A Celebration of Women Writers


MRS. MINIVER

by "Jan Struther"
(Joyce Maxtone Graham, 1901-1953)

Copyright, the Estate of Jan Struther, 1939.
This authorised internet edition was published with the permission of the Maxtone Graham family, and the assistance of Joyce Maxtone Graham's son, Robert Maxtone Graham, in 2001.
It is illegal to reproduce this work without permission.


PRELIMINARY NOTES
to the Internet Edition
by the author's son, Robert Maxtone Graham, 2001.

First published on the Court Page of The Times, London, at intervals from 1937 to 1939.

First published in book form by Chatto and Windus, London, 1939.

First American edition, Harcourt Brace, New York, 1940.

Editions and translations also published from 1942 onwards in Canada, Denmark, Norway, Sweden, Japan, Italy, Switzerland, France, Belgium, Hungary, Mexico, Cuba and Argentina.

The characters in this book were used by MGM in the famous wartime film, 1942.


INTRODUCTION
to the Virago edition of Mrs. Miniver, London, 1989.
Copyright, Valerie Grove; reproduced here with her kind permission.

PEOPLE think they know Mrs. Miniver because they have seen the film, but the real Mrs. Miniver was not Greer Garson: she was equally delightful, but very much more interesting. The real Mrs. Miniver was much more like her creator, Joyce Maxtone Graham, alias "Jan Struther", writer of poems and witty essays for Punch, and mother of three.

Readers may remember that in the film's opening scene, Mrs. Miniver gets off a bus and rushes back to a shop, having had second thoughts about buying an expensive and rather ridiculous hat. This is loosely based on an incident in the book. Mrs. Miniver does dither over buying something. She does get off the bus and scurry through crowded streets to see if it is still for sale. But it isn't a hat, it is an engagement diary in green lizard at 7s.6d. This is much more characteristic of the real Mrs. Miniver, who rightly feels that a diary has to give pleasure throughout the year. It is one of those trivial objects made momentous by its "terrible intimacy", and the dull brown calf one she had first chosen for 3s.9d. would not do. There you have the difference between the character Greer Garson played and the one created by Jan Struther.

Jan Struther was born Joyce Anstruther in 1901. Her mother was Dame Eva Anstruther, a writer made a DBE for her services in sending books to the trenches in World War I; she was known to the family as Granny Dame. Jan's father was Harry Anstruther, Liberal MP for St Andrews Burghs. (It was to avoid confusion with her mother and her mother-in-law, both writers, that J. Anstruther became Jan Struther.)

In her childhood at Whitchurch, Buckinghamshire she drove a pony-and-trap and rode side-saddle; she went to school at Miss Ironside's in London, sharing a classroom with the future Queen Mother, whose pigtails she once dipped in ink. Like her, she was just over five feet tall, and ravishingly pretty, with fine blue eyes. Her son Jamie says men fell in love with her once a month for the whole of her life. She married Anthony Maxtone Graham, a Lloyd's broker, in 1923.

The Maxtone Grahams were an old Scottish family. Every summer, the clan -- four families complete with grumbling nannies -- gathered at Cultoquhey, the grandparents' huge stone-built pile in Perthshire. There was a lawn tennis court and eleven indoor staff, there was fishing and shooting, and adventures for the children, with tree houses and charades; a family orchestra and dressing up in clothes from the huge dressing-up cupboard on wet days. A typical jape was dressing a realistic dummy figure and seating it on the loo, so that a succession of people open the door and say "Oh, sorry".

The children numbered eleven cousins, ten boys and only one girl, Jan's daughter Janet. Just like the children in Struwwelpeter, Jan noted: so she wrote A Modern Struwwelpeter in the style of Hilaire Belloc's Cautionary Tales, one poem about each child -- for example, Ruthless Mike and Reckless John, who are beastly to their governess Miss Marlinspike; and Janet, who stares so long at the lovely clothes in the window of Horridge's that she becomes frozen into a wax dummy. The poems appeared in Punch, with illustrations by Ernest Shepard, the illustrator of Winnie-the-Pooh and Wind in the Willows, and were later published in book form, now a rare find.

All Maxtone Graham family gatherings involved evenings of charades and pencil-and-paper games which Jan loved: Consequences and Clumps and Newspaper Articles and Weekend Lists, the Dictionary Game, Telegrams and Cruel Collinses, in which you had to see who could compose the most politely heartless bread-and-butter letter.

Theirs was (and is still) the kind of family that thrives on family anecdotes, often centring on aunts. Aunt Elizabeth, for instance, is known for her malapropisms: "I must send some money to the famine in Utopia" and "Oh, that boy's no good -- he's a real fall-out." There were five unmarried great-aunts, a good source of stories. "At least one daughter in every generation should remain unmarried," as Mrs. Miniver reflects, "and raise the profession of auntship to a fine art."

In London Jan lived with her husband and three children at 16 Wellington Square, just off the King's Road, Chelsea, not then as fashionable as it is today -- it was considered raffish -- but instantly recognizable as the neat stucco square in which the Minivers live. The house had a playroom with a stage in it, as a garage had been built underneath and formed a platform, ideal for their amateur dramatics. A photograph in the family album shows Jan playing the Loch Ness Monster in 1933.

They also rented the chief coastguard's cottage near Rye in Sussex for weekends, sometimes leaving the children there with their nanny while they went off on their adventurous travels to as yet untouristic places like Majorca and Andorra and Romania. Although they were often hard up during the Depression, Jan Struther's motto about travelling was "Book now -- worry later".

From this background Jan Struther emerged in the 1930s as a stylish writer of poems and pieces for Punch, The Spectator and The New Statesman. In one of her essays she refers dismissively to herself, "who never wrote a poem longer than 30 lines in my life, and miserable puling stuff at that, full of love and flowers . . . " but in fact she preferred writing poems and they are crisp, succinct, metropolitan lyrics full of memorable and pertinent lines on love and loss, youth and age. "At a Dull Party" begins: "In fifty years at most I shall be dead" and ends: "Then, Christ! what spendthrift folly brought me here -- To breathe stale smoke, and drink, talk, think, small beer?"

She was not a novelist; she was happier making keen and accurate observations from everyday life -- on a character she has met in the park, on the mysterious fish served for lunch in trains, on how to charm a small child into going to a concert.

Mrs. Miniver was created when Peter Fleming, brother of Ian, asked Jan to brighten up the Court Page of The Times: he said it was full of articles about woodpeckers and stoats. Jan was already writing light leaders for The Times; he asked her to write about "an ordinary sort of woman who leads an ordinary sort of life -- rather like yourself", although as he must have known, her style of life, her acute perceptions and her talent were all far from ordinary. All these she transferred to the person of Caroline Miniver. ("Miniver" was a name she borrowed from heraldry: it is a kind of white fur used for trimming robes; the name Caroline is teasingly withheld until almost the end of the book.) The pieces appeared every few weeks and were instantly a hit. People would write to Mrs. Miniver; in vain did Jan Struther insist that she was not one and the same, nor were her children the Miniver children. Nobody was fooled. Her children Jamie, Janet and Robert were exactly the same ages as Vin, Judy and Toby, and they did the same things. Jamie remembers that it was he who left his bait to putrefy and cause a ghastly stink as Vin did at "Starlings".

Mrs. Miniver was published as a book in October 1939, just after the outbreak of war. Shortly afterwards, Jan took her two younger children to America, where she had been invited to lecture, and her book became a Book of the Month Club choice and a bestseller. These essays, wrote the American poet and author Stephen Vincent Benet (who wrote the line "Bury my heart at Wounded Knee"), "are beautifully written, with form, with style and a deceptive simplicity . . . every word is in place, like the flowers in a beautifully tended garden. Mrs. Miniver also manages to project the warmth and wisdom of an engaging personality." America, still neutral, was charmed by the Minivers, an ordinary British family -- so they thought -- affected by the war. President Franklin D. Roosevelt told Jan Struther that Mrs. Miniver had considerably hastened America's entry into the war; and Winston Churchill said that Mrs. Miniver had done more for the Allies than a flotilla of battleships.

In New York they stayed at first in Beckman Place with Aunt Rachel Townsend, who as a matter of course arranged for Jan to be listed in the New York social register; Jan, who had leftward leanings, was not at all pleased. Jan and her children later lived on Central Park South. 1

Jan bequeathed to her children, says her daughter Janet Rance, the best of all four-letter words: zest. As a child she sometimes wrote her name "Joyous" instead of Joyce. "She dashed through life at full tilt, with gaiety, energy and grace. She loved words, and would pause to net and examine them like a butterfly enthusiast." (Words, as Mrs. Miniver considers, "were the only net to catch a mood, the only sure weapon against oblivion.")

That zest is apparent from the very first page of Mrs. Miniver. Zest for life, she reflects, is "an accidental gift . . . impossible to acquire, and almost impossible, thank heaven, to lose". It is lacking in the Lane-Pontifexes, who make her spirits sink every time they ask the Minivers to dinner; but it is there in abundance in Mrs. B, the new charlady, "with her large good-humoured laugh".

She would write in longhand, leaning back with her feet up on a sofa, using fine-quality lined paper with a gold-embossed pen. In a lecture entitled "Pens, Ink and Paper", she said: "Genius can write on the backs of old envelopes, but mere talent requires the very best stationery that money can buy." But she was more typically found at some activity:

One moment she would be learning to play recorders and the theorbo, studying Gaelic or Esperanto, or tackling chess, or baking a hedgehog in clay. A week later she would be making guitars, teaching herself to paper walls or plant-hunting in the Outer Hebrides. She built a boat in the back garden of our cottage near Rye, and we all joined in because her zeal was infectious. If there was ever a dull moment, none of her family or friends can remember it.

She was fond of good practical jokes at all times, although she had two favourite abbreviations, "J in VBT" (joke in very bad taste) and "J in WPT" (joke in worst possible taste). Once, to prove that the upper classes never take any notice of their servants, she pretended to be too ill to come down to dinner at Cultoquhey and dressed up as a maid. She served dishes right through the meal and was not recognized by anyone until during the pudding course, when she astonished the company by sitting down on her husband's knee. While in America, she would collect a pocketful of sea-shells from the Atlantic coast, and later scatter them on the Pacific sand with the words "That'll fox them".

Jan Struther's name is still familiar today, not just from Mrs. Miniver but because of her hymns, particularly the well-loved Lord of All Hopefulness, Lord of All Joy -- which is sung regularly at weddings and was one of the hymns chosen for the memorial service of the Lockerbie air disaster -- and When a Knight Won His Spurs in the Stories of Old, a favourite in schools.

She was not at all religious: she was agnostic, and certainly wouldn't dream of going to church unless dragged. But Canon Percy Dearmer, of Westminster Abbey, was asked in 1931 by the Oxford University Press to compile a new hymnbook to rival Hymns Ancient and Modern, and he proceded to ask a few competent versifiers he knew to write a hymn or two. Jan wrote a dozen, proving that although she once said to Percy Dearmer, "My dear Percy, don't tell me you really believe all this stuff!", she could express her faith in an essentially optimistic universe.

One of her funniest pieces in Try Anything Twice (a collection of writings from Punch and The Spectator published two years before Mrs. Miniver, and just as crammed with wisdom and wit) is about going to the fearsome Mrs. Cattermole's establishment to find a new nanny. "Wanted: A really nice nanny. Born, not made. Must be fond of dogs and able to make toffee. No dragons or duchesses need apply." In reality, the Maxtone Graham nanny, the spirited Miss Annie Good, was devoted to Jan and stayed until the children were grown up. Jan would not allow her to wear a uniform and they ignored the custom of the nanny calling her charges "Miss Janet" or "Master Robert".

Janet remembers being told to clear up her bedroom, knee-deep in discarded clothes. "But Mummy," said Janet, "you don't tidy your clothes away!" Jan was far too fair-minded to contradict this. "Well," she said, "if I can't be a Shining Example to you, let me at least be a Horrible Warning!"

Despite her upper-class background she was not at all "respectable and Miniverish" in Janet's view, and quite the reverse of snobbish or stuffy. People who have seen the film assume that she was a twinset-and-pearls type, but this is equally inaccurate about both Miniver and Jan Struther. They share at times a robust exasperation with their social milieu.

Mrs. Miniver writes with distaste of the "Really Nice Children" in Kensington Gardens: in sleek perambulators, pushed by trained nannies, "children who had rocking-horses and special furniture with rabbits on, and hats and coats that matched, and grandmothers with houses in the country". By contrast, in an essay Jan describes the much more appealing children in "Pump Lane", the slum terrace behind the Square: these children "live entirely on Jam and white bread but are ravishingly beautiful and unreasonably healthy."

