A Celebration of Women Writers


A Few Figs From Thistles by Edna St. Vincent Millay (1892-1950). New York and London: Harper & Brothers, 1922.

[Cover] 

A FEW FIGS
FROM THISTLES

EDNA ST. VINCENT MILLAY


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A FEW FIGS
FROM THISTLES


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BY EDNA ST. VINCENT MILLAY
THE HARP-WEAVER AND OTHER POEMS
SECOND APRIL
RENASCENCE AND OTHER POEMS
A FEW FIGS FROM THISTLES
ARIA DA CAPO: A PLAY
THE LAMP AND THE BELL: A DRAMA


[Title Page] 

A FEW FIGS
FROM THISTLES

POEMS AND SONNETS

BY

BY EDNA ST. VINCENT MILLAY

Publishers
HARPER & BROTHERS
NEW YORK AND LONDON


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A FEW FIGS FROM THISTLES

Copyright, 1922
By Edna St. Vincent Millay
Printed in the U.S.A.
C. B.


[Page] 

Thanks are due to the editors of Ainslie's, The Dial, Pearson's, Poetry, Reedy's Mirror, and Vanity Fair, for their kind permission to republish various of these poems.

This edition of "A Few Figs from Thistles" contains several poems not included in the earlier editions.


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CONTENTS

FIRST FIG 9
SECOND FIG 9
RECUERDO 10
THURSDAY12
TO THE NOT IMPOSSIBLE HIM 14
MACDOUGAL STREET 16
THE SINGING-WOMAN FROM THE WOOD'S EDGE 16
SHE IS OVERHEARD SINGING 19
THE PRISONER 22
THE UNEXPLORER 23
GROWN-UP 24
THE PENITENT 25
DAPHNE 27
PORTRAIT BY A NEIGHBOR 28
MIDNIGHT OIL 30
THE MERRY MAID 31
TO KATHLEEN 32
TO S.M. 33
THE PHILOSOPHER 34
SONNET-Love, Though for This 36
SONNET-I Think I Should Have Loved You 37
SONNET-Oh, Think Not I am Faithful 38
SONNET-I Shall Forget You Presently 39

 


[Page 9] 

FIRST FIG

MY candle burns at both ends;
  It will not last the night;
But ah, my foes, and oh, my friends–
  It gives a lovely light!

SECOND FIG

SAFE upon the solid rock the ugly houses stand:
  Come and see my shining palace built upon the sand!

[Page 10] 

RECUERDO

WE were very tired, we were very merry–
We had gone back and forth all night on the ferry.
It was bare and bright, and smelled like a stable–
But we looked into a fire, we leaned across a table,
We lay on a hill-top underneath the moon;
And the whistles kept blowing, and the dawn came soon.

We were very tired, we were very merry–
We had gone back and forth all night on the ferry;
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.

We were very tired, we were very merry,
We had gone back and forth all night on the ferry.
We hailed, "Good morrow, mother!" to a shawl-covered head,

[Page 11] 

And bought a morning paper, which neither of us read;
And she wept, "God bless you!" for the apples and pears,
And we gave her all our money but our subway fares.

[Page 12] 

THURSDAY

AND if I loved you Wednesday,
  Well, what is that to you?
I do not love you Thursday–
  So much is true.

And why you come complaining
  Is more than I can see.
I loved you Wednesday,–yes–but what
  Is that to me?

[Page 13] 

TO THE NOT IMPOSSIBLE HIM

HOW shall I know, unless I go
  To Cairo and Cathay,
Whether or not this blessed spot
  Is blest in every way?

Now it may be, the flower for me
  Is this beneath my nose;
How shall I tell, unless I smell
  The Carthaginian rose?

The fabric of my faithful love
  No power shall dim or ravel
Whilst I stay here,–but oh, my dear
  If I should ever travel!

[Page 14] 

MACDOUGAL STREET

AS I went walking up and down to take the evening air,
  (Sweet to meet upon the street, why must I be so shy?)
I saw him lay his hand upon her torn black hair;
  ("Little dirty Latin child, let the lady by!")

The women squatting on the stoops were slovenly and fat,
  (Lay me out in organdie, lay me out in lawn!)
And everywhere I stepped there was a baby or a cat;
  (Lord, God in Heaven, will it never be dawn?)

The fruit-carts and clam-carts were ribald as a fair,
  (Pink nets and wet shells trodden under heel)
She had haggled from the fruit-man of his rotting ware;
  (I shall never get to sleep, the way I feel!)

He walked like a king through the filth and the clutter,
  (Sweet to meet upon the street, why did you glance me by?)

[Page 15] 

But he caught the quaint Italian quip she flung him from the gutter;
  (What can there be to cry about that I should lie and cry?)

He laid his darling hand upon her little black head,
  (I wish I were a ragged child with ear-rings in my ears! )
And he said she was a baggage to have said what she had said;
  (Truly I shall be ill unless I stop these tears!)

