[Contents]
[Illustrations]
[Index]
[Frontispiece]
 Juniper Hall
[Title Page]
JUNIPER HALL
A RENDEZVOUS OF CERTAIN
ILLUSTRIOUS PERSONAGES
DURING THE FRENCH REVOLUTION
INCLUDING
ALEXANDRE D'ARBLAY
AND
FANNY BURNEY
CONSTANCE HILL
ILLUSTRATIONS BY
ELLEN G. HILL
AND REPRODUCTIONS IN PHOTOGRAVURE, ETC.
JOHN LANE - THE BODLEY HEAD
LONDON & NEW YORK - MDCCCCIV
[Page]
Printed by BALLANTYNE, HANSON & CO.
London & Edinburgh
[Page v]
PREFACE
IN a beautiful part of Surrey there stands a house famous as the resort of some distinguished French émigrés, who, during the Reign of Terror, had escaped from the guillotine.
This house, known as "Juniper Hall," is situated between the village of Mickleham and Burfordbridge. Within its walls there met together, a little more than a century ago, a group of singularly interesting persons, both French and English.
The French colony consisted of leading members of the Constitutional party, who had made great personal sacrifices in the cause of reform, and who had now suddenly fallen from power with the fall of their king; while among their English neighbours were the relatives of our authoress, Fanny Burney, and after a while Fanny Burney herself.
The letters of Miss Burney and of her sister, Mrs. Phillips, written during this period, reproduce the charming conversation and polished manners of this French "salon" on English soil, whose members, it has been remarked,
[Page vi]
united "toute la vigueur de la liberté et toute la grâce de la politesse ancienne."
Out of this intercourse of French and English the love-affair between Fanny Burney and M. d'Arblay arose, which, resulting as it did in their marriage, gives a special interest to the émigrés' sojourn in Mickleham.
By the kindness of members of the Burney family and others valuable original matter has been put into our hands, including unpublished letters by Fanny, and by her father, Dr. Burney, by Edmund Burke, Arthur Young, and other persons. Permission has also been given for the reproduction of interesting portraits and of contemporary sketches.
The literary reader will of necessity remark sundry lapses in grammar in the letters of Fanny Burney - which are surprising as coming from an authoress of her experience. But the freshness and spontaneity of her letters shine, perhaps, all the brighter from our feeling that nothing has been changed or corrected by an after-thought.
The portrait of Fanny Burney, given in this book, is now published for the first time. It is reproduced from the picture in the possession of Colonel Burney, which he inherited from his grandfather, Richard Allen Burney, who was a nephew and contemporary of the authoress. It is one of two portraits painted by Fanny's cousin,
[Page vii]
Edward Burney; the other being the well-known portrait prefixed to the "Diary and Letters."
The portrait of M. d'Arblay is a reproduction of the original crayon drawing now in the possession of Mr. Leverton Harris, M. P., of "Camilla Lacey," to whose kindness we also owe the permission to make use of other objects of interest in the Burney-parlour.
The portrait of Mr. Lock, of Norbury Park, is reproduced from a pencil drawing made by Edward Burney from the original portrait in oils by Sir Thomas Lawrence. This drawing is in all probability the sketch that used to hang on the walls of the cottage at Bookham, and which is spoken of by Madame d'Arblay as "dearest Mr. Lock, our founder's portrait."
To Lord Wallscourt, the great-grandson of Mr. and Mrs. Lock, we are indebted for permission to reproduce the beautiful portrait of Mrs. Lock, by Downman.
The picture of Juniper Hall is engraved from a watercolour drawing, by Dibdin, in the possession of Dr. Symes Thompson. It was taken many years before the house underwent any alteration.
The best portraits of the émigrés have been sought out by us in Paris, Versailles, and elsewhere, and we have obtained contemporary prints of the prison of the Abbaye and of the Place de Grève, scenes connected with their imprisonment
[Page viii]
or escape; while in the neighbourhood of Mickleham numerous sketches have been made of places where their intercourse with the Burney family and others took place.
Among the books from which material has chiefly been drawn are the "Diary and Letters of Madame d'Arblay," edited by her niece; the "Memoir of Dr. Burney," by Madame d'Arblay; the "Memoires de Malouet," and, for its autobiographical portions, Madame de Staël's "Considérations sur les principaux Evénémens de la Revolution Française."
We should like to take this opportunity of thanking all who have assisted in the production of this book; whether by allowing us to visit their interesting houses or providing us with fresh material and portraits. Among them we would especially mention the name of Archdeacon Burney, a grand-nephew of the authoress, whose important collection has been generously put at our disposal.
The subject of this work has been found by the writer to be interesting and inspiring to a high degree. It is hoped that the reader may find it so also.
CONSTANCE HILL.