It is typical of Jan, says her daughter, that she had no great regard for the family jewellery she had inherited. In 1939, when they were leaving London in a hurry, she had just one lunchtime left in which to wrap the jewellery and stow it in a bank. But then she heard that Dame Myra Hess was playing Bach at the National Gallery that lunchtime, and she preferred to go and hear "Jesu, Joy of Man's Desiring". "Bach is so very all-right-making, isn't it?" she said. The family jewellery, left un-banked, was stolen; but all her children inherited her love of music.

Her happy marriage, like so many others, did not survive the effects of the war. Tony Maxtone Graham was with the Eighth Army when he was captured by Rommel and became a prisoner of war, so they did not see each other for five years. After their divorce in 1947 Jan returned to New York and the following year married the love of her life, Adolf Placzek, a tall, erudite Viennese whom she had first met in London in 1938 when he had escaped from Hitler and Jan was helping to look after refugees. "Dolf" went to America with ten shillings and a suitcase, and eventually became head of the Avery Architectural Library at Columbia University, from which he retired in 1980.

Nobody could fail to be charmed by Mrs. Miniver, who embraces domesticity, parenthood and social life alike with such positive enthusiasm. Even filling a Christmas stocking with tiny things was like writing a sonnet, keeping to the agreeable limitations of a strict form. Mundane things fill her with delight: picking up the blackened twigs from the lopped plane trees in the street, and later watching astonished as they burst into bud in a vase; making conversation with a blimpish colonel at a shooting party: "Thank God for colonels, thought Mrs. Miniver; sweet creatures, so easily entertained . . . there was nothing in the world so restful as a really good English colonel."

Mrs. Miniver is launched on the first page as a woman well pleased with her life. She is home again, after the "irrelevance" of the summer holidays: back to her neat, friendly house in the Square. Tea is already laid in the upstairs drawing-room, where the small fire burns brightly and sun floods through the open windows. She has been buying chrysanthemums. October, she reflects, should be the first month of the year: "That laborious affair in January was nothing but a name."

The Minivers' is a world where the eldest son is away at Eton, and they do not even have to make their own early-morning tea. Each morning just before nine, a garage-hand brings the car round to the front door. At weekends they motor down to their country house, "Starlings", and when the cottage next door is threatened by a developer, they can effortlessly buy that too.

Even if we do not envy Mrs. Miniver the material comfort of her life, we are utterly charmed by the delicate and humorous aperçus of her open and fertile mind. "To be entirely at leisure for one day", she writes, "is to be for one day an immortal." Surrounded by domestic servants and therefore not always busy, she is none the less invariably alert. Even a walk on the Embankment throngs her mind with "glimpses of the sage's vision" -- she also wrote a poem about it, called "Intimations of Immortality in Early Middle Age": feeling at one with every other person in the street, with the thrush and the dray-horse and the cat.

We can trust Mrs. Miniver to see through the absurdity of trying to get Christmas shopping done early. Impossible, she declares. "The feeling of temporal urgency cannot be artificially induced, any more than the feeling of financial distress. The rich young man who determines to work his way round the world may gain many things, but the experience of poverty is not one of them." Without the contagious zest of crowds, Christmas shopping in a half-empty shop is "as joyless as a mariage de convenance".

Such insights enliven everyday life in what might otherwise appear as nugatory as a Mrs. Dale's Diary. Going to the dentist, choosing a doll with her daughter, embarking on her first aeroplane flight, driving to Scotland for August: new perspectives spring to mind. "She wondered why it had never occurred to her before that you cannot successfully navigate the future unless you keep always framed beside it a small clear image of the past."

Jan Struther was essentially a sociable creature. But how one shares Mrs. Miniver's hopes, as she drives down to stay in the country, that her hosts might happen to share her habits and "hate sitting long over meals; walk quickly or not at all; enjoy arguments, jokes and silences, but detest making conversation; and realize that a day without a chunk or two of solitude in it is like a cocktail without ice".

Mrs. Miniver is particularly perceptive on marriage, at its best a partnership of equal friends. Marriage, she decides, is like two crescents bound at their points; in the middle there has to be a leaf-shaped space "for privacy or understanding, essential in a happy marriage". Clem Miniver is a successful architect whose latest plum is the Vanderhoops' new country house, and also a thoroughly amenable husband "who would generally rather do things than not". The exasperating thing about so many of the couples they know, Mrs. Miniver decides, is their unevenness: "like those gramophone records with a superb tune on one side and a negligible fill-up on the other which you had to take whether you wanted it or not".

Catching his eye at a dinner party, she reflects: "It seemed to her sometimes that the most important thing about marriage was not a home or children or a remedy against sin, but simply there being always an eye to catch."

Time and again, the reader is arrested by Mrs. Miniver's crisp common sense. She happens to enjoy weekend shoots, loving the winter countryside and the element of "playing Indians", but she hates the tedious, cliché-ridden arguments about whether shooting is right. When asked by the colonel, at Lady Chervil's table, to give her opinion, she replies that blood sports are "indefensible but irresistible", which she hopes will close the matter. Besides, "it seemed to her that to abolish shooting before you had abolished war was like flicking a speck of mud off the top of a midden."

Mrs. Miniver's children are a touch angelic (there are no tantrums) but she is perceptive in appraising them -- especially Vin's feelings as he goes back to school -- and she does capture the way in which children fill their parents' lives with rituals. So much of the fun of parenthood lies "in watching the children re-make, with delighted wonder, one's own discoveries". On Christmas morning, when they burst in shortly after six to open their stockings: how odd, she reflects, that the tangerine in the toe of the stocking lingers even though children get a good supply of fruit all the year round.

This is one of the moments -- when the stockings are being opened, and the dawn is breaking, and she can hear the distant tinkle of teacups -- which Mrs. Miniver feels

paid off at a single stroke the debit side of parenthood: the morning sickness and the quite astonishing pain; the pram in the passage, the cold mulish glint in the cook's eye; the holiday nurse who had been in the best families; the pungent white mice, the shrivelled caterpillars; the plasticine on the door-handles . . . the alarms and emergencies, the swallowed button, the inexplicable earache, the ominous rash appearing on the eve of a journey; the school bills and the dentist's bills; the shortened step, the tempered pace, the emotional compromises, the divided loyalties, the adventures continually forsworn.
Here is a glimmer of eternity framed in domesticity.

Over their small enclosed world of routine and contented pleasures, the threat of war begins to hang like a nimbus. It starts abruptly with the excursion to get gas-masks, which fills the children with excitement and Mrs. Miniver with the realization of danger. "It was for this, thought Mrs. Miniver as they walked towards the car, that one had boiled the milk for their bottles, and washed their hands before lunch, and not let them eat with a spoon which had been dropped on the floor." Gone are her feelings of security and material permanence. "Look thy last on all things lovely, Every hour . . . " Mrs. Miniver is sustained, as always, by poetry. When the bombing looms, she thinks of things that are truly irreplaceable in the house: like the notches on the nursery doorposts, marking the children's heights.

For the first time we hear Mrs. Miniver express negative feelings: she "felt she had been wrung out and put through a mangle". She no longer sees only beauty and falling leaves, but "allotments and rubbish-tips, the gas-works on one side and a row of dilapidated hoardings on the other". Suddenly there are spanners in the works of her easeful life. "Chimneys smoked, pipes burst, vacuum cleaners fused, china and glass fell to pieces, net curtains disintegrated in the wash." She wakes every day to a mental list of nags: "Sink plug, ring plumber, get sweep". At such times, she knew, you must just "put on spiritual dungarees and remain in them until things are running smoothly again".

It is this element which adds substance to what would otherwise have been just a charming and amusing period piece. Mrs. Miniver's friends begin to panic about not having achieved what they want in life. She, like everyone else, is rearranging not chrysanthemums, but values. At least the war obliges people to learn new skills, she consoles herself, which bring a freshness and rejuvenation normally alien to most adults, who never learn anything new at all. Deciding, on a whim, to visit the Zoo, she runs into her old friend Professor "Badger" Badgecumbe, and they go and look at the echidna, a hideous creature who is the incarnation of accidie. Inactivity, she decides, is the greatest sin of all.

However long the horror continued, one must not get to the stage of refusing to think about it. . . . Only by feeling it to the utmost, and by expressing it, could the rest of the world help to heal the injury which had caused it. Money, food, clothing, shelter -- people could give all these and still it would not be enough: it would not absolve them from the duty of paying in full, also, the imponderable tribute of grief.
This was the essence of the message to which her American readers responded. The unfortunate of the world were in lingering torment, while "the fortunate ones were merely condemned to watch it from a front seat, unwilling tricoteuses at an execution they were powerless to prevent. The least they could do was not turn away their eyes . . . "

Finding herself in the Swiss Alps during this anxious last summer before the war, Mrs. Miniver observes a little German boy just like Toby. The children of the world are one nation, she realizes, as are the blind of the world, or the old. If only governments would spend the price of a few bombers on free exchange visits for families . . .

But it ought not to NEED a war, she writes to her sister-in-law, to make people do their duty, talk to each other on buses, give slum children a holiday in the country, and live simply and eat sparingly and recover the use of their legs and get up early enough to see the sun rise. We should seize upon this mood: press a magic button and retain this vision of ourselves, "recapture the spirit of this tragic, marvellous and eye-opening time, so that having recaptured it, we can use it for better ends".

Mrs. Miniver, you feel, could rule the world.

Throughout the war Jan Struther continued to write and to lecture on Anglo-American relations. MGM paid her handsomely when they made their fanciful film, and with part of the money she bought two fully equipped ambulances for the British war effort. A few years later, she refused to see The Miniver Story, a 1950 sequel even weepier than its predecessor, in which Greer Garson succumbs to cancer. She successfully sued MGM for killing off her character, and rushed in to show Dolf the substantial damages cheque, crying, "Oh Dolf, don't let's waste all this lovely money, let's spend it!" The following year, Jan herself found she had cancer. She died in the Presbyterian Hospital in New York in 1953 at the age of fifty-two, never having failed in her courage and good humour, and her ashes were buried at Whitchurch near Aylesbury, alongside her father.

She had arranged to donate her corneas for transplant, so that someone else would have a chance to see the beauty of the world through her eyes; and she had already written her own epitaph:

One day my life will end; and lest
Some whim should prompt you to review it,
Let her who knows the subject best
Tell you the shortest way to do it:
Then say, "Here lies one doubly blest.
Say, "She was happy." Say, "She knew it."

POSTSCRIPT

What happened, readers may wonder, to "Vin, Judy and Toby", the real Maxtone Graham children? Jamie, the eldest, is sixty-five and lives by the Tweed, a collector and dealer in vintage fishing tackle in Peeblesshire and "having the most fun I've ever had in my life". Janet, a magazine writer, married the monocled Major Patrick Rance, author of the Great British Cheese Book and owner of the most famous cheese shop in Britain, at Streatley in Berkshire. They have seven grown-up children and spend a lot of time at their house in Provence. Robert was born in 1931. After a "first" at Cambridge he drifted from the Scots Bar to work as a lawyer in industry at Sandwich, Kent. When not presiding at public inquiries into town planning disputes he lives at Sandwich or at bolt holes in Avignon, Edinburgh or London. He and his wife Claudia own and run two antiques markets. They have a daughter named Ysenda (after one of her great-aunts) who not only looks exactly like her illustrious grandmother but writes wittily for Harpers & Queen. Every year Robert, the family archivist, produces a Christmas album for family circulation, full of Maxtone Graham anecdotes and on occasion an essay or two by Jan Struther.

Valerie Grove, London, 1989

FURTHER FAMILY NOTES BY ROBERT MAXTONE GRAHAM, APRIL 2001.

Twelve years have elapsed since Valerie Grove wrote that "Postscript". My brother Jamie has been forced by ill health to retire from his fishing tackle business. My sister Janet died at the end of 1996, and her husband Pat eight months later. Jan Struther's widower (my stepfather Dolf Placzek) died last year. Obituaries of all three can be found on-line by going to the "back issues" of The Times, http://www.thetimes.co.uk, dated 17 January 1997, 27 August 1997 and 24 March 2000. My daughter Ysenda is married to a London lawyer, and has two sons called Toby and Charles. Her first book, The Church Hesitant, was published by Hodder & Stoughton in 1993. Her next book, The Real Mrs. Miniver, a Life of Jan Struther, is to be published by John Murray during 2001. In retirement, I continue to compile privately-printed leaflets as Christmas presents for the extended family, the most recent of which was A Bibliography of Mrs. Miniver and of Other Books by Jan Struther, with Jan's Short Account of her Father, Henry Torrens Anstruther, M.P. A link to that Bibliography can be found at http://www.zip.com.au/~lnbdds/home/janstruther.htm (the family website maintained by my cousin David Drew-Smythe of Sydney, NSW. Printed copies have been deposited at the British Library, London Library, Cambridge University Library, National Library of Scotland, Library of Congress, and at the University of Pennsylvania (where Jan Struther was awarded an Honorary D. Litt. in 1943).


