian O'Neill in his Northern home
  Went swiftly a panting vassal,
Bidding the lord of Essex come
  To a feast in his forded castle,
To a friendly feast where the gleaming foam
  Of the wine-cup crowned the wassail.

To Brian O'Neill came his gentle wife,
  And wild were her eyes of warning;
"A banquet-chamber of blood and strife
  I dreamt of 'twixt night and morning,
And a voice that keened for a chieftain's life–"
  But he laughed as he kissed her, scorning.

"In peace have I bidden the strangers here,
  And not to the note of battle;
My flagons await them with bubbling cheer,
  I have slaughtered my choicest cattle;
And sweetest of harpings shall greet thine ear,
  A rúin! o'er the goblet's rattle."

In pride he hath entered his banquet hall,
  Unwitting what may betide him,
Girded round by his clansmen tall,
  And his lady fair beside him;
From his lips sweet snatches of music fall,
  And none hath the heart to chide him.

[Page 147] 

Hath he forgotten his trust betrayed
  In the bitterest hour of trial?
Hath he forgotten his prayer half-stayed
  At the Viceroy's grim denial?
And the bloody track of the Saxon raid
  On the fertile lands of Niall?

Essex hath coveted Massareene,
  And Toome by the Bann's wide border,
Edendhucarrig's dark towers–the scene
  Of hard-won fight's disorder;
And Castlereagh, set in a maze of green
  Tall trees, like a watchful warder.

Brian O'Neill he hath gazed adown
  Where the small waves, one by one, met
The sward that sloped from the hilltops thrown
  Dusky against the sunset;
Sighed in his soul for his lost renown
  And the rush of an Irish onset.

Woe! he is leagued with his father's foe,
  Hath buried the ancient fever
Of hate, while he watches his birthright go
  Away from his hands for ever;
No longer Clan-Niall deals blow for blow,
  His country's bonds to sever.

Over the Ford to his castle grey
  They troop with their pennons flying–
(Was that the ring of a far hurrah,
  Or the banshee eerily crying?
)
In glittering glory the gallant array
  Spurs hard up the strand, low-lying.

[Page 148] 

Three swift-speeding days with the castle's lord
  They had hunted his woods and valleys;
Three revelling nights while the huge logs roared,
  And the bard with his harp-string dallies,
Freely they quaffed of the rich wine, poured
  As meed of the courtly sallies.

(Yet one fair face in the laughing crowd
  Grew wan as the mirth waxed faster,
Her blue eyes saw but a spectral shroud,
  And a spectral host that passed her;
Her ears heard only the banshee's loud
  Wild prescience of disaster.
)

Gaily the voice of the chieftain rang,
  Deeply his warriors blended
In chant of the jubilant song they sang
  Ere the hours of the feasting ended;
But hark! Why that ominous clash and clang?
  And what hath that shout portended?

What speech uncourteous this clamour provokes,
  Through the midst of the banter faring?
Forth flashes the steel from the festal cloaks,
  Vengeful and swift, unsparing,–
And Clannabuidhe's bravest reel 'neath the strokes
  Strive blindly, and die despairing.

O'Gilmore sprang to his Tanist's side
  Shrilling his war-cry madly–
Ah! far are the kerns who at morning-tide
  Would flock to the summons gladly;
The echoes break on the rafters wide,
  And sink into silence sadly.

[Page 149] 

Captive and bleeding he stands–the lord
  Of the faithful dead around him;
Captive and bleeding–the victor horde
  In their traitorous might surround him;
From his turrets is waving their flag abhorred,
  And their cruel thongs have bound him.

. . . .

Cold are the fires in the banqueting hall,
  Withered the flowers that graced it,
Silent for ever the clansmen tall
  Who stately and proudly paced it;
Gloom broods like a pall o'er each lofty wall
  For the foul deed that disgraced it.

There is grief by the shores of the Northern sea,
  And grief in the woodlands shady,
There is wailing for warriors stout to see,
  Of the sinewy arm and steady;
There is woe for the Chieftain of Clannabuidhe,
  And tears for his gentle lady.