GROVE COTTAGE, FROGNAL
HAMPSTEAD,
October 1903.
[Page ix]
[Page xi]
LIST OF ILLUSTRATIONS |
PAGE |
Juniper Hall (From a water-colour drawing by Dibdin, taken in 1844) | Frontispiece |
River Mole | 2 |
Ruined Chapel | 4 |
Cypher used by Marie Antoinette | To face 12 |
Old balcony, with the Fleur-de-lis, Quai Bourbon, Paris | 14 |
Portrait of Victor Pierre Malouet | To face 16 |
Doorway in the Rue du Bac (Adapted from a French drawing) | 19 |
Portrait of Lally-Tollendal (his flight from Paris below) | To face 22 |
Prison of the Abbaye (Old Print) | To face 24 |
Hôtel de Ville and Place de Grève (Old Print) | To face 28 |
Dover Cliffs | 36 |
The Cottage at West-Humble | 38 |
A Room in the Cottage | 40 |
Portrait of Arthur Young | To face 42 |
Portrait of the Duc de Liancourt | To face 44 |
Portrait of Alexandre, G. P. d'Arblay (From the original crayon drawing in the possession of F. Leverton Harris, Esq., M.P.) | To face 54 |
The Sculptured Drawing-room at Juniper Hall | 57 |
The Home of Captain and Mrs. Phillips | 61 |
Mrs. Phillips' Drawing-room | 64 |
Portrait of Mr. Lock of Norbury Park (From a drawing by Edward Burney, after the painting by Sir Thomas Lawrence) | To face 66 |
Old Houses on the Seine | 69 |
Norbury Park from the Valley | 71 |
Portrait of Louis Lara, Comte de Narbonne | To face 74 |
A French Château | 78 |
Portrait of Fanny Burney (From a painting by Edward Burney, in the possession of Colonel Burney) | To face 80 |
The "Whitestone" on Hampstead Heath | 87 |
The Picture-room, Norbury Park | 97 |
Portrait of Mrs. Lock (From a drawing by Downman, in the possession of the Lord Wallscourt) | To face 100 |
The Hall, Norbury Park | 103 |
Portrait of the Abbé Edgeworth | To face 110 |
Box Hill from the Valley | 117 |
Portrait of Madame de Staël (From a painting by F. Reyberg) | To face 118 |
Portrait of Monsieur de Talleyrand | To face 130 |
Norbury Park (Entrance side) (Old print) | To face 138 |
Old Conservatory, Norbury Park | 140 |
"The Running Horse" | 143 |
The "Druids' Walk," Norbury Park | 145 |
Chesington Hall. (Front a drawing in the possession of Archdeacon Burney) | 147 |
Mulberry Tree in the Garden of Chesington Hall | 150 |
The "Mount" and Summer-house | 152 |
Window of the "Conjuring Closet" in Chesington Hall | 156 |
Carved Stone Seat, Norbury Park | 161 |
Portrait of Charles Burney. (After Sir Thomas Lawrence) | To face 162 |
Chimney-piece decoration in Juniper Hall | 164 |
Mickleham Church in the Eighteenth Century | 166 |
Facsimile of the Entry in Mickleham Church Books of the Marriage of Alexandre d'Arblay and Frances Burney | To face 166 |
Norman Doorway of Mickleham Church | 167 |
Chapel of the Sardinian Ambassador, Lincoln's Inn Fields | 169 |
Chimney-piece Ornament in Juniper Hall | 175 |
Portrait of Edmund Burke (By Romney) | To face 182 |
Title-page of Madame d'Arblay's Appeal on Behalf of the French Emigrant Clergy | 184 |
The Cottage at Bookham | 190 |
Interior of the Cottage | 192 |
Box Hedges at Mickleham | 197 |
Portrait of Mrs. (afterwards Lady) Crewe | To face 202 |
A Baby's Pincushion | 204 |
Old Cottages near Mickleham | 207 |
Title-page of "Camilla" | 211 |
The Terrace at Windsor in the Eighteenth Century | 212 |
The "Friseur" | 214 |
Portrait of Edward Burney (By himself) | To face 224 |
Camilla Cottage (From and old sketch in the possession of F. Leverton Harris, Esq., M.P.) | 230 |
Chimney-piece Ornament in Juniper Hall | 233 |
Facsimile of Autograph Letter from Madame d'Arblay to her brother Charles | To face 238 |
Passage in Camilla Cottage | 239 |
The Unaltered Room in Camilla Cottage | 244 |
General d'Arblay's "Hillock" | 245 |
Juniper Hill | 253 |
Medallion. A Mural Decoration in Juniper Hall, and also in Norbury Park (Subject unknown) | 262 |
The scroll upon the binding of this book is copied from a
marble chimney-piece in Juniper Hall.
|