MRS. MINIVER

by Jan Struther


CONTENTS

MRS. MINIVER COMES HOME

THE NEW CAR

GUY FAWKES' DAY

THE EVE OF THE SHOOT

CHRISTMAS SHOPPING

THREE STOCKINGS

THE NEW ENGAGEMENT BOOK

THE LAST DAY OF THE HOLIDAYS

IN SEARCH OF A CHARWOMAN

THE FIRST DAY OF SPRING

ON HAMPSTEAD HEATH

A COUNTRY HOUSE VISIT

MRS. DOWNCE

MARRIED COUPLES

A DRIVE TO SCOTLAND

THE TWELFTH OF AUGUST

AT THE GAMES

THE AUTUMN FLIT

GAS MASKS

"BACK TO NORMAL"

BADGER AND THE ECHIDNA

A WILD DAY

NEW YEAR'S EVE

CHOOSING A DOLL

AT THE DENTIST'S

A POCKETFUL OF PEBBLES

BRAMBLES AND APPLE-TREES

THE KHELIM RUG

ON THE RIVER

LEFT AND RIGHT

"DOING A MOLE"

THE NEW DIMENSION

LONDON IN AUGUST

BACK FROM ABROAD

AT THE HOP-PICKING

"FROM NEEDING DANGER"

Additional articles and letters in The Times after publication of the early editions of the book:

MRS. MINIVER MAKES A LIST

PEACE-IN-WAR

A MOONLESS WEEK

SOME POINTS OF VIEW

TIME-LAG TRAGEDIES


Mrs. Miniver Comes Home

IT was lovely, thought Mrs. Miniver, nodding good-bye to the flower-woman and carrying her big sheaf of chrysanthemums down the street with a kind of ceremonious joy, as though it were a cornucopia; it was lovely, this settling down again, this tidying away of the summer into its box, this taking up of the thread of one's life where the holidays (irrelevant interlude) had made one drop it. Not that she didn't enjoy the holidays: but she always felt -- and it was, perhaps, the measure of her peculiar happiness -- a little relieved when they were over. Her normal life pleased her so well that she was half afraid to step out of its frame in case one day she should find herself unable to get back. The spell might break, the atmosphere be impossible to recapture.

But this time, at any rate, she was safe. There was the house, as neat and friendly as ever, facing her as she turned the corner of the square; its small stucco face as indistinguishable from the others, to a stranger, as a single sheep in a flock, but to her apart, individual, a shade lighter than the house on the left, a shade darker than the house on the right, with one plaster rosette missing from the lintel of the front door and the first-floor balcony almost imperceptibly crooked. And there was the square itself, with the leaves still as thick on the trees as they had been when she left in August; but in August they had hung heavily, a uniform dull green, whereas now, crisped and brindled by the first few nights of frost, they had taken on a new, various beauty. Stepping lightly and quickly down the square, Mrs. Miniver suddenly understood why she was enjoying the forties so much better than she had enjoyed the thirties: it was the difference between August and October, between the heaviness of late summer and the sparkle of early autumn, between the ending of an old phase and the beginning of a fresh one.

She reached her doorstep. The key turned sweetly in the lock. That was the kind of thing one remembered about a house: not the size of the rooms or the colour of the walls, but the feel of door-handles and light-switches, the shape and texture of the banister-rail under one's palm; minute tactual intimates, whose resumption was the essence of coming home.

Upstairs in the drawing-room there was a small bright fire of logs, yet the sunshine that flooded in through the open windows had real warmth in it. It was perfect: she felt suspended between summer and winter, savouring the best of them both. She unwrapped the chrysanthemums and arranged them in a square glass jar, between herself and the light, so that the sun shone through them. They were the big mop-headed kind, burgundy-coloured, with curled petals; their beauty was noble, architectural; and as for their scent, she thought as she buried her nose in the nearest of them, it was a pure distillation of her mood, a quintessence of all that she found gay and intoxicating and astringent about the weather, the circumstances, her own age and the season of the year. Oh, yes, October certainly suited her best. For the ancients, as she had inescapably learnt at school, it had been the eighth month; nowadays, officially, it was the tenth: but for her it was always the first, the real New Year. That laborious affair in January was nothing but a name.

She turned away from the window at last. On her writing-table lay the letters which had come for her that morning. A card for a dress-show; a shooting invitation for Clem; two dinner-parties; three sherry-parties; a highly aperitive notice of some chamber-music concerts; and a letter from Vin at school -- would she please send on his umbrella, his camera, and his fountain-pen, which leaked rather? (But even that could not daunt her to-day.)

She rearranged the fire a little, mostly for the pleasure of handling the fluted steel poker, and then sat down by it. Tea was already laid: there were honey sandwiches, brandy-snaps, and small ratafia biscuits; and there would, she knew, be crumpets. Three new library books lay virginally on the fender-stool, their bright paper wrappers unsullied by subscriber's hand. The clock on the mantelpiece chimed, very softly and precisely, five times. A tug hooted from the river. A sudden breeze brought the sharp tang of a bonfire in at the window. The jig-saw was almost complete, but there was still one piece missing. And then, from the other end of the square, came the familiar sound of the Wednesday barrel-organ, playing, with a hundred apocryphal trills and arpeggios, the "Blue Danube" waltz. And Mrs. Miniver, with a little sigh of contentment, rang for tea.

The New Car

MRS. Miniver woke up one morning with a sense of doom, a knowledge that the day contained something to be dreaded. It was not a crushing weight, such as an operation, or seeing one's best friend off to live in Tasmania; nor was it anything so light as a committee meeting, or a deaf uncle to tea: it was a kind of welter-weight doom.

At first it puzzled her. So far as she knew, she had no appointments that day, either pleasant or unpleasant, and that in itself was good. To be entirely at leisure for one day is to be for one day an immortal: according to the Chinese proverb she ought to have been feeling god-like. But the small, dull weight continued to drag and nag.

Clem put his head in, dishevelled from a bath. Not for the first time, she felt thankful that she had married a man whose face in the ensuing sixteen years had tended to become sardonic rather than sleek. It was difficult to tell, when people were young and their cheek-lines were still pencilled and delible. Those beautiful long lean young men so often filled out into stage churchwardens at forty-five. But she had been lucky, or had a flair; Clem's good looks were wearing well. The great thing, perhaps, was not to be too successful too young.

At the moment his expression was anything but sardonic.

"She ought to be here by nine," he said eagerly, and vanished.

Mrs. Miniver remembered with a bump, felt dismayed, knew that her dismay was unreasonable, and tried to argue it out of existence. A new car was a thing to be pleased over; it was high time they had one. The old Leadbetter had got to the stage when nothing less than an expensive overhaul would do any good; it had developed sinister fumes, elusive noises, incurable draughts; it was tiring for Clem on his long drives. And a week ago, when Clem, straight from the Motor Show, had spent the whole evening musing happily over catalogues, she had realized that the game was up. Her usual attitude -- that they didn't really need a new car -- was plainly untenable, and this time she could not even fall back upon a plea for economy. They could perfectly well afford it now. Clem's plans for the new building estate had gone through; and there was the Vanderhoops' country house as well -- a plum. Besides, this scene had been replayed, with variations, many times, and they both knew that the basis of her invariable reluctance about new cars was not thrift but sentiment. She simply could not endure the moment when the old one was driven away.

Mrs. Miniver was a fool about inanimate objects. She had once bid furiously at an auction for a lot described as "Twelve kitchen chairs; also a small wicker knife-basket." Clem, knowing the size of their kitchen, made urgent signals to her across the room. She stopped bidding, and the lot was knocked down to someone else for more than its value by a grateful but mystified auctioneer.

"You got mixed up in the lot numbers, didn't you?" Clem said afterwards.

"No," she said, guiltily. "I'm awfully sorry. It was that knife-basket. I suddenly thought -- so wretched not to be grand enough to be in a lot by itself. Just tagged on to kitchen chairs like that. Clem -- a small wicker knife-basket. . . ."

As for cars, they were in a class apart, somewhere between furniture and dogs. It wasn't, with her, a question of the pathetic fallacy. She did not pretend to herself that cars had souls or even minds (though anybody, seeing the difference that can exist between one mass-produced car and another, might be excused for believing that they have at least some embryonic form of temperament). No, it was simply a matter of mise en scène. A car, nowadays, was such an integral part of one's life, provided the aural and visual accompaniment to so many of one's thoughts, feelings, conversations, decisions, that it had acquired at least the status of a room in one's house. To part from it, whatever its faults, was to lose a familiar piece of background.

She got up and turned on her bath. Even through the rushing of the water she could hear the old Leadbetter coming down the square: a garage-hand brought it round every morning just before nine. She listened for the gear-change as it picked up speed after the corner, then for the squeal of the brake, the stopping of the engine, the slamming of the door, the man's footsteps receding up the square. It was really ridiculous, she thought, to mind so much; and gave herself an extra handful of bath-salts as a futile antidote to woe. Almost at once there was the sound of another car drawing up, a smooth virile purring, the discreet opening and closing of a solid well-fitting door. Then Clem's voice in the square and Judy's feet jigging on the pavement. It was intolerable. Old horses one pensioned off in a paddock, where one could go and see them occasionally. Or one even allowed them to pull the mowing-machine in round leather boots. But this part-exchange business --

Judy came racing upstairs and hammered on the door, shrill with excitement.

"Mummy! The new car's come!"

"Lovely," called Mrs. Miniver.

"And I've been helping Daddy clear the maps and things out of the old one before they drive it away."

Heavens, how relentlessly children dotted the i's!

"Run along," called Mrs. Miniver. "I'll be down quite soon."

She turned both the taps full on again, put thick lather of soap over her ears, and began to sing, noisily.

Guy Fawkes' Day

THEY didn't take the children down to Starlings much in the winter, until the Christmas holidays. When the days were short a week-end was scarcely worth while. They made an exception, however, for Guy Fawkes' Day, that kindly and prescient spirit having planned his crime to coincide -- or as nearly as makes no difference -- with the autumn half-term.

The Miniver family had a passion for fireworks; and a fireworks display in a small London garden is an emasculate thing, hampered at every turn by such considerations as the neighbours, the police, and the fragility of glass and slate. So on Saturday morning they picked up Vin at Eton and drove across country to Starlings. Mrs. Miniver was relieved to find that public school had not made him too grand to enjoy playing road competitions with the two younger children. He was, like his father, a timeless person, uninfluenced by his own age and unconscious of other people's. Judy was quite different. She was as typically nine now as she had been typically six, and three. Age, to her, was an important and exciting quality: she was never quite at ease with other children until she had asked them how old they were. As for Toby, he remained, in this as in most other matters, unfathomable.

In childhood the daylight always fails too soon -- except when there are going to be fireworks; and then the sun dawdles intolerably on the threshold like a tedious guest. There were no clouds that day, and even after sunset the western sky remained obstinately full of pearl-grey light. It was not so bad for Vin, who was helping his father to pin Catherine-wheels on to the fence and to prop up rocket-sticks in bottles on the lawn; but Judy and Toby, their noses pressed against the inside of the window-panes, were rampant with impatience long before Clem decided that darkness had officially fallen and the show could begin.

Swathed in coats and scarves, they went out and sat in a row on the little flagged terrace. The evening might have been ordered with the fireworks; it was cold, still, and starry, with a commendable absence of moon. And when the first rocket went up Mrs. Miniver felt the customary pricking in her throat and knew that once again the enchantment was going to work. Some things -- conjurers, ventriloquists, pantomimes -- she enjoyed vicariously, by watching the children's enjoyment; but fireworks had for her a direct and magical appeal. Their attraction was more complex than that of any other form of art. They had pattern and sequence, colour and sound, brilliance and mobility; they had suspense, surprise, and a faint hint of danger; above all, they had the supreme quality of transience, which puts the keenest edge on beauty and makes it touch some spring in the heart which more enduring excellences cannot reach.