[Page 146]

* Pronounced Clan-na-bwee.

[Page 150] 

MY DEAREST.

She is my Dearest, and I take
  My burdens to her gentle breast,
All doubts that fill my waking hours,
  All troubles that beset my rest:
Whate'er the griefs, her prayerful eyes
Shine with no shadow of surprise.

I think if angels took her hand
  And led her where God's pastures are,
And knelt her at His feet, He swift
  Would frame her in a splendid star,
And place her in a sea of light
To cheer and gladden all the night.

She is so sweet, so true, so pure,
  If all the varied speech of earth
Were mine to tell her goodness by,
  I could not falter half her worth:
God made her, loved her, found her true,
That is enough for me and you.

Only, life grows more beautiful
  While she walks with us unafraid,
Interpreting with saintly speech
  The heaven in which her soul hath stayed;
Impressing still its finer sense
Upon our dull intelligence.

[Page 151] 

I tremble at the day to come
  When she, my Dearest, will depart;
And I bereft . . with feet that stray.
  Loving, compassionate as Thou art,
I pray as one in danger durst,
Take me to Thee, kind Lord, the first.

[Page 152] 

CONSUMMATION.

In a sheltered, cool, green place
You and I once stood together
Where the quickens interlace.

Then it was our love declared
(Thro' a throstle's silver chiming)
All the passion that it dared.

Then you called me by my name,
And the answering eyes I lifted
Flashed a flame unto a flame.

Hushed, we watched the eve descend
The rose-flecked stair of day, to see
Our heart's probation fitly end.

Stars and mist and dew-wet flowers
Scented, shielded, and made holy,
That sweet hour of the hours.

Oh Dear Heart, life holds no gift
Half so precious, half so brittle,
As this Love-cup that we lift.

And remembering, down the years
All my songs shall echo sighing,
All my laughter trill with tears.


[Page 153] 

NOTES.

IN TIR NA'N OG.–The Land of Perpetual Youth. The Sidhe = the fairies.

CAROLL O'DALY.–In reading Stranza 4, verse 4, it will be recalled that Gráinne wooed Diarmuid. I note this, because I forsee that some casual readers will take who as meant for whom.

BRIAN THE BOY MAGEE.–The Massacre of Island Magee (1641), when the English and Scotch troops stationed in Carrickfergus sallied forth and put to the sword, in one night, nearly all the inhabitants of Island Magee, to the number of over two thousand. In Lord Clarendon's "Historical View of the Affairs of Ireland," the date is fixed early in November, 1641, and the number slain is given as three thousand.

ART THE LONELY.–Art the Lonely, son of Conn of the Hundred Battles, reigned thirty years High King of Ireland (according to Keating), from A. D. 152 to 182. He gained his soubriquet of the Lonely or the Melancholy because of the unceasing sorrow he displayed for the death of his two brothers, Connla and Crionna, who were slain by their paternal uncles. An ancient poem, quoted by Keating, contains the following reference to this:–

"Eoichaidh Fionn and Fiachadh Suidhe,
Brothers of Conn, the Hero of the Island,
Destroyed the Princes Connla and Crionna,
Brothers of Art, at whose unhappy fate
He grieved, and with continued sorrow pined,
And so was called the Melancholy Art."

Connla, however, is also the hero of a mythological romance, [Page 154]  Eachtra Condla, which has been preserved in the Book of the Dun Cow, and other ancient MSS. In it he is supposed to have been carried away to Fairyland, where his adventures are many and marvellous.

Art was killed at the Battle of Moy Mucroimhe, near Athenry in Galway, and was succeeded by his son Cormac, who, known to history as Cormac MacArt, was one of the most famous monarchs of Eirinn.