[Page 16] 

THE SINGING-WOMAN FROM THE WOOD'S EDGE

WHAT should I be but a prophet and a liar,
Whose mother was a leprechaun, whose father was a friar?
Teethed on a crucifix and cradled under water,
What should I be but the fiend's god-daughter?

And who should be my playmates but the adder and the frog,
That was got beneath a furze-bush and born in a bog?
And what should be my singing, that was christened at an altar,
But Aves and Credos and Psalms out of the Psalter?

You will see such webs on the wet grass, maybe,
As a pixie-mother weaves for her baby,
You will find such flame at the wave's weedy ebb
As flashes in the meshes of a mer-mother's web,

[Page 17] 

But there comes to birth no common spawn
From the love of a priest for a leprechaun,
And you never have seen and you never will see
Such things as the things that swaddled me!

After all's said and after all's done,
What should I be but a harlot and a nun?

In through the bushes, on any foggy day,
My Da would come a-swishing of the drops away,
With a prayer for my death and a groan for my birth,
A-mumbling of his beads for all that he was worth.

And there sit my Ma, her knees beneath her chin,
A-looking in his face and a-drinking of it in,
And a-marking in the moss some funny little saying
That would mean just the opposite of all that he was praying!

He taught me the holy-talk of Vesper and of Matin,
He heard me my Greek and he heard me my Latin,
He blessed me and crossed me to keep my soul from evil,
And we watched him out of sight, and we conjured up the devil!

[Page 18] 

Oh, the things I haven't seen and the things I haven't known,
What with hedges and ditches till after I was grown,
And yanked both ways by my mother and my father,
With a "Which would you better?" and a "Which would you rather?"

With him for a sire and her for a dam,
What should I be but just what I am?

[Page 19] 

SHE IS OVERHEARD SINGING

OH, Prue she has a patient man,
  And Joan a gentle lover,
And Agatha's Arth' is a hug-the-hearth,–
  But my true love's a rover!

Mig, her man's as good as cheese
  And honest as a briar,
Sue tells her love what he's thinking of,–
  But my dear lad's a liar!

Oh, Sue and Prue and Agatha
  Are thick with Mig and Joan!
They bite their threads and shake their heads
  And gnaw my name like a bone;

And Prue says, "Mine's a patient man,
  As never snaps me up,"

[Page 20] 

And Agatha, "Arth' is a hug-the-hearth,
  Could live content in a cup,"

Sue's man's mind is like good jell–
  All one color, and clear–
And Mig's no call to think at all
  What's to come next year,

While Joan makes boast of a gentle lad,
  That's troubled with that and this;–
But they all would give the life they live
  For a look from the man I kiss!

Cold he slants his eyes about,
  And few enough's his choice,–
Though he'd slip me clean for a nun, or a queen,
  Or a beggar with knots in her voice,–

And Agatha will turn awake
  While her good man sleeps sound,
And Mig and Sue and Joan and Prue
  Will hear the clock strike round,

For Prue she has a patient man,
  As asks not when or why,

[Page 21] 

And Mig and Sue have naught to do
  But peep who's passing by,

Joan is paired with a putterer
  That bastes and tastes and salts,
And Agatha's Arth' is a hug-the-hearth,–
  But my true love is false!

[Page 22] 

THE PRISONER

ALL right,
Go ahead!
What's in a name?
I guess I'll be locked into
As much as I'm locked out of!

[Page 23] 

THE UNEXPLORER

THERE was a road ran past our house
Too lovely to explore.
I asked my mother once–she said
That if you followed where it led
It brought you to the milk-man's door.
(That's why I have not traveled more.)

[Page 24] 

GROWN-UP

WAS it for this I uttered prayers
And sobbed and cursed and kicked the stairs,
That now, domestic as a plate,
I should retire at half-past eight?

[Page 25] 

THE PENITENT

I HAD a little Sorrow,
  Born of a little Sin,
I found a room all damp with gloom
  And shut us all within;
And, "Little Sorrow, weep," said I,
"And, Little Sin, pray God to die,
And I upon the floor will lie
  And think how bad I've been!"

Alas for pious planning–
  It mattered not a whit!
As far as gloom went in that room,
  The lamp might have been lit!
My little Sorrow would not weep,
My little Sin would go to sleep–
To save my soul I could not keep
  My graceless mind on it!

So up I got in anger,
  And took a book I had,

[Page 26] 

And put a ribbon on my hair
  To please a passing lad.

And, "One thing there's no getting by–
I've been a wicked girl," said I;
"But if I can't be sorry, why,
  I might as well be glad!"

[Page 27] 

DAPHNE

WHY do you follow me?–
Any moment I can be
Nothing but a laurel-tree.

Any moment of the chase
I can leave you in my place
A pink bough for your embrace.

Yet if over hill and hollow
Still it is your will to follow,
I am off;–to heel, Apollo!

[Page 28] 

PORTRAIT BY A NEIGHBOR

BEFORE she has her floor swept
  Or her dishes done,
Any day you'll find her
  A-sunning in the sun!