It was certainly the best display they had ever had. Mrs. Miniver herself, when buying fireworks, was apt to be led away by fantastic titles; she would order Humming Spiders, Witches' Cauldrons, Mines with Serpents, Bouquets of Gerbes, and Devils among the Tailors, largely in order to see what they were like. But Clem knew that with fireworks, as with cocktails, the sober, familiar names usually produced the most interesting results. He laid out a certain amount on Roman Candles, Catherine-wheels, and Tourbillions, but for the most part he rightly concentrated on rockets.

There was one bursting now, a delicate constellation of many-coloured stars which drifted down and lingered in the still air. Watching it, she thought that of all the arts this was the one which showed the greatest contrast between the raw materials and the finished work. Words, pigments, notes of music -- all of these, unmarshalled, possessed a certain beauty of their own; a block of marble had at least an imaginable relationship with the statue which it was to become; stone, brick, and concrete, Clem's materials, did not seem impossibly remote from the houses which he would make of them. But this fiery architecture, these fragments of luminous music, these bright, dreamlike, and impermanent pictures in the sky -- what had they to do with nitre, sulphur and charcoal, with gummed paper, cotton-wick, and a handful of mineral salts?

The show was nearly over. Vin and his father were letting off the last few rockets. Their faces, occasionally lit up, were absorbed, triumphant, serene. Judy was shivering with cold and excitement. Toby, his feet sticking out over the edge of the seat, was completely immobile, but whether from profound emotion or too many coats it was impossible to tell. As for Mrs. Miniver, she was having a race with time. Some half-remembered words had been haunting her all the evening, a line of poetry, perhaps. or an old saying, something about brightness, something exquisitely appropriate. "Brightness . . ." What was it? The rest of the phrase eluded her, though she felt the rhythm of it; and she knew that she must remember it before the fireworks were finished, or it would be no use.

The final rocket went up, a really large one, a piece of reckless extravagance. Its sibilant uprush was impressive, dragonlike; it soared twice as high as any they had had before; and the moment it had burst, Mrs. Miniver remembered. "Brightness falls from the air" -- that was it! The sparks from the rocket came pouring down the sky in a slow golden cascade, vanishing one by one into a lake of darkness.

Beauty is but a flower
Which wrinkles will devour;
Brightness falls from the air;
Queens have died young and fair;
Dust hath closed Helen's eye --
It was quite irrelevant, really, a lament by Nashe in time of pestilence, nothing to do with fireworks at all. But she knew that it was just what she had needed to round off the scene for her and to make its memory enduring. Words were the only net to catch a mood, the only sure weapon against oblivion.

The Eve of the Shoot

EVERY year without fail Mrs. Miniver received an invitation written in a sloping Victorian hand on lavishly stout cream-laid. The right-hand top corner was embossed in heavy black Gothic with the address "Chervil Court, Crampton." On the left were three tiny formalized sketches -- a telegraph-pole, an upright telephone, and a railway engine of the Stephenson period, stocky and high-funnelled -- followed respectively by the words, "Great Yettingford," "Buntisley 3," and "Slape Junction." The letter began with old Lady Chervil's unvarying formula:

My dear Mrs. Miniver,

Chervil and I shall be delighted if you and your Husband will stay with us from Friday 19th to Monday 22nd November.

(She would have gone to the guillotine sooner than use the expression "week-end.")

Mrs. Miniver tossed the letter over to Clem. There must, he remarked, be an air-port near there by now, and sketched in under the other pictures a little pre-War biplane, single-engined and very short in the wing, followed by the words, "Market Bumbleton." There was no need for them to discuss whether they were going to accept the invitation. They always went to Chervil. The shooting was excellent, the food beyond praise; and it was soothing, for a short time, to slow oneself down to the pace of its old-fashioned ritual, and to spend three days in inverted commas.

"And what," said the Colonel, turning to Mrs. Miniver at dinner on the night of their arrival, "is your opinion . . . ?"

She had been afraid of this ever since, over the vol-au-vent, that woman in the wrong shade of green, on being asked whether she was coming out with the guns to-morrow, had shut her eyes and ever so delicately shuddered: thus plunging everybody around her into what was bound in that company to be a tedious and unprofitable discussion. Tedious because neither side possessed any currency but clichés, and unprofitable because it was clear from the outset that neither side was going to budge an inch. Besides, what a hare to start at a shooting party! You might with as much sense and propriety get up at a Lord Mayor's banquet and give a harangue on vegetarianism. If you felt as strongly as that, the only thing to do was to have 'flu and stay away.

It raged, if such a stale controversy could be said to rage, all through the quail, the ice-pudding, and the mushrooms on toast. Well-worn coins rang in Mrs. Miniver's ears. "After all, the birds get a sportin' chance. . . . " "Animals may not have souls, but still . . . " "Now take huntin' . . . " "Oh, bull-fightin' -- that's quite a different kettle of fish. . . ." Italics bred italics. Dropped g's fell as thick as confetti. Sooner or later the tide of argument was almost certain to reach her end of the table, but she made up her mind that she would not be drawn in. She had been through it all too many times before, and even in circles where one could speak freely the subject had become too hackneyed to be borne. Her own attitude, she knew, was unethical but honest. She did not happen to be personally squeamish, which was merely a matter of chance. She enjoyed any display of skill; she enjoyed bare trees, rimy pastures, breath made visible by frost, the smell of dead leaves, and the intricate detail of winter hedgerows; above all, she enjoyed that element of woodcraft, that sense of "playing Indians," which games fail to supply and which the detractors of hunting, shooting, and fishing so often mistake for bloodlust. And although she admitted that all shooting was cruel and that all cruelty was wrong, it seemed to her that to abolish shooting before you had abolished war was like flicking a speck of mud off the top of a midden.

For the moment the conversation on either side of her had flowed away, leaving her on a blessed little island of peace and silence. She had time to study the heraldic beauty of the pineapple (for they had now reached dessert), to speculate on the second footman's private life (he had a studious, enigmatic face and probably read philosophy), and to reflect how unpleasing, musically, is the sound of a pack of upper-class English voices in full cry.

Lady Chervil, however, was a watchful and tidy-minded hostess of the old school, who regarded a dinner-party as a quadrille and disapproved of islands. With a masterly verbal tweak she readjusted the guests who had got out of step. "And what," said the Colonel, turning to Mrs. Miniver, "is your opinion of all these blood sports?"

"I think they are indefensible, but irresistible," she answered. She had found through long experience that this remark usually closed the subject pretty quickly. It left very little to be said. Besides, she meant it.

"Ha!" said the Colonel. She noted with delight that he really did say "Ha!" This made a valuable addition to her collection. She had lately acquired a "Humph!" and two "Whews!" but she was still waiting in vain for a "Pshaw!"

"Tell me," she said, "weren't you with an uncle of mine in Singapore -- Torquil Piggott?"

"Piggy!" exclaimed the Colonel, beaming gratefully, and plunged into reminiscence. Thank God for colonels, thought Mrs. Miniver; sweet creatures, so easily entertained, so biddably diverted from senseless controversy into comfortable monologue: there was nothing in the world so restful as a really good English colonel. She nailed her smile to the mast and reverted to the pineapple and the second footman. Clem caught her eye across the table. It seemed to her sometimes that the most important thing about marriage was not a home or children or a remedy against sin, but simply there being always an eye to catch.

Christmas Shopping

ONE of the minor arts of life, thought Mrs. Miniver at the end of a long day's Christmas shopping, was the conservation of energy in the matter of swing doors. With patience and skilful timing it was very seldom necessary to use your strength on them. You could nearly always follow close behind some masterful person who had already done the pushing; and if you were too late for that and the door had begun to swing towards you, then it was well worth pausing for a second until it swung away again and needed only a gentle encouragement. This seemed obvious enough; but there was an astounding number of people who seemed to glory in taking the line of most resistance, hurling themselves against an approaching door and reversing its direction by brute force, as though there were virtue in the act. They must lead, she reflected, very uncomfortable lives.

Placing herself neatly in the wake of a bull-necked woman in tweeds, she slipped out of the shop. There was a raw wind; sleety rain was beginning to fall, blurring the lamplight; the pavements were seal-sleek; it was settling down into one of those nasty wet evenings which the exiled Londoner longs for with a quite unbearable nostalgia.

She tumbled all her parcels into the back of the car, slid, happy but exhausted, into the driving-seat, and set off for home. The double screen-wiper wagged companionably, uttering over and over again the same faint wheedling word, which she could never quite make out. It was a dissyllable, something like "receive" or "bequeath." She was glad, at any rate, that they now had a screen-wiper which moved at a constant speed. Their last had been one of those which work off the induction: lively and loquacious when you are at a standstill, sulky and slow as soon as you get going and really need its help -- like the very worst type of human being.

She felt a little guilty: it was the first time she had caught herself comparing the beloved old car unfavourably in any way with the usurping new one.

Getting home was evidently going to be a long job. The usual six o'clock home-going stream was in spate with Christmas crowds, and Oxford Street was a solid jam. It was her own fault, she had to admit, as she sat back and waited for the lights to change. Every year the same thing happened. At the beginning of November she made up her mind that this time, for once, she would get her Christmas shopping done early. She went as far as writing out a list -- and there, for several weeks, the matter rested. At intervals she tried to pretend that Christmas Day fell on the 5th of December, or, alternatively, that all her friends and relations lived in South Africa and that she had to catch an early mail; but it was no use. The feeling of temporal urgency cannot be artificially produced, any more than the feeling of financial distress. The rich young man who determines to work his way round the world may gain many things, but the experience of poverty is not one of them. He knows that in the ultimate emergency he can always cable home for funds; and Mrs. Miniver knew perfectly well that Christmas was not until the 25th of December, and that all the people on her list lived in England.

(The screen-wiper wagged steadily. "Sea-green . . . sea-green. . . " Perhaps that was nearer the mark?)

Besides, successful present-choosing depends very largely upon the right atmosphere, upon the contagious zest of crowds, upon sudden inspirations and perceptions, heightened rather than otherwise by a certain sense of pressure in space and time. To do it cold-bloodedly, in a half-empty shop, without any difficulty or competition, is as joyless as a mariage de convenance. So perhaps it was just as well, she told herself consolingly, that she had, as usual, left it till the middle of December.

("Wee Free . . . Wee Free. . . " Warmer. She'd get it yet.)

The lights changed. She put the car into bottom gear, paused, then let in the clutch. It occurred to her as she did so that it was not only people's physical reactions to those three colours that had become automatic but their mental ones as well. Red, yellow, green -- frustration, hope, joy: a brand-new conditioned reflex. Give it a few more years to get established, and psychiatrists would be using coloured rays, projected in that sequence, for the treatment of melancholia; and to future generations green would no longer suggest envy, but freedom. In such haphazard ways are symbolisms born and reborn.

At the next crossing, red again. Frustration -- but somehow one accepted it without resentment, simply because it was not imposed by a human hand. One could be annoyed with a policeman, but not with a tin hollyhock. The same was true of automatic telephones: ever since the dialling system had come in the world's output of irritation must have been halved. It was an argument for the mechanization of life which had not previously struck her.

She got home at last. Clem was already in, with his legs stretched out in front of the fire.

"Successful?" he asked, seeing her festooned with parcels.

"Look here, she said, "that screen-wiper -- I think what it says is 'Beef Tea.'"

"My goodness," said Clem. "I believe you're right."

Three Stockings

HOWEVER much one groaned about it beforehand, however much one hated making arrangements and doing up parcels and ordering several days' meals in advance -- when it actually happened Christmas Day was always fun.

It began in the same way every year: the handle of her bedroom door being turned just loudly enough to wake her up, but softly enough not to count as waking her up on purpose; Toby glimmering like a moth in the dark doorway, clutching a nobbly Christmas stocking in one hand and holding up his pyjama trousers with the other. (He insisted upon pyjamas, but he had not yet outgrown his sleeping-suit figure.)

"Toby! It's only just after six. I did say not till seven."

"But, Mummy, I can't tell the time." He was barefoot and shivering, and his eyes were like stars.

"Come here and get warm, you little goat." He was into her bed in a flash, stocking and all. The tail of a clockwork dog scratched her shoulder. A few moments later another head appeared round the door, a little higher up.

"Judy, darling, it's too early, honestly."

"I know, but I heard Toby come in, so I knew you must be awake."

"All right, you can come into bed, but you've got to keep quiet for a bit. Daddy's still asleep."

And then a third head, higher up still, and Vin's voice, even deeper than it had been at Long Leave.

"I say, are the others in here? I thought I heard them."

He curled himself up on the foot of his father's bed. And by that time, of course, Clem was awake too. The old transparent stratagem had worked to perfection once more: there was nothing for it but to switch on the lights, shut the windows, and admit that Christmas Day had insidiously but definitely begun.