NIALL GLONDUBH TO GORMLAI.–Princess Gormlai, daughter of Flann, High King of Ireland, was betrothed to Cormac MacCullenan, the young King of Munster. He desired to take Holy Orders, and repudiated the arrangement. Gormlai was forced into a marriage with Cearbhall, King of Leinster. Flann and Cearbhall attacked Cormac in Kildare. After a furious battle Cormac was killed, and by Cearbhall's orders his body was mutilated on the field. Returned home, he boasted of his atrocious act in the presence of his wife and the ladies of the Court. Queen Gormlai remonstrated, whereupon he struck her to the ground with his foot. Her young kinsman, Niall Glondubh, Prince of Ulster, took up arms to avenge the insult, when her father, for political reasons, refused. The Queen, however, would not permit his interference, but insisted on leaving her husband and living with her father. Subsequently, after the death of Cearbhall, she married Niall.


[Page 155] 

PROSE WORKS OF ETHNA CARBERY:

I. The Passionate Hearts. Love Stories. With Cover Design in three colours. By "Æ."

2. In the Celtic Past. Hero Tales.

"Seldom, if ever, has the most potent of passions which stir the souls and sway the destinies of mankind been painted with more beauty and power."–Daily Independent.

"With the pen of an artist, and with all the fire and passion of an Irish woman, Ethna Carbery has written these beautiful stories which are touched with humor, tenderness, passion, and tragedy."–Chicago Record-Herald.

"Prose poems, combining the melody of the lyre, the dignity of the epic, and the vivid movement of the drama."–Cork Sun.

"Wonderful and thrilling stories of the Irish past, and the Irish heart. Love and adventure, legend and mythology, humor, tenderness, passion and tragedy, meet in them."–Nashville American.

"These stories throb with an ardent, passionate love. They are beautiful. I cannot write any better of them. Ethna Carbery gives a real insight into the character and nature of a people that we shall never rule and never understand. Here, indeed, is a book written by a poet and an artist with a great love in her heart."–To-Day.

"Within the pages of the 'Passionate Hearts' he who seeks will find the spirit of Ireland longing and unsatisfied; the spirit of all humanity, wet-eyed and weary, toiling on its upward way, but, above all, writ large, he will find the glowing heart of woman."–United Irishman.

"The stories glow with warm colour, and throb with chivalrous action, and exciting adventure."–New York American.

"The work of one of the most charming and tender-hearted of all Irish geniuses."–The Week's Survey.

"Ethna Carbery wrote in prose scarcely less beautiful than her poems."–Irish News.

"They are dreamy, idealistic, uncommon, and vibrate with the passion of love.."–Coleraine Chronicle.

"This book belongs, like all Ethna Carbery's works, to the new and nobler utterance the Celt is finding in English literature......It is wistful and caressing and close to the fireside....In a rare degree sincere, passionate, and delightsome."–New Ireland.

"These stories are instinct with all that is of poetry in the life of the Gael."–Cork Constitution.

"Nothing in the new Irish revival is more Irish than these books."–New York Sun.

"'The Passionate Hearts' pourtrays passion and pathos with a subtle power and simplicity."–Aberdeen Free Press.

"These tales are full of the sorrow and tenderness of the West. Here are passionate intensity and suppressed feeling."–Literary World.

"Tenderness and intense passion are everywhere apparent."–Daily Chronicle.

"Their very titles are instinct with a vague beauty. They come with a sense of revelation.....They are full of passion and joy and sadness."–Glasgow Herald.

"Throb with tenderness, passion, and often tragedy."–Herald. (Boston, U.S.A.)

"'The Passionate Hearts' is magically appealing."–Morning Advertiser.

"It is full of enthusiasm and exaltation."–Manchester Guardian.

"Full of joy and passion."–The (Newark U.S.A.), Daily Advertiser.

"They show the passion of the Irish heart."–Book News. (Phila., U.S.A.)

"They are full of the beautiful pathos of Irish poetry, the magic of Irish music, and the elusive charm of Irish folk-lore, and convey the atmosphere of sincerity, which only flows from a pen dipped in the author's own heart."–New York Times.

Price of each–I/- paper covers, and 2/- cloth. Postage 3d.


[Page 156] 

BALLADS OF A COUNTRY BOY.

The Poems of Seumas MacManus.