It's long after midnight
  Her key's in the lock,
And you never see her chimney smoke
  Till past ten o'clock!

She digs in her garden
  With a shovel and a spoon,
She weeds her lazy lettuce
  By the light of the moon.

She walks up the walk
  Like a woman in a dream,

[Page 29] 

She forgets she borrowed butter
  And pays you back cream!

Her lawn looks like a meadow,
  And if she mows the place
She leaves the clover standing
  And the Queen Anne's lace!

[Page 30] 

MIDNIGHT OIL

CUT if you will, with Sleep's dull knife,
  Each day to half its length, my friend,–
The years that Time takes off my life
  He'll take from off the other end!

[Page 31] 

THE MERRY MAID

OH, I am grown so free from care
  Since my heart broke!
I set my throat against the air,
  I laugh at simple folk!

There's little kind and little fair
  Is worth its weight in smoke
To me, that's grown so free from care
  Since my heart broke!

Lass, if to sleep you would repair
  As peaceful as you woke,
Best not besiege your lover there
  For just the words he spoke
To me, that's grown so free from care
  Since my heart broke!

[Page 32] 

TO KATHLEEN

STILL must the poet as of old,
In barren attic bleak and cold,
Starve, freeze, and fashion verses to
Such things as flowers and song and you;

Still as of old his being give
In Beauty's name, while she may live,
Beauty that may not die as long
As there are flowers and you and song.

[Page 33] 

TO S. M.
   If he should lie a-dying

I AM not willing you should go
Into the earth, where Helen went;
She is awake by now, I know.
Where Cleopatra's anklets rust
You will not lie with my consent;
And Sappho is a roving dust;
Cressid could love again; Dido,
Rotted in state, is restless still;
You leave me much against my will.

[Page 34] 

THE PHILOSOPHER

AND what are you that, missing you,
  I should be kept awake
As many nights as there are days
  With weeping for your sake?

And what are you that, missing you,
  As many days as crawl
I should be listening to the wind
  And looking at the wall?

I know a man that's a braver man
  And twenty men as kind,
And what are you, that you should be
  The one man in my mind?

Yet women's ways are witless ways,
  As any sage will tell,–
And what am I, that I should love
  So wisely and so well?

[Page 35] 

FOUR SONNETS

[Page 36] 

I

LOVE, though for this you riddle me with darts,
And drag me at your chariot till I die,–
Oh, heavy prince! O, panderer of hearts!–
Yet hear me tell how in their throats they lie
Who shout you mighty: thick about my hair,
Day in, day out, your ominous arrows purr,
Who still am free, unto no querulous care
A fool, and in no temple worshiper!
I, that have bared me to your quiver's fire,
Lifted my face into its puny rain,
Do wreathe you Impotent to Evoke Desire
As you are Powerless to Elicit Pain!
(Now will the god, for blasphemy so brave,
Punish me, surely, with the shaft I crave!)

[Page 37] 

II

I THINK I should have loved you presently,
And given in earnest words I flung in jest;
And lifted honest eyes for you to see,
And caught your hand against my cheek and breast;
And all my pretty follies flung aside
That won you to me, and beneath your gaze,
Naked of reticence and shorn of pride,
Spread like a chart my little wicked ways.
I, that had been to you, had you remained,
But one more waking from a recurrent dream,
Cherish no less the certain stakes I gained,
And walk your memory's halls, austere, supreme,
A ghost in marble of a girl you knew
Who would have loved you in a day or two.

[Page 38] 

III

OH, THINK not I am faithful to a vow!
Faithless am I save to love's self alone.
Were you not lovely I would leave you now:
After the feet of beauty fly my own.
Were you not still my hunger's rarest food,
And water ever to my wildest thirst,
I would desert you–think not but I would!–
And seek another as I sought you first.
But you are mobile as the veering air,
And all your charms more changeful than the tide,
Wherefore to be inconstant is no care:
I have but to continue at your side.
So wanton, light and false, my love, are you,
I am most faithless when I most am true.

[Page 39] 

IV

I SHALL forget you presently, my dear,
So make the most of this, your little day,
Your little month, your little half a year,
Ere I forget, or die, or move away,
And we are done forever; by and by
I shall forget you, as I said, but now,
If you entreat me with your loveliest lie
I will protest you with my favorite vow.
I would indeed that love were longer-lived,
And vows were not so brittle as they are,
But so it is, and nature has contrived
To struggle on without a break thus far,–
Whether or not we find what we are seeking
Is idle, biologically speaking.

Editorial Credits

Provenance of the Text.

A Few Figs From Thistles was written by Edna St. Vincent Millay (1892-1950) and first published in 1920 by Frank Shay. This expanded edition was published in 1922. The copytext for this on-line edition of A Few Figs From Thistles belongs to the University of Pittsburgh Library.

For A Few Figs From Thistles and several other works published in the early twenties, Millay won the the Pulitzer Prize for Poetry in 1923.

Editorial Credits