The three right hands -- Vin's strong and broad, Judy's thin and flexible, Toby's still a star-fish -- plunged in and out of the three distorted stockings, until there was nothing left but the time-hallowed tangerine in the toe. (It was curious how that tradition lingered, even nowadays when children had a good supply of fruit all the year round.) Their methods were as different as their hands. Vin, with little grunts of approval, examined each object carefully as he drew it out, exploring all its possibilities before he went on to the next. Judy, talking the whole time, pulled all her treasures out in a heap, took a quick glance at them and went straight for the one she liked best -- a minikin black baby 2 in a wicker cradle. Toby pulled all his out, too, but he arranged them in a neat pattern on the eiderdown and looked at them for a long time in complete silence. Then he picked up one of them -- a big glass marble with coloured squirls inside -- and put it by itself a little way off. After that he played with the other toys, appreciatively enough; but from time to time his eyes would stray towards the glass marble, as though to make sure it was still waiting for him.

Mrs. Miniver watched him with a mixture of delight and misgiving. It was her own favourite approach to life: but the trouble was that sometimes the marble rolled away. Judy's was safer; Vin's, on the whole, the wisest of the three.

To the banquet of real presents which was waiting downstairs, covered with a red and white dust-sheet, the stocking-toys, of course, were only an apéritif; but they had a special and exciting quality of their own. Perhaps it was the atmosphere in which they were opened -- the chill, the black window-panes, the unfamiliar hour; perhaps it was the powerful charm of the miniature, of toy toys, of smallness squared; perhaps it was the sense of limitation within a strict form, which gives to both the filler and the emptier of a Christmas stocking something of the same enjoyment which is experienced by the writer and the reader of a sonnet; or perhaps it was merely that the spell of the old legend still persisted, even though for everybody in the room except Toby the legend itself was outworn.

There were cross-currents of pleasure, too: smiling glances exchanged by her and Vin about the two younger children (she remembered suddenly, having been an eldest child, the unsurpassable sense of grandeur that such glances gave one); and by her and Clem, because they were both grown-ups; and by her and Judy, because they were both women; and by her and Toby, because they were both the kind that leaves the glass marble till the end. The room was laced with an invisible network of affectionate understanding.

This was one of the moments, thought Mrs. Miniver, which paid off at a single stroke all the accumulations on the debit side of parenthood: the morning sickness and the quite astonishing pain; the pram in the passage, the cold mulish glint in the cook's eye; the holiday nurse who had been in the best families; the pungent white mice, the shrivelled caterpillars; the plasticine on the door-handles, the face-flannels in the bathroom, the nameless horrors down the crevices of armchairs; the alarms and emergencies, the swallowed button, the inexplicable earache, the ominous rash appearing on the eve of a journey; the school bills and the dentists' bills; the shortened step, the tempered pace, the emotional compromises, the divided loyalties, the adventures continually forsworn.

And now Vin was eating his tangerine, pig by pig; Judy had undressed the black baby 2 and was putting on its frock again back to front; Toby was turning the glass marble round and round against the light, trying to count the squirls. There were sounds of movement in the house; they were within measurable distance of the blessed chink of early morning tea. Mrs. Miniver looked towards the window. The dark sky had already paled a little in its frame of cherry-pink chintz. Eternity framed in domesticity. Never mind. One had to frame it in something, to see it at all.

The New Engagement Book

TWELFTH Night was over; the decorations were down; Christmas (which, like all extremes, dates easily) seemed as démodé as a hat in a passport photograph: and still Mrs. Miniver had not bought herself a new engagement book, but was scribbling untidy notes on the fly-leaf of the old one.

As usual, she had meant to buy one before leaving London for Starlings; but as usual, there hadn't been time. It is a thing, she knew, which must never be done in a hurry. An engagement book is the most important of all those small adjuncts to life, that tribe of humble familiars which jog along beside one from year's end to year's end, apparently trivial, but momentous by reason of their terrible intimacy. A sponge, a comb, a tooth-brush, a spectacle-case, a fountain-pen -- these are the things which need to be chosen with care. They become, in time, so much a part of one that they can scarcely be classed as inanimate. Insensitive, certainly -- but so are one's nails and hair. And although some of them can be given away if one takes a dislike to them, with others the only remedy is destruction; and there is no case on record of anybody, however rich, being strong-minded enough to throw an almost new sponge into the fire. Meekly, one puts up with its inconvenient shape, its repulsive texture, and the cretinous face which is discernible among its contours when it is lightly squeezed. Eventually, thank goodness, it will wear out; or with any luck one may leave it behind in an hotel.

But an engagement book, once used, is a far worse problem. To give it away is impossible, to lose it is disastrous, and to scrap it and start a new one entails a laborious copying out of all the entries that have already been made. Unless, of course, one is prepared to leave the first part of the new book blank and risk giving one's biographers -- if any -- the impression that one has suffered from a prolonged attack of leprosy. Or worse.

So it wasn't until well into January that Mrs. Miniver, up for the day from Starlings to go to the dentist, found herself in a stationer's shop with enough leisure to give the matter the attention it deserved. She stopped in front of the rack marked "Diaries" and prepared to enjoy herself

The first book she picked up was bound in scarlet morocco. Rather nice; but it turned out to be one of those unnatural affairs which show two weeks at an opening. A fortnight, she always felt, was an impossible division of time, relevant neither to God's arrangements nor to man's. Days were the units which mattered most, being divided from each other by the astounding phenomenon of losing and regaining consciousness. (How brave, how trustful people are, to dare to go to sleep!) But a day at an opening was no good -- too much for an engagement book, not enough for a real diary. A week was what she wanted: a nice manageable chunk of time with a beginning, a middle, and an end, containing, if desired, a space for each of the wonders of the world, the champions of Christendom, the deadly sins, or the colours of the rainbow. (Monday was definitely yellow, Thursday a dull indigo, Friday violet. About the others she didn't feel so strongly.)

Of the week-at-an-opening kind, there were only three left. That was the worst of leaving it so late. One was bound in crimson leatherette, one in brown calf, and one in green lizardskin. She rejected the leatherette at once. In a spasm of post-Christmas economy, she had once bought a very cheap engagement book, and it had annoyed her for twelve months; everything she put down in it looked squalid. The green lizard, on the other hand, was marked seven-and-sixpence, which seemed a fabulous price to pay. She decided on the brown calf, at three-and-nine: a smooth, pleasant little volume, an honest and sturdy companion for a year's march. It would wear well; she could not possibly, she knew, take a dislike to it. She paid, put it into her bag, left the shop and stepped on to a No. II bus. She would catch the train back to Starlings with twenty minutes to spare.

Half-way down the Pimlico Road she suddenly pressed the button and jumped off the bus.

"Forgotten something," she said, smiling apologetically at the conductor. There was no other bus in sight, so she walked back to Sloane Square as fast as she could. At this very moment, perhaps, the green lizard-skin diary was being bought by somebody else -- some wholly unsuitable person who merely wanted to get one in a hurry; a rich, earnest woman who would fill it with committee meetings, or a business man who would not even glance at the binding when he opened it to jot down the words "Dine George." While she herself with all her dearest activities soberly confined in brown calf, would be thinking about it in an agony of regret.

But it was still there. She produced another three-and-ninepence and bore it away delighted. After all, the difference was very little more than the price of a taxi. (But she had to take a taxi to Charing Cross as well.)

In the train she pulled out the little green shining book and entered in it, from memory, the few and simple appointments which the year had so far contained. "Meet Clem, 2.27." "Pike-fishing with Vin." "Lunch Bucklands." "Bridget for week-end." Bare and laconic; yet those first days had been crammed, like all other days, with feelings, ideas and discoveries. And so it would go on until the book was complete -- a skeleton map of her year, which to anybody else's eye would convey no picture whatever of her mental landscape. But she, glancing through it twelve months hence, would be able to fill in many, though not all, of the details; how, on the way out from the station, Clem had told her about the new Gloucestershire job; how she and Vin had seen a heron; how the Bucklands had given them home-cured gammon with pickled peaches; and Bridget's fascinating story about her cousin, the threepenny-bit, and the deaf chimney-sweep.

The Last Day of the Holidays

THE last day of the holidays dawned relentlessly wet. The last day down at Starlings, that is, which for Vin was what counted. Judy liked London equally well, and Toby lived in a landscape of his own; but for Vin the twenty-four hours in London on his way back to school were only a kind of twilight, with one foot already in the grave. There was always some treat to mitigate it -- the circus, a theatre, or a music-hall; but even this, enjoyable as it was, had a tinge of the macabre in its glory, like the pomps and splendours of a funeral feast.

Not that he disliked school; but it had to be regarded, he found, as another life, to be approached only by way of the Styx. You died on the station platform, were reborn, not without pangs, in the train, and emerged at the other end a different person, with a different language, a different outlook, and a different scale of values. That was what the stray grown-ups you met in the holidays did not seem to understand when they asked you the fatuous and invariable question, "How do you like school?" It was impossible to answer this properly, because the person of whom they asked it never, strictly speaking, arrived at school at all.

The reverse process -- getting back into his home skin -- though not in the least painful, was almost as difficult. For one thing, he had always outgrown it a little, and, like his home clothes, it had to be adjusted. Sometimes, before it was a comfortable fit, nearly a week had gone by; he was almost half-way to the half-way mark -- that significant water-shed beyond which the days raced downhill in a heartless torrent.

However full the children packed them, however early they got up, however late, by various ruses, they contrived to go to bed, the holidays were always far too short. There was never time to carry out more than three-quarters of the plans they made. Some of these -- such as building a tree-hut or exploring the mill-stream to its source -- never got started at all; others they had to leave half done, such as the cardboard castle which had been lurking for two years in a corner of the boxroom, roofless, but with a practicable portcullis. Somehow it never seemed possible to finish things like that during the next holidays. There was always some newer craze.

This time their main occupation had been fitting up one of the outhouses like the cabin of a ship, with built-in bunks, straw palliasses, and a locker full of imaginary charts. (Vin drew the charts, Judy painted them, and Toby put in the casual dolphins.) But they had also made a brick-kiln in the kitchen garden and baked in it at least a dozen quite satisfactory bricks. Not enough to build anything with, it is true, but enough to give them a reassuring feeling that if they were ever wrecked on a desert island they would soon be able to run up a house or two: always provided, of course, that the island had a clay soil. And they had dammed the stream, and undammed it again; and watched the woodmen cutting and splitting young chestnuts for palings; and watched the blacksmith, and the wheelwright, and the man who came to mend the roof; and walked over to Loddenden to have tea with Old Jane; and had a bonfire, the day Vin caught a bream, so that they could cook it in the embers, wrapped in wet paper.

For the last day they had made at least six different plans, but they were all out-of-door ones and it was obvious that they would all have to be abandoned. The sky was black and sagging, like an old tarpaulin. A big cross-channel plane was labouring unsteadily southward against the gale, flying so low that it looked as though it would barely clear the chimneys. Below the high wooded ridge on which their house stood the green and silver network of the Marsh lay blurred with rain, its dikes swollen and many of its pastures already merged in flood.

It had evidently got to be an indoor day. And because it was the last one they took turns, in order of age, at choosing what to do. Clem, who came first, chose darts; they played Round the Clock, and Nannie, as usual, won. Mrs. Miniver chose Letter Bags (a game which is to all other letter-games as dry-fly fishing is to a string and a bent pin). Nannie, most popularly, chose toffee-making on the nursery fire; and by the time that was set aside in biscuit-tin lids to cool, lunch was ready.

Afterwards they took another look at the weather. It was quite hopeless. The wind, no longer squally, had risen to a steady roar. The trees were straining, the lawn sodden, the Marsh completely blotted out. Vin chose charades, and Judy said she had been going to choose dressing up, so they combined the two; and that, of course, lasted them easily till tea-time.

Next it was Toby's turn. But all he wanted, apparently, and he wanted it with a consuming urgency, was to be left alone in a corner with eight elastic bands and an old photograph frame: he said he had had a good idea at tea. So the rest of them had a concert, with Clem at the piano. They sang "Camptown Races" and "The Ash Grove" and "Rolling Down to Rio" and "Alfonso Spagoni" and "Cockles and Mussels" and "A Bicycle Made for Two." They were going to sing "Home, Sweet Home," but Vin suggested that it ought to be pronounced "Hume, Sweet Hume," like the surname; and after that, because they were just in the right mood for silly jokes, they laughed too much to be able to sing it at all, so the concert came to an end.

So far as they knew, Toby had been paying no attention. But when the noise of their own laughter had died away they became aware of a small reedy voice singing in the far corner, accompanied by a confused twangling sound. It was Toby, blissfully sweeping the strings of his good idea.