"A Book to cherish, to smile over, and weep over by turns, is 'Ballads of a Country Boy.'... We meet here all the characteristics that have made of Ireland a great and holy nation.... Seumas MacManus shares with Ethna Carbery her magnificent sensuousness of imagery, and haunting melody of versification. The poems of both stand for what is most distinctly national, and, in a literary way, most excelling, in recent Irish verse."–The Leader, San Francisco.

"It would be hard to find a new volume of popular poetry which excites one's interest from beginning to end to the same degree as these simple ballads of Seumas MacManus. Here we have the joyful, the sorrowful, the beautiful, and everywhere the interesting.... We feel our hearts glow, then, with a deeper love of Ireland."–New Ireland Review.

"This book is full, to overflowing, of love of Ireland, and Donegal, and the birds, and all the beautiful works of God."–Irish Monthly.

"What pleasure it gave me, with its lilt fresh from the hillsides of Donegal, and its blithe spirit brave and glad, alike in storm and shine! I have looked into it again and again since first I read it, and never without pleasure, or the sudden sense of wind and air, and the singing heart."–Fiona Macleod.

"The melody of song-birds, the perfume of Irish flowers, the soft light of Irish skies, and the pure passion and haunting melancholy of the Celtic heart are in these Ballads."–The Pilot. (Boston, U.S.A.)

"Than Seumas MacManus no other writer holds closer communion with the mind and life and soul of Ireland. I have read this book three times over with increasing enjoyment."–Sligo Champion.

"The richest words are but poor interpreters of our feelings. I realise this as I close Seumas MacManus' 'Book of Ballads'; for what I wish to say I cannot express; but something clings around me and remains."–Ireland's Own.

"His strains are on the lips, and in the hearts, of the men and women of his race."–Gaelic American.

"Joy and sorrow, life and love, passion and music, are in his lines. And it is evident that he has sung, not for mere effect, not for fame, not for money, but to console himself."–Leinster Leader.

"Every Irish man and woman should have this book, it will cheer and sadden them by turns, as our dear land itself smiles and cries to us through all the ages."–Catholic Herald.

"They are the best expression of Ulster poetic sentiment that have appeared since Ethna Carbery's gem-like verses first delighted the reading public."–Irish News.

"In turns, sad, tremulously pathetic, humorous, and impassioned, al the Ballads are characteristically Irish, and characteristic of a writer who never seems to miss the leading road to the hearts of our people."–The Wexford Free Press.

"There is not a Ballad in the entire collection that does not contain the true poetic feeling of a writer who writes straight from the heart."–The Roscommon Messenger.

"His song is of a sweetness and sincerity all his own. It is high praise of these Ballads to say that they are not unworthy of their dedication to the memory of Ethna Carbery."–Northern Whig.

"He gives us of his skill and genius imperishable gems of rarest beauty and excellence."–Galway Express.

"One hears in these Ballads the trill of the birds, the crooning of the brooks, the murmur of the sea, the tinkling of the heather bells, the triumphant call in great days and deeds afar."–The Derry Journal.

"Here are all the passionate, beautiful, and purest qualities of our race."–The Kilkenny Moderator.

"These are Ballads to inspire high and noble thoughts; to awaken new hopes for Ireland, and to keep love of home burning warm and pure and bright."–The Meath Chronicle.

Price 6d. paper; I/6 cloth, gilt lettered; postage 2d.


Editor: Mary Mark Ockerbloom

Where notes in the original text were marked in a poem with a *, and appeared at the bottom of the page containing the *, they are reproduced here at the end of the poem with a hyperlink from the * in the text to the note. Where notes in the original text were not marked in a poem, but appeared at the end of the book on a separate page of NOTES, they are reproduced here in a NOTES section at the end of the book, with a hyperlink from the relevant text (generally, the title of the poem in question.)

The original layout of this edition includes a number of designs in celtic knotwork, placed before or after selected poems. Due to the fragility of the original book, the designs have not been scanned for this on-line edition.

This on-line edition of Ethna Carbery's Poems is dedicated to Ireland, with the hope that her country may someday balance a proud past with a peaceful future.

Editor: Mary Mark Ockerbloom