"'Carry me hume'" (he sang) "'to Old Virginny. . . . ' Tck! That end band's come loose again."

When the two younger ones had been taken off to bed, Vin went to the window and peered out at the dripping garden. The rain had stopped at last; a few torn clouds were racing past in a clear moonlit sky. But it was too late now. The holidays were over.

In Search of a Charwoman

ABOUT once a year Clem rather ruefully suggested, and Mrs. Miniver reluctantly agreed, that it was about time they asked the Lane-Pontifexes to dinner.

There was nothing really the matter with the Lane-Pontifexes. They were quite nice, intelligent, decent people; she was personable, and he was well-informed: yet for some mysterious reason one's heart sank. Their company, as Clem said, was a continual shutting of windows. They asked the Minivers to dinner about every two months; it was impossible, without being churlish, to get out of it more than three times running; and eventually, of course, they had to be asked in return. This acquaintanceship had lasted, neither waxing nor waning, for nearly ten years, and there seemed to be no particular reason why it should ever come to an end. Clem said it was part of the white man's burden.

Undiluted Lane-Pontifex was not to be thought of, so they generally made it an excuse for asking as many people as their dining-room table would hold, and that meant getting Mrs. Jackman in to help with the washing-up. On the morning of the dinner-party Mrs. Jackman sent a message to say that she couldn't come after all, as her mother was queer. So Mrs. Miniver, fervently wishing that the queerness of Mrs. Jackman's mother had not happened to coincide with the imminence of the Lane-Pontifexes, set off in search of a substitute.

She crossed the King's Road, turned up Skelton Street (which is not one of the streets that Chelsea shows to American visitors), and approached the towering red-brick jungle which is known as "the Buildings." Among the branches of this forest, theoretically at any rate, desirable and efficient charwomen hang in ripe clusters for the plucking; but the plucking is not so simple. The architectural style of the Buildings is Late Victorian Philanthropic. Each clump is named after a different benefactor, and each block in each clump is distinguished by a large capital letter. Mrs. Miniver entered the maze by the nearest gateway and then hesitated. She had heard of Mrs. Burchett through a friend, and she thought her address was No. 23 Platt's Dwellings; but she had reckoned without the alphabetical factor. She tried No. 23 in D Block, which happened to be near at hand, and after that she tried No. 23 in Blocks E, F, and G. But either the inhabitants genuinely did not know Mrs. Burchett's address, or else some esoteric code forbade them to reveal it. No. 23 was in every case on the fourth floor; and as she climbed up the steep stone stairs of Block H Mrs. Miniver felt inclined, quite unfairly, to blame the whole business on to the Lane-Pontifexes.

This time, however, she was more successful. A large, neat, cheerful woman came to the door, with her hair piled up on the top of her head like a whipped cream walnut. Obviously a pearl among charwomen -- a capable pearl. Yes, she was Mrs. Burchett. Yes, she had often worked for Miss Ducane, and was glad that Miss Ducane had recommended her. Yes, she would certainly come along this evening and give a hand.

"To tell you the truth," she added with gusto, "I was just wishing summing like this would turn up. Not that I need to do cleaning at present, really, Burchett and the boys all being in work. In fact, my son Len, 'e says I've no business to go out to work at all, when there's others wanting it more. But there -- I don't know whatever I should do if I didn't. Every now and then I just feel I've got to 'ave a bit of a fling." She tossed the whipped cream walnut so that it quivered. "Of course, charing. . . . I suppose it's on'y like clearing up somebody else's mess instead of your own, but it does make a change, and you do get a bit of company. Burchett, 'e says, 'You let 'er go, Len, and never mind the rights and wrongs. Coop 'er up too long, she gets 'ipped. And goodness knows,' 'e says, 'when your mother gets 'ipped there's no peace for any of us till she's worked it off summow.'"

She gave a large, good-humoured laugh. Mrs. Miniver liked her more and more, recognizing in her that most endearing of qualities, an abundant zest for life. It was rare, that zest, and it bore no relation to age, class, creed, moral worth, or intellectual ability. It was an accidental gift, like blue eyes or a double-jointed thumb: impossible to acquire, and almost impossible, thank heaven, to lose. To be completely without it was the worst lack of all -- and it dawned on her in a flash that that was what was the matter with the Lane-Pontifexes.

"You'll come at seven, then?"

"I shan't be late " said Mrs. Burchett, beaming reliably. It was evident that in spirit her sleeves were already rolled up.

Threading her way back between the serried barrows of Skelton Street, Mrs. Miniver asked herself which of them was right -- Burchett or Len. Economically, Len, of course. But psychologically, Burchett: for pent-up volcanoes can do almost as much harm in the world as empty purses.

On the hall table there was a telephone message. Mr. and Mrs. Lane-Pontifex were extremely sorry, but they had both gone down with 'flu. Mrs. Miniver's heart gave a leap, and she immediately felt ashamed of herself. As an act of penitence she went out to the flower shop and sent the Lane-Pontifexes a big bunch of jonquils and a note. But nothing could undo the leap; and as she walked home for the second time, she reflected what possibilities the evening now held; how many lovely people there were from among whom they could fill the two empty places -- people whom they really wanted to see, who were merry or wise or comforting or revealing, whose presence either heartened the spirit or kindled the mind; people who opened windows instead of shutting them. And she reflected, also, how many of the most enjoyable parties were achieved by taking away the number you first thought of.

The First Day of Spring

IT was a Wedgwood day, with white clouds delicately modelled in relief against a sky of pale pure blue. The best of England, thought Mrs. Miniver, as opposed to countries with reasonable climates, is that it is not only once a year that you can say, "This is the first day of spring." She had already said it twice since Christmas -- once in January, when they had driven across the Marsh to the sea and it had been warm enough to lie on the sand without a coat; and once in February, when she had taken the children for a lunch picnic in Kensington Gardens. The grass had been scattered with twigs from the previous night's gale, and by the next afternoon it was snowing: but while it lasted that day had been part of the authentic currency of spring -- a stray coin tossed down carelessly on account.

But this time, she thought (though she knew quite well that one said that every time), it really was spring. On her way downstairs she paused in the drawing-room to look at the plane branches which she had picked up on the Embankment when the men were lopping the trees. She did this every year, but she could never quite believe her eyes when they actually burst into bud. It seemed impossible that those neat emerald bobbles, those velvety, milky-green leaves, should have been implicit in the soot-black sticks -- so much deader-looking than the polished brown twigs of the countryside -- which she had brought in a month ago. She bent closer to look at one of the newest leaves (it was soft and half-spread, like a little pointed paw), got a cloud of yellow pollen from the flowers on to her nose, and went downstairs sneezing.

Outside the air was delicious. She could feel it stroking her face as she moved through it, but there was no sensation of either warmth or chill. Walking towards Westminster (she was going to meet Clem for lunch near his office), she wondered why she found this particular temperature so charming; and decided that it was because, on a day like this, she came nearer than usual to losing her sense of separate identity. Extremes of heat and cold she enjoyed too, but it was with a tense, belligerent enjoyment. When they beat against the irregular frontiers of the skin, with all its weak angles and vulnerable salients, they made her acutely conscious of her own boundaries in space. Here, she would find herself thinking, is where I end and the outside world begins. It was exciting, but divisive: it made for loneliness. But on certain days, and this was one of them, the barriers were down. She felt as though she and the outside world could mingle and interpenetrate; as though she was not entirely contained in her own body but was part also of every other person in the street; and, for that matter, of the thrush singing on a tree in Eaton Square, the roan dray-horse straining to take up the load at Grosvenor Place, the cat stepping delicately across Buckingham Palace Road. This was the real meaning of peace -- not mere absence of division, but an active consciousness of unity, of being one of the mountain-peak islands on a submerged continent.

Just beyond the entrance to the royal stables she became aware that she was walking behind, and gradually overtaking, a small, ragged boy. He was about Toby's size, but probably older. His shorts, even though they had been hauled well up under his armpits, were still far too long for him, and they had a big cobbled patch on the seat; his grey jersey was dirty, skimpy, and threadbare; his legs were spindly, his hair mouse-coloured and closely cropped. He was not an attractive urchin: but what caught her eye were his accoutrements. He wore a sword made out of two pieces of broken lath, hung round his middle with string; his helmet was a brown paper bag with a pigeon's feather stuck through it and "Brooks's Stores" printed on it upside-down; and on his left arm he carried a home-made cardboard shield. His step was jaunty yet purposeful, as though he was setting off on some secret campaign in which he was confident of victory. (There were dragons in St. James's Park, she knew, for those who needed them: she had lived near it herself as a child.)

By the time he reached the front gates of the Palace she had drawn almost level with him: she could see that the shield was roughly coloured with red chalk and tied to his arm with a boot-lace. She was about to pass him when he caught sight of another urchin, similarly equipped, on the opposite pavement. It was evidently going to be a combined expedition. He gave a shrill yell of greeting and stepped off the kerb.

"Look out!" cried Mrs. Miniver, grabbing him by the shoulder. A taxi swerved with screaming brakes and avoided him by perhaps an inch. But the boy was unimpressed.

"I'm awright," he protested impatiently; shook himself free, and dashed out again into the road. Mrs. Miniver watched him till he got safely over to the other side. Then she discovered that her knees were trembling and that she felt extremely sick. Behind her the sentries stamped and strode, met, turned, and parted, carrying out with beautiful precision their antique ritual. Sentries and cardboard shields: parallel gestures, it seemed, in a world of bombing planes and motor traffic. But perhaps the making of the gesture was what mattered.

She pulled herself together and walked on. The water, a bright translucent curve, flowed steadily into the marble basin; the tritons, nereids, and dolphins gambolled along the frieze; the symbolic bronze statues held, a trifle sententiously, their heroic poses; and high above them all the gilt Queen sat calmly in the sun.

On Hampstead Heath

THEY went away nearly every week-end, either to Starlings or to other people's houses, but about once a month they made a point of staying in London. On Saturday afternoon they would drive down to see Vin at school, and on Sunday the two younger children would take it in turns to choose a treat. This time it was Toby's turn, and he chose Hampstead Heath because he wanted to sail his boat on the pond. Judy wasn't particularly keen on boats, but her favourite doll Christabel had a new spring coat and she was quite glad of a chance to take her out in it.

It was a clear, clean, nonchalant kind of day, with a billowy south wind. The scene round the pond, as they burst upon it suddenly up the hill, would have made an admirable opening for a ballet -- a kind of English Petrouchka or Beau Danube. The blue pond, the white sails, the children in their Sunday clothes, the strolling grown-ups, the gambolling dogs, the ice-cream men (hatched out prematurely by the unseasonable heat) tinkling slowly round on their box-tricycles -- it all had an air of having been rehearsed up to a perfection of spontaneity. The choreography was excellent, the décor charming: it remained to be seen whether any theme would develop.

When they got out of the car Toby discovered that he had left the key of his motor-boat at home. It was much too late to go back, of course: there was nothing to be done except wait and see how he would take it. One never knew, when setting out to comfort Toby, whether to prepare first aid for a pinprick or a broken heart. He was not yet old enough to be able to grade his own misfortunes: it is one of the maturer accomplishments. Fortunately he was in a philosophical mood. He just said: "oh, well, we can watch the others," and trotted off to the pond with Clem, his feet beating crotchets against his father's minims.

Mrs. Miniver found a deck-chair and sat down in the sun. Judy walked about, carrying Christabel rather ostentatiously so that people could see her new coat. It was really magnificent -- pale yellow tweed with a brown velvet collar and brown buttons. Watching her, Mrs. Miniver wondered whether the modern unbreakable dolls, which lasted for years, were more, or less, precious to their owners than the old china ones, whose expectation of life had been a matter of months. The old ones had had the agonizing charm of transience: the modern ones held the promise of a reliable and enduring companionship -- you could make plans for their future, think out their next winter's wardrobe. But it was a silly problem, after all. For love is no actuary: and a new-born baby was probably neither more, nor less, treasured three hundred years ago than it is now, in spite of all our statistics about infant mortality.

The sun was getting quite hot. From where she sat Mrs. Miniver could see two street orators setting up their flimsy platforms and angling for an audience. Judging by their clothes and general demeanour she guessed that the one on the right was Left-wing and the one on the left Right-wing: but she was too far away to read the wording on their notice boards, and when they began to speak nothing reached her except a confused gabble, like a mix-up of stations on the wireless. Seeing Clem and Toby leave the pond and walk over towards the speakers, she collected Judy and joined them. As soon as she got near she found that her guess had been wrong: the right-hand speaker was extreme Right and the left extreme Left. But how many of their audience, she wondered, would have noticed if they had got up behind the wrong placards by mistake?

It was hard to take in the sense of what the speakers were saying, so confusing was the double clamour. But one thing was certain, that the fabric of both speeches was shot through and through with the steely tinsel of war. "To combat the forces of tyranny . . ." one of them ranted. "To crush down the menace of revolution . . ." mouthed the other just as glibly. "Is any sacrifice too great . . . ?" "Which of us would not willingly lay down . . . ?"

And now, from somewhere behind them, came the sound of a third voice, so shrill, reedy and raucous that it made itself heard even through the babel nearer at hand. It seemed only half human, and for a moment Mrs. Miniver had a sense of nightmare; but as soon as she realized what it was she grabbed Clem by the arm. "Come on!" she said. "There's a Punch and Judy!" Clem's face lit up. He hoisted Toby on to his shoulder and they all four edged their way out of the crowd.

The rest of the morning was pure bliss. For over an hour they stood, absorbed, while the immortal melodrama unfolded itself before their eyes. The proscenium was shabby, the properties crude, the puppets battered almost featureless by the years of savage slapstick they had undergone: but the performance was superb. The baby yelled and was flung out of the window; Judy scolded and was bludgeoned to death; the beadle, the doctor, and the hangman tried in turn to perform their professional duties and were outrageously thwarted; Punch, cunning, violent and unscrupulous, with no virtues whatever except humour and vitality, came out triumphant in the end. And all the children, their faces upturned in the sun like a bed of pink daisies, laughed and clapped and shouted with delight.

"So what?" said Mrs. Miniver at the end, to Clem.

"So nothing," said Clem, shrugging his shoulders. "It's great art, that's all. Come on, I'm hungry."

A Country House Visit

THEY went to Cornwall for Easter, to stay with the Edward Havelocks.

People who didn't know Mrs. Miniver very well, and even some of those who did, would have found it difficult to believe what a feeling of leaden oppression always came over her during the last few miles of the approach to a strange country house visit. If they were arriving in their own car she could comment on it half-jokingly to Clem, which helped to dispel it: but if, as now, they had come by train and been met at the station, she could only watch the back of the chauffeur's neck in dumb dismay, or at the most make some cryptic reference to her state of mind.

"These modern tumbrils are so fast," she said in an agonized murmur to Clem as the car swept them all too rapidly towards Penzarron.

"Look!" said Clem. "More standing stones. This place must have been stiff with Druids." He was not unfeeling, but he thought, quite rightly, that she ought to have grown out of this by now. Also he knew that her panic would disappear the moment she set foot in the house, and that she would most likely end by enjoying herself. Mrs. Miniver knew all this, too, in her mind, but she could never quite succeed in transferring the knowledge to the pit of her stomach.

It wasn't shyness: she had never experienced that. She got on easily with strangers, and there were few things she enjoyed more than that first tentative groping among wave-lengths, followed -- if you were unlucky -- by a Talk on Accountancy, but far more often, thank heaven, by a burst of music. No, it wasn't shyness. It was more like a form of claustrophobia -- a dread of exchanging the freedom of her own self-imposed routine for the inescapable burden of somebody else's. She must be prepared to adjust herself all day to an alien tempo: to go out, to come in, to go to bed, to sit, to stride, to potter (oh! worst of all, to potter), whenever her hostess gave the hint. There was always a chance, of course, that the Havelocks' tempo might turn out to be the same as her own: that they might hate sitting long over meals; walk quickly or not at all; enjoy arguments, jokes, and silences, but detest making conversation; and realize that a day without a chunk or two of solitude in it is like a cocktail without ice.

There was certainly a chance: but at moments like this it seemed a very remote one. They had come out on to the coast road now, and Cornwall was out-postering itself, as usual, with rocky headlands and sandy coves and fishing villages that spilled themselves down the cliff face like cascades of mesembryanthemum. The year was older here: the oak-woods were rounded, cushiony and mustard-gold, the grass under the fruit trees was already scattered with petals, the cottage gardens were little glowing squares of rich embroidery. It was being a lavishly lovely spring, almost frightening in its perfection, as though for some reason it was meant to be a final performance. "Positively the last appearance on any stage . . . . " She suggested this to Clem, wondering whether by any chance it had struck him, too.

"But that's what I feel every spring," said Clem unexpectedly. And I've known him through seventeen of them, thought Mrs. Miniver, without knowing that. But it was quite natural really: she had long ago discovered that whereas words, for her, clarified feelings, for Clem, on the whole, they obscured them. This was perhaps just as well. For if they had both been equally explicit they might have been in danger of understanding each other completely; and a certain degree of un-understanding (not mis-, but un-) is the only possible sanctuary which one human being can offer to another in the midst of the devastating intimacy of a happy marriage.

She saw every relationship as a pair of intersecting circles. The more they intersected, it would seem at first glance, the better the relationship; but this is not so. Beyond a certain point the law of diminishing returns sets in, and there aren't enough private resources left on either side to enrich the life that is shared. Probably perfection is reached when the area of the two outer crescents, added together, is exactly equal to that of the leaf-shaped piece in the middle. On paper there must be some neat mathematical formula for arriving at this: in life, none. She breathed surreptitiously on the window of the car and drew two circles with her finger; but they hardly intersected at all -- a mere moonlight infatuation which would soon peter out -- so she added ears and whiskers and turned them into Siamese-twin cats. (But would that count, she wondered, as being Siamese cats?) Then she met the chauffeur's eye in the driving-mirror and hurriedly rubbed the whole thing out, pretending to peer at the view.

"But it's all right," said Clem, pursuing his own train of thought. "She always decides to stage another come-back."

"Who? Oh -- spring. Yes." But she could not respond with much gaiety, for they were actually turning in at the gates of Penzarron. This was the worst moment of all. There was no escape now. In four days' time, she told herself, they would be on their way back to London, having probably made several new friends: but somehow this was no comfort to her at all. At any rate, she thought, clinging to a straw, she had just bought herself a really grand dressing-gown, the kind one always caught glimpses of, exquisitely laid out, through other women's bedroom doors. The vision of it sustained her all the way up the drive between the mountainous rhododendron combers which never quite broke on top of the car.

And all of a sudden the ordeal was over, and they had arrived, and Leila Havelock was introducing them to their fellow-guests; and the tuning-knobs were turning, turning, in broad preliminary arcs, ready for more delicate adjustment as soon as the first faint throbbing of music should beat upon the ear.

Mrs. Downce

THE first week-end after the school holidays were over, the Minivers kept away from Starlings, so as to let Mrs. Downce give the house a thorough turning out. By the time they went down again it was well into May. A noticeable change had come over the countryside: it had lost the coltish uncertain grace of spring and taken on a more poised, though still virginal, loveliness.

As soon as Mrs. Downce appeared at the door Mrs. Miniver knew, with that morbid sensitiveness to emotional atmosphere which is common to lovers and housewives, that something was amiss. She was not sure which of the two possible types of bad weather the omens portended -- the subjective (or dudgeonly) or the objective (or catastrophic). On the whole, knowing that it couldn't be anything to do with the children, she hoped that it would turn out to be the latter. Burst water-mains were so much easier to deal with than injured feelings. But mightn't it, after all, be something to do with the children? There might have been a telephone message while they were on their way down --

"Is everything all right?" she asked in a casual voice, pulling off her gloves.

"Well, no, madam, I'm afraid I couldn't hardly say that." Mrs. Downce paused ominously.

("Oh, come on, you old fool, don't keep me on tenterhooks like this -- which of them is it? Toby? Judy? Vin?) I'm sorry to hear that. What's happened?"

"Well, madam, there's nothing what you could call happened, it's just there's a norrible smell."

Mrs. Miniver nearly laughed out loud with relief.

"Smell? Where?"

"Everywhere, madam. All over the back part of the house, that is. A norrible smell."

Mrs. Miniver crossed the hall, opened the door which led to the kitchen premises, and shut it again very quickly.

"Good heavens!" she said. "It's unspeakable."

Mrs. Downce's face bore the triumphant look peculiar to those who, suspected of hyperbole, are found to have been employing meiosis.

"Downce thinks it's the drains. His mother died of typhoid."

Clem came in from putting away the car.

"Look here, Clem, you ought to know -- is this drains, or isn't it?"

"I'm an architect," said Clem, "not a sanitary inspector. Still, I'll have a sniff -- oh, Lord!" He, too, shut the passage door, appalled.

"Me and Downce have been sitting in the library, sir, and cooking on a spirit lamp. We thought you wouldn't mind."

"Of course not, " said Clem. "But why on earth didn't you get in a plumber?"

"We thought at first it might go off," Mrs. Downce explained. "But when it got too bad we did ring up Mr. Bateman. But that's three days ago now -- he's putting in a new bathroom up at the Hall, and you know what the tradesmen are like down here when they're busy. Independent. They don't care who gets typhoid." She was a Cockney, but had married into Kent; and the last twenty-five years had only strengthened her conviction that anywhere outside London was virtually Central Africa.

"Nobody's going to get typhoid," said Clem impatiently, striding over to the telephone.

"It's Saturday afternoon, sir," Mrs. Downce reminded him with melancholy relish. "You won't get nobody now till Monday."

"Come on," said Mrs. Miniver, in whom curiosity had at last overcome squeamishness. "Let's try and find out what it is. It may not be drains at all. It may be a dead rat under the floor."

"Bore like a dead sheep," said Clem, as, holding their noses, they proceeded down the kitchen passage.

"Bore like a dead babboth, " said Mrs. Miniver. They tracked the smell past the kitchen, scullery, and larder, until they came to the small wash-place and cloakroom just inside the garden door, where it seemed to be at its worst.

"I suppose that beads it bust be draids," said Mrs. Miniver. But Clem, after looking round suspiciously among the litter of waterproofs, walking-sticks, nets, rods, and golf-clubs, took down Vin's fishing haversack from a hook on the wall.

"Bait," he said briefly. "Dab the boy." They carried the haversack out into the garden and emptied it. Among the floats, leads, and other paraphernalia there were two tins. The first contained earthworms, the second lugworms, both in an indescribable state.

"Really," said Mrs. Miniver, "this is a bit much. Such waste, too," she added. "I helped him dig those lugworms the day we went over to Dungeness. They took us nearly two hours to get."

Clem's face was grim. He got a spade from the tool-shed and buried the bait very deep in the kitchen garden. Then he went indoors and wrote a letter to Vin. From the time it took, and the look of his shoulder-blades, Mrs. Miniver was afraid that for once in a way he was being over-stern; but when he leant back in his chair to re-read the letter she saw that it was profusely illustrated down the margin with his own particular brand of pin-man picture: so she knew it was all right. And Mrs. Downce, as she brought in the tea, remarked amiably and with an air of discovery that boys would be boys. Mrs. Miniver breathed more freely. The trough of low pressure was already over: it was going to be a fine week-end.

Married Couples

"WE might get the Danbys," said Mrs. Miniver, looking through her address-book over early morning tea. Clem's father had just sent them a salmon, and it seemed a good opportunity to ask a few people to dinner.

"We-ell," said Clem, "I'd love to have Nigel, but I don't feel like coping with Helen. She yatters."

"What about the Pritchards?"

"There again," said Clem. "Only the other way round. It would be grand to see Sara again, but Clive'll talk nothing but shop. It's too hot for Clive. Look -- I must go and shave. Call out if you get any other ideas."

Mrs. Miniver put down the address-book and poured out some more tea. As she did so her eye fell on an article in the newspaper which Clem had just thrown aside. "Problems of Marriage," ran the title. She glanced through the first paragraph.

"I am not setting out to decry marriage. Nobody pretends that it is a perfect institution, but nobody has yet suggested a better one. At the worst it is seldom quite beyond repair: at the best it can be delightful. Most married people are neither more nor less happy than they would have been if they had remained single. They may not be able to go round the world on a tramp steamer: but there is not that start in the evening when the coal falls out of the grate."

Good of its kind, she thought; written, at any rate, with more restraint and a lighter touch than most articles on that well-worn subject: though, like all the rest of them, it bristled with three-quarter truths. She would finish reading it later, when she had settled the dinner question.

She applied herself again to the address-book. The Frants? The Palmers? Really, it was lamentable, the unevenness of most married couples. Like those gramophone records with a superb tune on one side and a negligible fill-up on the other which you had to take whether you wanted it or not. Only in this case you could not simply ignore the vapid backing, but were forced to play it through to the bitter end exactly the same number of times as the side which you treasured. How silly it was, this convention -- relaxed a little nowadays but still surprisingly obstinate -- that you must not invite one half of a married couple to dinner without the other. Even when both were equally charming, she often wished she could ask them on different days. For in order that the game of dinner-table conversation may be played to its best advantage, it is essential that every player should have a free hand. He must be at liberty to assume disguises, to balance precariously in untenable positions, to sacrifice the letter of the truth to the spirit of it. And somehow the partner's presence makes this difficult. She does not, if she is civilized, chip in with "No, darling, it was Tuesday"; but she is apt to crumble the bread, and to have a look in her eye. The pronouns, of course, can be reversed, thought Mrs. Miniver hastily, remembering Clive and Sara.

"Any luck?" said Clem, reappearing.

"No, none whatever. All the couples we owe dinners to are hopelessly lopsided."

"I wish to goodness," said Clem, "we were as brave as old Lady J. She simply asks all the nice halves to one party and all the boaks to another."

"I know. And as often as not she has a cold and cancels the boak party at the last minute. But anyway, old Lady J.'s a Character. You can't do that sort of thing unless you're a Character."

"Oh, well, better ask both lots, and then you can talk to Nigel, and I can talk to Sara, and Helen and Clive can go into a boakish huddle."

"All right," said Mrs. Miniver, shutting up the address-book with relief. But why, oh why, she wondered, do writers of articles on marriage always confine themselves to the difficulties which it presents to those who are actually involved in it, and never mention the problems which it raises for their friends? To everybody except the protagonists, she thought for the thousandth time, marriage is nothing but a nuisance. A single person is a manageable entity, whom you can either make friends with or leave alone. But half of a married couple is not exactly a whole human being: if the marriage is successful it is something a little more than that; if unsuccessful, a little less. In either case, a fresh complication is added to the already intricate 'business of friendship: as Clem had once remarked, you might as well try to dance a tarantella with a Siamese twin.

That had been years ago, before they were married; but the phrase had stuck, and to avoid, so far as their friendships were concerned, turning into Siamese twins had been one of their private marriage vows. How well, she wondered, had they kept it? Only their friends could judge: but even to have been aware of the danger was something.

A Drive to Scotland

ALTHOUGH they had driven up to Scotland every summer for fifteen years, they still felt a little stab of excitement when they came to the signpost at the top of Finchley Road which pointed to the left and simply said "The North." It made a kind of chapter-heading to their holiday.

They always started at seven after an early breakfast and shared the driving between them, changing over every fifty miles or so. This year it had been Clem's turn to take the wheel first, of which Mrs. Miniver was rather glad. It meant that during the dreary flat expanse between Biggleswade and Stamford she would be pleasantly preoccupied with driving, whereas she would be free, as passenger, to look about her at the beauty of the next stretch, which lay along the eastern fringe of the Dukeries. It was an ample, rolling, opulent beauty; Georgian, somehow, with a suggestion of full-bottomed wigs and old port. A trifle oppressive to live with, perhaps: but, as a rich dark-green tapestry drawn smoothly and swiftly past one, very satisfying. At Retford they changed places again. This landed Mrs. Miniver with Doncaster, the only big town on the whole route; but after that she had an easy drive across the Plain of York to Boroughbridge, where they stopped for lunch. The great point was that Clem now came in for Leeming Lane, a fast fifteen-mile stretch, as straight as an arrow, which he loved and could do justice to: while she herself could sit back, enjoying the speed but thankful that she wasn't at the wheel.

At Scotch Corner they swung off to the left towards Bowes; and this, they always felt, was where "The North" really began, spiritually if not geographically. For they were out of the plain at last and climbing up into a completely different country, a country of small steep tumbled fields, rough stone walls, crying sheep, skirling plover, and lonely farm-houses sheltered by clumps of sycamore.

"This," said Clem as they topped a rise, "is where we passed those gipsies two years ago."

"I know," said Mrs. Miniver. "I was just thinking that. With the skewbald horse." It was amazing, the number of little memory-flags with which, on their minds' map, the road was studded. There were dozens of them now, and every year added a few more. There was one, for instance, near Colsterworth, where their first car (a two-cylinder roller-skate with overhead valves and partially exposed viscera, very sweet and willing but extremely second-hand) had dropped a push-rod; which, after a long search, they had recovered from the gutter a quarter of a mile behind. And there was another flag at the point where their third car (a meretricious black beast of an obscure continental make, the only really disloyal one they had ever owned) had venomously run a big end, stranding them for fourteen hours at a tin garage by the roadside. It had rained nearly the whole day; they had played countless games of piquet on the top of a packing-case, and Clem had scored repique and capot twice running. There were flags, too, at all the places where they had ever stopped to picnic; and one at the place where they had seen a particularly fine double rainbow; and one at the place where, after rounding a sharp bend, they had come upon a man in a stationary car hurriedly removing his false black beard. An enigmatic flag, that, five years old. They had, of course, lurked in the next side-turning to let him pass, and then trailed him for miles; but he took the Rotherham fork at Barnby Moor, so they never discovered whether what they had seen was the aftermath of a practical joke or part of a real-life Buchan.

They were climbing steadily now; and presently the bones of the earth began breaking through the grass in rocky scars and outcrops; and higher still there were no fields at all, but only bare moors. At the summit of the road, half-way between Bowes and Brough, they stopped, according to their invariable custom, and got out to stretch, smoke, and enjoy the view. They were standing on the spine of England, nearly fifteen hundred feet above the sea. Yorkshire lay behind, Westmorland in front; Hunderthwaite Moor and Teesdale to the north of them, Stainmore Forest and Arkengarthdale to the south. The silence, after the monotonous hum of the car, was almost startling. The air was knife-keen and as fresh as lettuce. It seemed a far cry from the lush, matronly, full-blown landscape of the south through which they had set out that morning. Moving northward in space, thought Mrs. Miniver, they had moved backward in time; reversed the irreversible, recaptured in late summer the feeling of spring. By what analogous mental journey, she wondered, what deliberate pilgrimage of the heart, could one -- but she did not pursue that metaphor: it would give her the slip, she felt, like the man with the false beard.

Clem finished his cigarette and ground it out carefully with his heel: the grass was tinder-dry. They got into the car again, conscious that one of their most cherished flags was now stuck in more deeply than ever. Mrs. Miniver let the clutch in and set off on the long descent to Appleby. In the convex driving-mirror she could see, dwindling rapidly, the patch of road where they had stood; and she wondered why it had never occurred to her before that you cannot successfully navigate the future unless you keep always framed beside it a small clear image of the past.

The Twelfth of August

"WELL," said Archie McQuern, knocking out his pipe on the lowest stone of the dyke and brushing a crumb of pastry off his kilt. "I suppose we'd better be moving on."

He hoisted himself out of the heather and blew his whistle. Bess, the young black pointer, leapt to her feet; Duke and Reiver, the two liver-and-white ones, got to theirs more circumspectly, as befitted their age and experience. They all three stood looking up at him with their queer angular faces. It just shows, thought Mrs. Miniver, leaning back against the dyke and watching her brother-in-law, how careful one ought to be about what animals one gets mixed up with. Archie, tall, bony, and chestnut-headed, had been breeding pointers for twenty years and was now almost indistinguishable from Duke; while Alison, his eldest daughter, who was black-haired and who helped him to train them, was beginning to have a distinct look of Bess, especially about the eyes. Oh, well, there were worse things to look like: at any rate pointers had interesting faces, more intellectual and less sentimental than those of other gun-dogs. And she wondered, in passing, whether the narrow jaws and protruding teeth which are so distressingly prevalent among the English might not be due less to heredity than to their being encouraged to keep rabbits in their impressionable youth. Change a nation's pets and you might change its physiognomy: but she could not think, off-hand, of a nice prognathous substitute.

"No, thank you, " she said, in answer to a question from her brother-in-law. "I don't think I'll walk the Laosgainn beats -- I'll stay here with Susan and join you again when you're doing the Low Moor."

The morning had been enjoyable but strenuous. Archie never dreamed of driving until he had had at least a fortnight of the subtler sport of shooting over dogs, so that the Twelfth at Quern, for onlookers, was not a ladylike affair of lolling in a grouse-butt with a well-powdered nose. It entailed a long and stiffish walk, some of it through very deep old heather. Mrs. Miniver loved it, especially now that she had Vin's shooting to watch as well as Clem's; but she was always glad enough to drop out while they did the two steepest beats of all, above the hill loch.

The guns trudged off up the lee side of the dyke. The van, loaded with empty luncheon-baskets and the morning's bag, blundered away down the cart-track like a drunken bee. The two women moved over to a little grassy knoll shaded by rowan trees. The wind had dropped entirely; it was as hot as one always forgets the Highlands can be. Ben Cailleach and the other high tops were shimmering. Below, they could see the grey roof of Quern House jutting out of its fir plantation, with a column of smoke going up from the kitchen chimney as straight as a wand. Beyond lay the little strath dotted with haycocks, and beyond that again Judy and Toby and their two youngest cousins were busily damming the burn. It was good for them, thought Mrs. Miniver, to be for a time part of a large family, with the greater complexity, but lower intensity, of its relationships.

She brought her eyes back again from the hazy middle distance to the near, clear presence of Clem's sister, who had planted her back firmly against one of the rowans and begun to knit.

"Susan," said Mrs. Miniver, "where did that knitting come from? I swear you didn't have any on you a minute ago. I believe you materialize bits of knitting out of thin air, the way conjurers do with lighted cigarettes."

"No," said Susan, "they grow out of my finger-tips, like a thread out of a spider. As a matter of fact my whole inside is made of wool. One gets like that, you know, living in the Highlands all the year round."

"The great thing about you," said her sister-in-law, "is that you've never let it spread from the neck up."

"Oh, well," said Mrs. McQuern elliptically, "there's always Douglas and Foulis."

Mrs. Miniver lay down on her side to make the colours of the hills clearer. Across the foreground of her picture was a spray of whin in full bloom, upon which two chaffinches were swinging. Above them a pair of white butterflies were weaving quick flirtatious patterns in the air. It was idyllic -- a Chinese painting on silk; an exquisite, peaceful oasis in a day of organized death.

"It's all very well to talk like that," she said. "But you know you wouldn't live anywhere else for the world. I believe you're completely and utterly contented."

Susan chuckled. "Not always. Not when the cook breaks her leg on the eleventh of August."

"Oh, everybody has catastrophes. The only thing that matters is to be properly cast, so that you get the kind of catastrophes you can deal with. I think that's what I meant, more than contented. You're quite perfectly cast, Susan."

"Bah-hah," said Susan. "So are you, for that matter. I'd hate your sort of life just as much as you'd hate mine."

"Except for a holiday -- yes."

"In fact," said Susan, "it's just as important to marry the right life as the right person."

Well, no, thought Mrs. Miniver, not quite. But near enough for a hot day, after lunch. She shut her eyes, taking the Chinese picture with her inside the lids.

"Listen!" said Susan, presently. " I heard a shot."

Mrs. Miniver opened her eyes again for a moment. Eight white wings lay scattered on the grass under the gorsebush. The chaffinches were looking as though butterflies wouldn't melt in their mouths. It was too hot to work out the moral. She shut her eyes again and went to sleep.

At the Games

THEY all went over to the Crurie Games, though not all for the same reason. Archie McQuern went because he thought he ought to, and Susan went because Archie thought she ought to. The three Miniver children and the four younger McQuerns went because of the Fun Fair in the next field. Alison, the eldest, went because the Ardbennie party were sure to be there, and she knew that Jock Murray was home on leave. Miss Bates, the English holiday governess, who had never been in Scotland before, went because her great-grandmother's name had been Gillespie, and the sound of pipe-music always made her feel pleasantly queer. Clem went because he would generally rather do things than not, and Mrs. Miniver went because for some obscure reason she liked watching Highland Games.

"I can't understand it," said her sister-in-law. "I shouldn't have thought it was your line at all. Just look how you go on about cricket."

But the whole point was, Mrs. Miniver tried to explain, that the Games weren't cricket. In fact, they weren't games at all, but athletics. There was no team spirit about, and no holiness and winning of Waterloo, but only a lot of ordinary men, each one out for himself, trying to run faster or vault higher or throw a weight farther than any of the others for the sake of thirty or forty shillings in prize-money and a mention in the Crurie Herald. It might not be very heroic, but it was agreeably straightforward.

And beautiful, too, she thought with a lift of pleasure as one of the vaulters soared smoothly upwards at the end of his banded pole, cleared an improbable height, and dropped to the ground as lightly as though he were falling through water. (For some reason, pole-vaulting always gave the impression that it was being performed in slow-motion.) He was a lean, lantern-jawed